Doctor Strange #16 (July, 1976)

Posted on by Alan Stewart

Back in January, we looked at Doctor Strange #13 — which, as you’ll remember, ended with our hero witnessing the recreation of a shattered Earth just one issue after having witnessed (and been the sole survivor of) the destruction of that same planet.  His new existential status as the one person in the world who knew that everyone else had been obliterated, and then replaced with perfect duplicates bearing the memories of their original, deceased selves (except for the dying-in-a-cataclysm part), clearly gave the Sorcerer Supreme a good deal to mull over.  Unfortunately, before he had much of a chance to do so, he had to deal with the menace of the Lord of Vampires, Count Dracula, in an adventure that began in Tomb of Dracula #44 and ended in issue #14 of Doc’s own series.

It’s in the immediate aftermath of that adventure that Doctor Strange #15 begins, as we find our regular creative team of writer Steve Englehart and artists Gene Colan and Tom Palmer (the latter two of whom also produced the cover) chronicling the return of a weary Stephen Strange and his manservant and friend, Wong, to their home… a return which is, alas, destined to be interrupted before they arrive at their doorstep…  Read More

Eternals #1 (July, 1976)

Posted on by Alan Stewart

By April, 1976, the return of artist/writer Jack Kirby to Marvel Comics could no longer be considered news.  His first new cover for the publisher (an Avengers illustration fronting Marvel Treasury Edition #7) had appeared the previous July, and his first new full comic book, Captain America #193, three months after that.  Still, we hadn’t seen any brand-new series concepts from Kirby yet — and, given that he had been the House of Ideas’ preeminent idea man for roughly the first decade of “the Marvel Age of Comics” (i.e., 1961-70), longtime Marvelites were eager to see what would next emerge from the protean imagination of “King” Kirby — as, of course, were virtually all the creator’s many fans, regardless of their preference for one comics publisher or another.  Read More

Warlock #13 (June, 1976)

Posted on by Alan Stewart

Back in November, we looked at Warlock #11, in which artist-writer Jim Starlin wrapped up the “Magus” storyline he’d originally initiated with his first episode of Adam Warlock’s revived feature, one full year earlier.  It was a conclusion that, among other things, had given us a glimpse of Adam’s future death by cosmic suicide, as well as setting up a future conflict between our hero and his unlikely ally against the Magus, i.e., Thanos the Mad Titan.  As we asked at that time, what was the auteur going to do for an encore?  Read More

Avengers #148 (June, 1976)

Posted on by Alan Stewart

Last month we took a look at Avengers #147, the cover of which we noted found its penciller, Rich Buckler, operating in “full Kirby mode”.  By contrast, the cover of today’s fifty-year-old comic happens to have been pencilled by Jack Kirby himself… and may I just say, ain’t nothin’ like the real King, baby.  (For the record, Mike Esposito inked this piece.)  Read More

Defenders #36 (June, 1976)

Posted on by Alan Stewart

As regular readers of this blog will be aware, we haven’t had a post about Marvel Comics’ Defenders title since we covered issue #34 back in January — which means that our continuing coverage of writer Steve Gerber and artist Sal Buscema’s “Headmen/Nebulon Saga” must resume here not with the issue whose number and cover are shown directly above, but with the one whose cover you see pictured at left.  And that Gil Kane-Mike Esposito number fronting Defenders #35 (May, 1976) is a doozy, isn’t it?  If you’ve never read this comic before, I can’t wait for you to find out who that utterly bizarre unicorn-horned, bird-claw-footed, tentacle-armed monstrosity fighting the Valkyrie really is.  Why, I bet you’ll be just as surprised as Chondu the Mystic was!  (Wait, did I just give the whole thing away?  Damn.)  Read More

Tomb of Dracula #45 (June, 1976)

