Last summer, we took a look at the first two issues of The Demon — a series created by writer-artist-editor Jack Kirby as a response to DC Comics’ request for him to come up with something in the “horror hero” vein. Although this new feature hadn’t originally been intended to replace Kirby’s beloved “Fourth World” titles on his production schedule — at least, that hadn’t been Kirby’s intent — following the cancellations of both Forever People and New Gods, and the mandated retooling of Mister Miracle, that’s effectively what happened, as both Demon and Kamandi, the Last Boy on Earth (another series dreamed up by Kirby at DC’s direction) had their publishing frequencies increased from bi-monthly to monthly status within their first three issues, so that by the beginning of 1973, they, along with the still bi-monthly Mister Miracle, effectively absorbed most if not all of the creator’s time and effort. Read More
In recent months, we’ve followed the Phantom Stranger’s crusade against the secret society of sinister sorcerers called the Dark Circle, as chronicled by writer Len Wein and artist Jim Aparo. That crusade finally comes to an end in the 24th issue — so after pausing just long enough to admire Aparo’s typically fine, mood-setting cover, let’s turn to the first page and get right to it, shall we? Read More
Back in July of this year, we took a look at Wonder Woman #202 — an issue which, in addition to being the penultimate issue of that title’s four-year “Diana Prince” run (which had found the Amazing Amazon battling bad guys sans her traditional powers or costume), featured the comic-book debut of Fafhrd and the Gray Mouser, two heroes of sword-and-sorcery fiction who’d been appearing in the stories of Fritz Leiber since 1939. In the comic’s story, Diana and Catwoman journeyed to the the world of Nehwon (spell it backwards), where they tussled briefly with the two blade-wielding adventurers before teaming up against their common foes.
Immediately following the story’s conclusion, a half-page ad promised us readers of 1972 that this was by no means the last we’d see of Fafhrd and the Mouser: Read More
In our present age, when not only the original Captain Marvel has been the subject of a blockbuster motion picture (with a second one on the way), but so has his most powerful adversary, it may be difficult for younger fans to comprehend just how obscure Billy Batson and his alter ego were to the average comic book reader of half a century ago. Even if you were an avid comics fan who’d been reading superhero funnybooks for the past seven years (as was my fifteen-year-old self, back in December, 1972), you might not have much more than a vague idea of what the “Marvel Family” and its mythos were all about, prior to the publication of Shazam! #1. Read More
Artist Jim Aparo’s dramatic cover for Phantom Stranger #23 depicts a scene that unmistakably calls back to Gaston Leroux’s 1909-10 novel Phantom of the Opera, or one of its several film adaptations; meanwhile, a blurb at the top plugs the opening installment of a new back-up series, “Frankenstein”. A prospective buyer eyeing this one in the spinner rack back in November, 1972, might well have wondered: didn’t the comic’s publisher, DC Comics, know that Halloween was last month? Why were they releasing this kind of Double Creature Feature now, after the spooky season had already passed?
On the other hand, this was the latest issue of Phantom Stranger — and “spooky” was what this comic book title was all about, not just in October, but all year long. So I suspect most fans probably didn’t think twice about the double dose of classic horror stars, half a century ago; in any event, I’m pretty sure I didn’t, either when I first eyed the cover, or when, after buying the book and taking it home, I finally turned to the first page… Read More
I may be misremembering, but I have a vague recollection of my fifteen-year-old self looking at this one at the spinner rack back in October, 1972 and thinking, “The Justice League standing around a grave site? Again?” After all, it had only been three issues since artist Nick Cardy had built his cover for JLA #100 around a similar idea. On the other hand, it was October — the spooky season — and what could be spookier than an open grave? Especially when said grave was being ominously loomed over by… hey, is that the Phantom Stranger? In an issue of Justice League of America? Forget about repetitive cover concepts; I couldn’t wait to buy this one and take it home. Read More
According to an interview with Bernie Wrightson published in Back Issue #6 (Sep., 2004), the artist was initially reluctant to take on Swamp Thing, in large part because he wasn’t sure he’d be able to handle the deadlines required in producing a regularly published full-length comic book — even one that came out on a bi-monthly schedule. What ultimately convinced him? Mostly, he said, it was because he realized he’d never get a better chance to draw a series that would be “wall-to-wall monsters”.
That opportunity didn’t come immediately, of course; as readers of Swamp Thing #1 (or our August 13 blog post on same) already know, there’s just one bona fide monster in that issue — and he doesn’t even show up until well into the story. But as we’re about to see, by only the series’ second installment, young Mr. Wrightson would be able to make his dreams come true. Read More
Last November, we discussed Phantom Stranger #17, the fourth outing on the title for writer Len Wein. In that issue, Wein and his collaborator, artist Jim Aparo, showed us a more human side of the mysterious titular hero than we’d seen previously, largely through the introduction of a potential romantic interest. But the Phantom Stranger bid farewell to that interest — a beautiful blind psychic named Cassandra Craft — at the end of #17; and the potential for more characterization-rich storytelling (and perhaps even a touch of issue-to-issue continuity) that Ms. Craft’s advent had seemed to signify wasn’t followed up on in the next couple of issues, both of which featured standalone adventures in which the Stranger operated as solitarily as he had before. Read More
As was related in our post about Forever People #11 at the beginning of this month, Jack Kirby is reputed to have already begun work both on that comic and on New Gods #11 when he received word from DC Comics that those two issues would be the last for both titles. The official word was that the two series were being “temporarily suspended”; but Kirby seems to have known that this was truly the end for both of his cherished creations, at least for the foreseeable future.
While we’ll probably never know just how far the writer-artist had already gotten in plotting, drawing, or scripting either comic, there can be no doubt that he made whatever adjustments were necessary to be able to provide the readers of both Forever People and New Gods with not just one last adventure of the series’ titular heroes, but with an ending for each. In the case of Forever People, Kirby quite literally took his characters off the field, transporting them across the cosmos to an idyllic planet far from the battlefront between the warring god-worlds of New Genesis and Apokolips. Read More
Fifty years ago, this issue brought the conclusion of the tenth annual Justice League-Justice Society summer team-up extravaganza — a special event which also served to commemorate the League’s reaching its 100th issue milestone. Making the occasion even more memorable, this JLA-JSA get-together was the first to take up three whole issues; it also featured the unexpected return, after twenty-seven years, of yet another DC Comics superhero team: the Seven Soldiers of Victory.
Or maybe that should be most of the Seven Soldiers of Victory, since one of the key mysteries of the storyline concerns a lonely grave standing on a Himalayan peak, with a stone marker inscribed to an “Unknown Soldier of Victory”. As of the conclusion of JLA #101, small teams of Justice League and Justice Society members have retrieved four out of seven of the time-lost Soldiers (or Law’s Legionnaires, as they’re also called) — the Crimson Avenger, the Shining Knight, Green Arrow, and Stripesy — with three more left to go. So who’s buried in the Unknown Soldier’s grave? Is it Vigilante? The Star-Spangled Kid? Speedy?
The answer, as many of you reading this already know, is: none of the above. Which is, and simultaneously is not, a cheat. But we’ll get to that soon enough — just as we’ll get to the solution to the separate mystery posed by Nick Cardy’s superb cover (his best yet for the title, in the opinion of your humble blogger) — who else among our heroes is doomed to die? Read More