Tomb of Dracula #45 (June, 1976)

Posted on by Alan Stewart

Before we dive into the individual comic book that’s the main topic of today’s post, your humble blogger would like to call your attention to a more general aspect of comics history, one that’s making its debut on this site with the Gene Colan-Tom Palmer cover shown above.  Yes, it’s the Uniform Product Code — which, as best as I can tell, actually first started appearing on DC Comics’ publications in February, 1976, but, as we didn’t cover any DC books last month, had to wait for March to show up here, in conjunction with the fiftieth anniversary of its adoption by Marvel.  I don’t really have anything else to say about the UPC, except that we’d all best get used to it (again), because it’s not going away anytime soon.  (Yeah, sure, around the turn of the next decade the big publishers will begin using a different graphic in its place on their direct-sales editions.  But the real estate consumed by that rectangular box won’t be coming back for a long, long time.)  Read More

Howard the Duck #3 (May, 1976)

Posted on by Alan Stewart

As we discussed in last December’s post about the second issue of Marvel Comics’ Howard the Duck, the departure from the series of artist Frank Brunner — who, along with having drawn the first two Howard solo strips (published as backups in Giant-Size Man-Thing #4 and #5), and the first two issues of the Duck’s own title, had also contributed to the plotting of HtD #1 — was less than entirely amicable.  Among the complaints later aired by Brunner in an article published in The Comics Journal #51 (Nov., 1979), the “Master of Quack Fu” parody featured the third issue was his idea as well — though he received no credit in the book itself, nor was he remunerated so much as “a thin dime” (his own words) for his contribution.  Read More

Avengers #147 (May, 1976)

Posted on by Alan Stewart

Cover to Avengers #145 (Mar., 1976). Art by Gil Kane and Dan Adkins.

Cover to Avengers #146 (Apr., 1976). Art by Gil Kane and Al Milgrom.

Back in November, we looked at Avengers #144, featuring the latest (as of Nov., 1975) installment in writer Steve Englehart and artist George Pérez’s “Serpent Crown Saga”.  As readers of that post will recall, despite the comic’s final-page “Next” blurb’s promise that the following month’s issue would present the next chapter in the still-ongoing storyline, when Avengers #145 arrived on stands in December its pages were instead filled by the first half of a completely unrelated, out-of-sequence story scripted by Tony Isabella and drawn by Don Heck.  That issue, together with the fill-in yarn’s second part in the next month’s Avengers #146, pushed the continuation of Englehart and Pérez’s epic out to February, 1976.

According to later reports, both halves of this story had originally been intended for publication in Giant-Size Avengers #5 — a plan that was up-ended by Marvel Comics’ mid-1975 decision to phase out their whole line of mostly-new-material-filled giant-sized comics.  (While GSA #5 was indeed published in September, it was an all-reprint book.)  Given that 30-plus pages of Isabella-Heck material had already been both produced and paid for, it’s certainly understandable that Marvel would want to get it into print sooner or later.  But smack-dab in the middle of a complex, multi-issue story arc?  That hardly seems like an optimal solution. Read More

Captain America #197 (May, 1976)

Posted on by Alan Stewart

Last October, at the end of our post concerning Captain America #193 (Jan., 1976) — a comic which, you’ll remember, featured the return of artist/writer/editor Jack “King” Kirby to the star-spangled hero he’d co-created with Joe Simon back in 1940 — your humble blogger invited you all to return in May, 2026 to see how the eight-issue, Bicentennial-themed storyline that had kicked off therein would turn out.  Four months later, however, I’ve come to the realization that trying to cover seven chapters’ worth of Kirby’s epic in a single go would likely result in a post of such length as to try the patience of even the most indulgent followers of this blog — and so, I’ve decided to break up the remainder of our “Madbomb” coverage into two posts, the first of which is presented here.  (Of course, given that this piece is still aiming to hit the high points of four individual comics, it’s still likely to be a pretty long read… though not quite as much of an imposition on your time as our originally planned Captain America #200 mega-post would have been, so at least there’s that.)  Read More

