Author: Alan Stewart

Doctor Strange #12 (February, 1976)

Posted on by Alan Stewart

Four months ago, we took a look at Doctor Strange #10, which presented the first chapter in writer Steve Englehart and artist Gene Colan’s latest (as of July, 1975) four-part saga of the Sorcerer Supreme — this one involving our hero’s attempt to prevent the awesome cosmic entity Eternity from destroying the Earth.  Naturally, that story had continued in the next bi-monthly issue of the series; but since we didn’t manage to fit a full post about Doctor Strange #11 into our September blogging schedule, we’ll need to cover its main events before moving on to the specific comic whose name and cover you see at the top of this post.  If you’re a regular reader, you already know how this goes… and if you’re not, I’m sure you’ll figure it out as we roll along.  Read More

Phantom Stranger #41 (Feb.-Mar., 1976)

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Cover to Phantom Stranger #11 (Jan.-Feb., 1971). Art by Neal Adams.

By the time that the 41st issue of Phantom Stranger arrived in spinner racks in November, 1975, I had been buying the title regularly for a full five years — or, to put it another way, for an unbroken run of thirty issues.  That made it unique among the DC Comics offerings I was picking up regularly at the time, as none of the others — Beowulf, Claw the Unconquered, Hercules Unbound, Kong the Untamed, Warlord, and the just-revived All-Star Comics — had even been around just one year before, let alone five.  As for the other DC books that I’d been routinely buying back when I first sampled Phantom Stranger in November, 1970 — these included Green Lantern, House of Mystery, Jimmy Olsen, Justice League of America, Superman, and World’s Finest — while most of them were still going concerns, a couple weren’t; and those that were still being published had become occasional purchases for me, at best.  Phantom Stranger was the only DC comic I’d bought continuously for the last half-decade — the sole survivor of my own personal DC Comics class of ’70.

And after this month, it would be gone, as well… because the 41st issue of Phantom Stranger was also to be the final one.  Read More

Marvel Super Action #1 (January, 1976)

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As was discussed in detail in our post about Marvel Preview #4 several weeks ago, by 1975 all four of the black-and-white comics magazines with which Marvel Comics had made a big push into that market just two years before were winding down.  But Marvel was far from throwing in the towel on the B&W format itself.  Accepting that the early-’70s horror boom that had inspired the launches of Dracula Lives and its ilk was pretty much over, Marvel now looked to other genres for new titles that could replace those that had made up the “Marvel Monster Group”.  Read More

Howard the Duck #1 (January, 1976)

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What a difference a couple of years can make.

From Fear #19 (Dec., 1973). Text by Steve Gerber; art by Val Mayerik and Sal Trapani.

From Man-Thing #1 (Jan., 1974). Text by Steve Gerber; art by Val Mayerik and Sal Trapani.

In the autumn of 1973, Howard the Duck’s debut in the last few pages of the “Man-Thing” story in Fear #19 had been followed just one month later by his apparent demise in the first few pages of Man-Thing #1.  Marvel Comics’ editor-in-chief at that time, Roy Thomas, hadn’t thought that the publisher’s readers were ready for a “funny animal”-style character in what was at least ostensibly a horror comic, and had asked Man-Thing writer Steve Gerber to get Howard out of the book as quickly as possible.  But Thomas turned out to be wrong; the fan response to the acerbic waterfowl was overwhelmingly favorable, and Gerber was eventually given the go-ahead to resurrect Howard in his own solo backup feature in Giant-Size Man-Thing.  After two such stories had appeared, and were again well-received, the author pitched Marvel publisher Stan Lee on the idea of giving Howard his very own solo title — and Lee, who not all that long before had reportedly been utterly bewildered when attendees at his college campus appearances quizzed him about when Howard the Duck would be coming back, immediately said yes.  And thus it came to pass that in late October, 1975, Howard the Duck #1 — featuring a guest-appearance by Marvel flagship character Spider-Man, no less — was hatched into the comic-book-buying world. Read More

Avengers #143 (January, 1976)

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The cover of this issue, pencilled by Gil Kane and inked by Frank Giacoia (and maybe Mike Esposito), might fairly be called a bit misleading.  Sure, the Avengers fight a big scaly monster inside, but not these Avengers — Captain America, Iron Man, the Beast, the Vision, and the Scarlet Witch — who, setting aside the whole monster business, show up for only two of the story’s nineteen pages, besides.  On the other hand, the promises made by the cover’s blurbs are right on the money: these five Avengers do indeed “break loose” from the confinement we saw them trapped in back in Avengers #142; plus, this issue also features “the final battle against the power of Kang!” — or, at least, a final battle, since, then as now, nothing lasts forever in Marvel superhero comics.  Read More

