Green Lantern #81 (December, 1970)

Green Lantern #81, the sixth issue of writer Denny O’Neil and artist Neal Adams’ classic “Green Lantern/Green Arrow” run, represented a couple of “firsts” for the series.  For one, the superheroine Black Canary, who’d previously appeared in issues #78 and #79, was cover-billed as a guest-star for the first time.  For another, this was the first installment that overtly heralded the major social issue dramatized within the book’s pages with a cover blurb, i.e., the “Population Explosion!”

Along with these firsts, however, issue #81 almost had the added distinction of being the last issue drawn by Neal Adams.  As the artist would later tell interviewer Arlen Schumer (in Comic Book Marketplace #40 [Oct., 1996]), “I thought we started to run out of ideas when we ran the overpopulation story… Politically, I had a problem with the book.” Read More

Jimmy Olsen #134 (December, 1970)

In August, 1970, when DC Comics released Jimmy Olsen #133 — the first new comic book produced for the publisher by Jack Kirby to make it to print — they marked the occasion with a “Kirby Is Here!” banner headline (a consummation of the “Kirby Is Coming!” promotional campaign they’d been running the last couple of months), topping a cover drawn (mostly) by Kirby himself.

Two months later, when the publisher brought out their second Kirby comic, they continued to use his name as a selling point, with the cover’s banner headline now proclaiming “A King-Size Kirby Blockbuster!”  (“King-Sized” was in fact not an entirely accurate description, since both the physical comic itself and the featured story within were of standard length; perhaps DC was trying to evoke the “King” nickname that Kirby had acquired at his former employer, Marvel Comics.)  But the cover illustration itself wasn’t by Kirby, this time; rather, it was the work of Neal Adams. Read More

Avengers #83 (December, 1970)

Fifty years ago, one didn’t necessarily expect fresh linguistic coinages to turn up in comic books right away.  If anything, comics were notorious for incorporating slang words and expressions (especially those presumably favored by America’s youth) years past their peak of popularity– if, indeed, they’d ever been popular at all.

But in its incorporation of the phrase “male chauvinist pigs” on its cover, Marvel Comics’ Avengers #83 seems to have been right on the money.  Read More

Batman #227 (December, 1970)

According to the Grand Comics Database’s entry for this issue, the cover of Batman #227 has been reprinted seven times by DC Comics.  The story it illustrates?  Just twice.

The perennial popularity of the cover isn’t all that surprising, of course.  It’s a wonderfully atmospheric and technically accomplished effort by the artist widely considered to be the definitive visual interpreter of Batman during this era, Neal Adams — a great cover even if (like my thirteen-year-old self, back in October, 1970), you have no idea that’s it’s an homage to a classic Batman cover from the first year of the Darknight Detective’s existence…  Read More

Astonishing Tales #3 (December, 1970)

As I’ve discussed in a previous post, when Marvel Comics brought back their mid-Sixties double-feature format with two titles in 1970, my younger self promptly jumped on one of them — Amazing Adventures, co-starring the Inhumans and Black Widow — picking up both the first and second issues.  For some reason, however, I put off sampling the companion title — Astonishing Tales, headlined by Ka-Zar and Doctor Doom — for several months, so my first issue was the series’ third.  Yes, reader; that does indeed mean that I turned up my nose at new work from not just one, but two giants of comic book art — Jack Kirby (who already had one foot out the door at Marvel) and Wally Wood (who was just putting a foot back in).  What can I say?  I was a callow youth, who pretty much took Kirby for granted (he put a couple of new books out every month, after all; if you missed one, there’d be another one along in a couple of weeks) — and, truth to tell, I didn’t yet know who Wood even was, or why I should care.  Read More

Jimmy Olsen #133 (October, 1970)

By August, 1970, I’d been buying and reading comic books for a full five years.  Somehow, however, in all that time, I hadn’t yet sampled an issue of Jimmy Olsen.

I’m not really sure why that was.  My very first comic book had been an issue of Superman, after all, and I’d picked up a couple of Lois Lanes pretty early on, as well.  And I don’t recall having anything particularly against the red-headed cub reporter (in comics, anyway — I think I always considered the version played by Jack Larson on the live-action TV show to be kind of a doofus).  Indeed, as best as I can remember, I actually kind of enjoyed Jimbo’s appearances in World’s Finest, where he basically functioned as the Robin to Superman’s Batman, as well as having his own team-up thing going with the genuine Boy Wonder on the side (the Olsen-Robin team even had their own secret HQ, the Eyrie).  Read More

Green Lantern #80 (October, 1970)

I have no doubt that many of the comic book fans who picked Green Lantern #80 up out of the spinner rack in August, 1970, took one look at the cover and immediately thought of Bobby Seale, and the 1969-70 trial of the Chicago Eight/Seven:

Courtroom sketch by Howard Brodie, from the collection of the Prints and Photographs Division, Library of Congress.

But I’m also pretty sure that my thirteen-year-old self wasn’t one of them.

While I feel certain that the CBS Evening News with Walter Cronkite (which, along with Mad magazine, was my main source of information on current affairs in those days) covered that story, I don’t remember being anything more than dimly aware of it, if that.  (My family usually had “Uncle Walter” on while we were doing other things, like eating dinner, which made it pretty easy to miss stuff.)  And so, when I scrutinized artist Neal Adams’ dramatic cover for GL #80, I didn’t understand that it was directly referencing the October 29, 1969 incident in which Judge Julius Hoffman had ordered Seale, a defendant with seven others in a federal case charging them with conspiracy and other crimes, to be bound and gagged following the latter’s allegedly disruptive behavior in the courtroom. Read More

Justice League of America #83 (September, 1970)

As regular readers of this blog know, I went through a brief period at age 12, lasting roughly from the fall of 1969 through the spring of 1970, when, for one reason or another, I became disaffected with comic books.  By June, 1970, my interest in them was again on the increase, but I wasn’t quite all the way back yet; and one unfortunate consequence of this was that I failed to buy Justice League of America #82 off the stands when it was released that month.  Why was missing this one comic such a big deal?  Simply because it featured the first chapter of that year’s two-part team-up between the Justice League of America and their counterparts on “Earth-Two”, the Justice Society of America — an annual summertime tradition at DC Comics ever since 1963, and one in which I’d faithfully participated ever since 1966.  That mean that not only had I been buying and enjoying these mini-epics for most of the time I’d been reading comics, but for a significant chunk of my life, period.  Four years is a pretty substantial period of time when you’re only twelve years old, after all.  Read More

Fantastic Four #103 (October, 1970)

As was discussed in last month’s post on Fantastic Four #102, that issue — featuring the final collaboration of Stan Lee and Jack Kirby on the title — also included a “Stan’s Soapbox” column informing Marvel Comics’ readers that Kirby was departing not just from FF, but from Marvel as a whole.  Though I didn’t mention this fact in the earlier post, the same Marvel Bullpen Bulletins text page that featured that announcement also included a relatively lengthy biography of John Romita — a creator who’d been a Marvel mainstay since 1966, and had been either the full penciller or the layout artist for Marvel’s other top title, Amazing Spider-Man, for most of that period.  By this time, then, he could hardly have been thought to be an unfamiliar figure to most regular Marvel readers; nevertheless, editor-in-chief Lee seemed to think it was a good idea to introduce (or re-introduce) Romita to the publisher’s True Believers in the wake of Kirby’s abrupt (and unexpected) exodus. Read More