Doctor Strange #14 (May, 1976)

Posted on by Alan Stewart

One week ago, we had a look at Tomb of Dracula #44, which, as regular readers will recall, ended with not one, but two cliffhangers.  To find out what happened next in regards to the second of those, which promised a face-off between Blade, the Vampire Slayer, and Hannibal King, Vampire Detective, we’ll have to wait another few weeks — but as to the first, which saw Doctor Strange succumb to the fatal bite of Count Dracula, all we have to do is turn past the cover of the comic that’s our topic today to pick up things up right where they left off.  (Although, if we’re to be honest, Gene Colan and Tom Palmer’s cover illo kind of gives the game away, at least as far as Doc’s survival is concerned — but, really, what else could you expect?)  Read More

Tomb of Dracula #44 (May, 1976)

Posted on by Alan Stewart

When you look back on it, it seems inevitable.  In 1976, Marvel Comics had these two leading men who, along with sharing a heavily mysterioso vibe, had a strikingly similar penchant for high-collared cloaks and neatly trimmed mustaches.  Not to mention that the exploits of both gentlemen were then being illustrated by the same art team of penciller Gene Colan and inker/colorist Tom Palmer.  If you were Marvel editor-in-chief Marv Wolfman, why wouldn’t you stage a crossover between Tomb of Dracula and Doctor Strange — especially since you, i.e., Marv, were also the regular writer of the former book?  Sure, it might take some time to coordinate the two stars’ respective continuities; but, as it happened, in February, 1976, both Wolfman and his counterpart over at Doctor Strange, writer Steve Englehart, were simultaneously in-between multi-issue storylines.  There would never be a more opportune moment for the Lord of Vampires and the Sorcerer Supreme to cross paths… and, in the end, that’s just what occurred, over the first two weeks of that month — as, naturally, we’ll be discussing here over the first two weeks of this month.  Read More

1st Issue Special #13 (April, 1976)

Posted on by Alan Stewart

In late January, 1975, DC Comics premiered a new ongoing title called 1st Issue Special with an initial installment starring “Atlas”, the latest creation of writer/artist Jack Kirby.  Almost exactly one year later, DC released the thirteenth — and as it turned out, the last — issue of that same title.  This time, the cover feature was “Return of the New Gods”, featuring some of the earliest creations Kirby had produced for the publisher upon his arrival there in 1970.

There was one major difference this time, however; Jack Kirby himself wasn’t involved, having left DC to return to its greatest rival, Marvel Comics, some months earlier (although his final contracted work for the former company had only appeared a few weeks before this, in Kamandi #40).  But if anyone at Kirby’s former employer found this fact to be at all ironic, they kept it to themselves.  Not only was the “King of Comics” not creatively or editorially included as part of this stab at reviving his “Fourth World” characters and concepts — his name didn’t even appear anywhere within its pages.  Read More

X-Men #98 (April, 1976)

Posted on by Alan Stewart

Per its entry at the Mike’s Amazing World of Comics web site, the comic we’re discussing today originally reached America’s spinner racks on January 20, 1976.  But even though one can’t tell it from artist Dave Cockrum’s very fine cover, once we turn to the opening splash page we find that, three weeks into the new year, the All-New, All-Different X-Men were somehow still celebrating the December, 1975 Christmas season:  Read More

Defenders #34 (April, 1976)

Posted on by Alan Stewart

Fifty years ago, the cover of Defenders #34 (produced by Rich Buckler and Dan Adkins, but giving off strong Jack Kirby-Chic Stone vibes to your humble blogger) let any regular reader who’d somehow managed to miss the previous issue in on the big news:  Nebulon, the Celestial Man, who (in league with the Squadron Sinister) had almost destroyed the Earth by flood back in #13-14, was back, and he meant business.  Read More