Posted on by Alan Stewart

Before we dive into the individual comic book that’s the main topic of today’s post, your humble blogger would like to call your attention to a more general aspect of comics history, one that’s making its debut on this site with the Gene Colan-Tom Palmer cover shown above.  Yes, it’s the Uniform Product Code — which, as best as I can tell, actually first started appearing on DC Comics’ publications in February, 1976, but, as we didn’t cover any DC books last month, had to wait for March to show up here, in conjunction with the fiftieth anniversary of its adoption by Marvel.  I don’t really have anything else to say about the UPC, except that we’d all best get used to it (again), because it’s not going away anytime soon.  (Yeah, sure, around the turn of the next decade the big publishers will begin using a different graphic in its place on their direct-sales editions.  But the real estate consumed by that rectangular box won’t be coming back for a long, long time.)  Read More

Howard the Duck #3 (May, 1976)

Posted on by Alan Stewart

As we discussed in last December’s post about the second issue of Marvel Comics’ Howard the Duck, the departure from the series of artist Frank Brunner — who, along with having drawn the first two Howard solo strips (published as backups in Giant-Size Man-Thing #4 and #5), and the first two issues of the Duck’s own title, had also contributed to the plotting of HtD #1 — was less than entirely amicable.  Among the complaints later aired by Brunner in an article published in The Comics Journal #51 (Nov., 1979), the “Master of Quack Fu” parody featured the third issue was his idea as well — though he received no credit in the book itself, nor was he remunerated so much as “a thin dime” (his own words) for his contribution.  Read More

Avengers #147 (May, 1976)

Posted on by Alan Stewart

Cover to Avengers #145 (Mar., 1976). Art by Gil Kane and Dan Adkins.

Cover to Avengers #146 (Apr., 1976). Art by Gil Kane and Al Milgrom.

Back in November, we looked at Avengers #144, featuring the latest (as of Nov., 1975) installment in writer Steve Englehart and artist George Pérez’s “Serpent Crown Saga”.  As readers of that post will recall, despite the comic’s final-page “Next” blurb’s promise that the following month’s issue would present the next chapter in the still-ongoing storyline, when Avengers #145 arrived on stands in December its pages were instead filled by the first half of a completely unrelated, out-of-sequence story scripted by Tony Isabella and drawn by Don Heck.  That issue, together with the fill-in yarn’s second part in the next month’s Avengers #146, pushed the continuation of Englehart and Pérez’s epic out to February, 1976.

According to later reports, both halves of this story had originally been intended for publication in Giant-Size Avengers #5 — a plan that was up-ended by Marvel Comics’ mid-1975 decision to phase out their whole line of mostly-new-material-filled giant-sized comics.  (While GSA #5 was indeed published in September, it was an all-reprint book.)  Given that 30-plus pages of Isabella-Heck material had already been both produced and paid for, it’s certainly understandable that Marvel would want to get it into print sooner or later.  But smack-dab in the middle of a complex, multi-issue story arc?  That hardly seems like an optimal solution. Read More

Captain America #197 (May, 1976)

Posted on by Alan Stewart

Last October, at the end of our post concerning Captain America #193 (Jan., 1976) — a comic which, you’ll remember, featured the return of artist/writer/editor Jack “King” Kirby to the star-spangled hero he’d co-created with Joe Simon back in 1940 — your humble blogger invited you all to return in May, 2026 to see how the eight-issue, Bicentennial-themed storyline that had kicked off therein would turn out.  Four months later, however, I’ve come to the realization that trying to cover seven chapters’ worth of Kirby’s epic in a single go would likely result in a post of such length as to try the patience of even the most indulgent followers of this blog — and so, I’ve decided to break up the remainder of our “Madbomb” coverage into two posts, the first of which is presented here.  (Of course, given that this piece is still aiming to hit the high points of four individual comics, it’s still likely to be a pretty long read… though not quite as much of an imposition on your time as our originally planned Captain America #200 mega-post would have been, so at least there’s that.)  Read More