Conan the Barbarian #58 (January, 1976)

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Last month we took a look at Conan the Barbarian #57, an issue mostly devoted to setting up the opening chapter of writer/editor Roy Thomas’ adaptation (and very extensive expansion) of Conan creator Robert E. Howard’s 1934 short story “Queen of the Black Coast” (full text available online here).  Turning past the cover by Johns Buscema and Romita, we find issue #58 beginning exactly where #57 left off, with our favorite Cimmerian adventurer riding hard for the docks of an Argossean seaport, a contingent of the city’s soldiers in hot pursuit…  Read More

Defenders #31 (January, 1976)

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Back in Defenders #21 (Mar., 1975), which was published ten months prior to the comic book we’ll be discussing today, writer Steve Gerber had introduced Marvel Comics readers to a new alliance of would-be world-conquering villains called the Headmen — or, if you prefer, reintroduced them, as all three of these bad guys — Dr. Nagan, Jerry Morgan, and Chondu the Mystic — had been plucked from a trio of one-off, completely unrelated comic book stories of the late 1950’s and early ’60s (recently, and randomly, reprinted together in Weird Wonder Tales #7 [Dec., 1974]), before being set to collectively become a major new adversary for Marvel’s premier non-team.  Read More

Captain America #193 (January, 1976)

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In July, 1975, Marvel Comics readers who turned to the Bullpen Bulletins page running in that month’s books were greeted by the following banner headline:

Assuming you weren’t a Marvelite of especially recent vintage, “‘Nuff said!” was pretty much on the money, at least in regards to the identity of “The King”.  In the context of Marvel comics — and maybe of American comics, period — there was only one person that phrase could possibly be referring to.  Still, if any confirmation was needed, it was immediately forthcoming via the latest edition of publisher Stan Lee’s monthly column:  Read More

Marvel Preview #4 (January, 1976)

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Back in the early months of 1973, Marvel Comics confidently made a big push into the black-and-white comics magazine market then dominated by Warren Publishing with a slate of four horror titles — Dracula Lives, Monsters Unleashed, Tales of the Zombie, and Vampire Tales — obviously designed to go head-to-head with Warren’s trio of Creepy, Eerie, and Vampirella.  Within two-and-a-half years, however, all four of those books had shuffled off back to the graveyard, victims of a general downturn in the horror genre’s appeal to American comics fans that had also prompted a significant pruning of Marvel’s color comics of that ilk.  (TTFN, Man-Thing; catch ya later, Morbius; Living Mummy, we hardly knew ye.)

Still, if you’d taken a look at the magazine racks in October, 1975, Marvel’s confidence in its ability to compete in the B&W comics field — or, at least, its determination to do so — would hardly have seemed to have diminished since the heady days of the “Marvel Monster Group”.  That month, you might have scored copies of Deadly Hands of Kung Fu #18, Planet of the Apes #15, Savage Sword of Conan #9… maybe even Crazy #15 or Doc Savage #2 (which had both come out in August, but wouldn’t be bumped off the stands by new issues until December).  And also, of course, the book that’s the main topic of today’s post:  the fourth issue of Marvel Preview.  Read More

Astonishing Tales #33 (January, 1976)

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Back in May of this year, we took a look at Astonishing Tales #31, which featured Deathlok the Demolisher… although only for its first ten pages.  As regular readers of this blog may recall, the ongoing series plotted and (mostly) drawn by Deathlok’s primary creator, Rich Buckler, had in the spring of 1975 recently been having scheduling problems, leading Marvel Comics to make the bi-monthly title full reprint for one issue (#29), bring in additional pencilling help for the next (#30), and then, having only enough new content to fill half of the last (#31), pad out the rest of that book with yet another reprint.  Still, we found cause for cautious optimism in what Deathlok material we did get in AT #31, per the coming-on-board of new (hopefully to become regular) inker Klaus Janson, as well as some welcome progression in the feature’s meandering plotlines.

How well-founded was our optimism?  Well, let’s start with the fact that this post, which is mostly about issue #33, is appearing in October… meaning that, fifty years ago, it took Marvel five months to bring out two issues of this book, rather than the expected four.  Not exactly what you’d call a good sign.  Read More