According to the Mike’s Amazing World of Comics web site, Robert Kanigher scripted 2,707 comic book stories in his five-decade career, the vast majority of them for DC Comics. But despite the fact that I’ve been reading DC comics myself for over five decades — three of which overlap with those during which Kanigher was working — I’ve never really felt like I had a handle on the guy. Read More
By August, 1970, I’d been buying and reading comic books for a full five years. Somehow, however, in all that time, I hadn’t yet sampled an issue of Jimmy Olsen.
I’m not really sure why that was. My very first comic book had been an issue of Superman, after all, and I’d picked up a couple of Lois Lanes pretty early on, as well. And I don’t recall having anything particularly against the red-headed cub reporter (in comics, anyway — I think I always considered the version played by Jack Larson on the live-action TV show to be kind of a doofus). Indeed, as best as I can remember, I actually kind of enjoyed Jimbo’s appearances in World’s Finest, where he basically functioned as the Robin to Superman’s Batman, as well as having his own team-up thing going with the genuine Boy Wonder on the side (the Olsen-Robin team even had their own secret HQ, the Eyrie). Read More
I have no doubt that many of the comic book fans who picked Green Lantern #80 up out of the spinner rack in August, 1970, took one look at the cover and immediately thought of Bobby Seale, and the 1969-70 trial of the Chicago Eight/Seven:
But I’m also pretty sure that my thirteen-year-old self wasn’t one of them.
While I feel certain that the CBS Evening News with Walter Cronkite (which, along with Mad magazine, was my main source of information on current affairs in those days) covered that story, I don’t remember being anything more than dimly aware of it, if that. (My family usually had “Uncle Walter” on while we were doing other things, like eating dinner, which made it pretty easy to miss stuff.) And so, when I scrutinized artist Neal Adams’ dramatic cover for GL #80, I didn’t understand that it was directly referencing the October 29, 1969 incident in which Judge Julius Hoffman had ordered Seale, a defendant with seven others in a federal case charging them with conspiracy and other crimes, to be bound and gagged following the latter’s allegedly disruptive behavior in the courtroom. Read More
As regular readers of this blog know, I went through a brief period at age 12, lasting roughly from the fall of 1969 through the spring of 1970, when, for one reason or another, I became disaffected with comic books. By June, 1970, my interest in them was again on the increase, but I wasn’t quite all the way back yet; and one unfortunate consequence of this was that I failed to buy Justice League of America #82 off the stands when it was released that month. Why was missing this one comic such a big deal? Simply because it featured the first chapter of that year’s two-part team-up between the Justice League of America and their counterparts on “Earth-Two”, the Justice Society of America — an annual summertime tradition at DC Comics ever since 1963, and one in which I’d faithfully participated ever since 1966. That mean that not only had I been buying and enjoying these mini-epics for most of the time I’d been reading comics, but for a significant chunk of my life, period. Four years is a pretty substantial period of time when you’re only twelve years old, after all. Read More
As was discussed in last month’s post on Fantastic Four #102, that issue — featuring the final collaboration of Stan Lee and Jack Kirby on the title — also included a “Stan’s Soapbox” column informing Marvel Comics’ readers that Kirby was departing not just from FF, but from Marvel as a whole. Though I didn’t mention this fact in the earlier post, the same Marvel Bullpen Bulletins text page that featured that announcement also included a relatively lengthy biography of John Romita — a creator who’d been a Marvel mainstay since 1966, and had been either the full penciller or the layout artist for Marvel’s other top title, Amazing Spider-Man, for most of that period. By this time, then, he could hardly have been thought to be an unfamiliar figure to most regular Marvel readers; nevertheless, editor-in-chief Lee seemed to think it was a good idea to introduce (or re-introduce) Romita to the publisher’s True Believers in the wake of Kirby’s abrupt (and unexpected) exodus. Read More
In the summer of 1970, when I was finding my way back into the regular habit of comic-book buying after almost giving the whole thing up a few months earlier, I seem to have been inclined to give just about any and every title a shot. At least, that’s my best guess as to why I picked up this issue of Teen Titans — a title I’d only ever read once before, and that over two years previously.
If I had to come up with a more specific reason, however, it would have been the cover — which, in addition to being a typically fine effort by the series’ long-time semi-regular artist, Nick Cardy (pretty much at the peak of his powers in this era), promised that the issue’s story would feature an extra couple of superheroes in addition to the usual gang of Justice Leaguers’ junior partners I was used to; namely, the Hawk and the Dove. Read More
Fifty years ago, whenever I picked up an issue of one of DC Comics’ “mystery” (i.e., Comics Code-approved horror) anthology titles, I knew I would see work from multiple creators. Any given issue would feature a mix of talents, most likely including some that I’d been a fan of for quite a while, others who were somewhat less well-known to me (but whom I was becoming more familiar with all the time, due mostly to their frequent appearances in these very titles), and probably at least one or two I’d never heard of before.
This was definitely the case with the comic that’s the subject of today’s post, House of Mystery #188, which started things off with another spooky cover by the very familiar (and always dependable) Neal Adams, and then launched into a story drawn by an artist whose work was altogether new to me (and probably new to most of this issue’s other original readers, as well), though I wouldn’t know this for sure until I got to the credits box on the story’s second page: Read More
I was never more than a semi-regular reader of the original Silver Surfer series — out of the first year’s worth of bi-monthly issues, I only purchased #1, #4, and #5. On the other hand, I recall liking all three of those issues (especially the first two) quite a bit. So I’m not entirely sure why, after one more issue, #7 (which also happened to be the last that Marvel published in a double-sized, 25-cent, bi-monthly format), I basically told the book goodbye. I do remember being a bit disappointed by this issue’s “Frankenstein” tale — mainly, I think, because I was expecting a monster, and all I got was an evil replica of the Surfer himself. Perhaps that was all it took; in any event, when the series went to a standard 15-cent format and monthly schedule with issue #8 (Sep., 1969), I didn’t bite — and I wouldn’t, until almost a year later, when — probably attracted by the fact that the Inhumans were guest starring — I picked up #18. Read More
Jack Kirby was leaving Marvel for DC.
It was the comics industry story of 1970 — and if you were a hip, well-connected fan who subscribed to Don and Maggie Thompson’s newszine Newfangles, you learned about it not all that long after the industry pros did, in March:
If, on the other hand, you were just a run-of-the-mill, solitary comics-reading twelve-year-old like yours truly, you probably had no idea that this was happening until June, when you perused the Bullpen Bulletins page that ran in all Marvel’s comics cover-dated September, 1970 (including Fantastic Four #102), and read the stunning news in Stan Lee’s “Soapbox” column: Read More
As I’ve previously related on this blog, I didn’t start buying Marvel comics on a regular basis until January, 1968 (though I’d bought my very first such issue almost half a year earlier, in August, ’67); therefore, I pretty much completely missed the era of Marvel’s original “split” books, Strange Tales, Tales to Astonish, and Tales of Suspense. Indeed, the month I became a full-fledged Marvelite was the very same month that Marvel rolled out Captain America and the Hulk in their brand-new solo titles, with Iron Man, Sub-Mariner, Doctor Strange, and Nick Fury soon to follow. It was a near miss, for sure; but it was a miss, all the same.
Still, even if I hadn’t experienced the old split book format firsthand, I knew what it was. So, I doubt I was more than mildly surprised (if that) to see Marvel bringing it back after an absence of more than two years with the premiere issues of Amazing Adventures and Astonishing Tales, both released in May, 1970. Read More