Tomb of Dracula #10 (July, 1973)

Posted on by Alan Stewart

Back in April, 1973, I don’t expect anyone who saw and appreciated artists Gil Kane and Tom Palmer’s fine cover for the tenth issue of Marvel Comics’ Tomb of Dracula anticipated how historically significant this image — the first sight ever provided the general public of a new character named Blade — would eventually become; probably not even that character’s creator, writer Marv Wolfman.  In retrospect, it seems more than fitting that the figure of Blade dominates Kane’s composition, taking up more space than (and pulling focus from) the comic’s titular star; after all, the wooden-knife-wielding vampire hunter would ultimately come to overshadow the very series that gave him four-color life, at least in terms of mass public awareness… and the financial rewards reaped by Marvel.  Read More

Amazing Spider-Man #122 (July, 1973)

Posted on by Alan Stewart

Like its immediate predecessor, the 122nd issue of Amazing Spider-Man leads off with a cover by John Romita, which, if not quite as iconic as that of #121, is still an exceptionally arresting image.  Not to mention one which, back in April, 1973, would likely have shocked the hell out of any semi-regular reader of the web-slinger’s series who had somehow managed to miss not only that most monumental of issues, but also any fannish discussion of same over the several weeks since its release on March 13th.

If there were any such readers fifty years ago, and if they hoped for some sort of recap to bring them up to speed on the details of how so something so unthinkable as the murder of Spider-Man’s beloved Gwen Stacy had come to pass, they were pretty much out of luck — because the creative team behind both the previous episode and this one — i.e., scripter Gerry Conway, penciller Gil Kane, foreground inker John Romita (who may have also contributed to the plot) and background inker Tony Mortellaro — weren’t about to break their storyline’s headlong momentum with any more exposition than was minimally required, let alone any flashbacks:  Read More

Tales of the Zombie #1 (July, 1973)

Posted on by Alan Stewart

Return with me now, if you will, to that long-ago era when the word “zombie” was virtually never paired with the word “apocalypse”… a time when one didn’t worry about having one’s brain (or other bodily parts) eaten by ravenous specimens of the walking dead because, well, those guys didn’t seem to eat much of anything, as far as one could tell from the stories about them… and when the animating agent that could make corpses clamber out of their graves and shamble about (no running or swarming in those days) was almost always associated with the magical traditions of voodoo (or, more properly, what passed for authentic voodoo in popular entertainment media), rather than derived from an imaginary contagion or some other “scientific” cause.  Read More

Captain America #162 (June, 1973)

Posted on by Alan Stewart

It’s been some seven months since the blog last checked in with Captain America.  As regular readers may recall, at that time we took a look at the storyline that kicked off new writer Steve Englehart’s tenure on the title — a four-issue saga in which our star-spangled Avenger (aka Steve Rogers) learned that during the post-World War II era, while he himself had been frozen in ice, he’d been replaced by another Captain America — the “Commie-busting” Cap whose adventures Atlas (aka Marvel) Comics had published for a few years in the 1950s.  That iteration of the hero, along with his partner Bucky, had ultimately gone insane, becoming an avatar of bigotry — and a menace to society whom the real Captain America, along with his partner, the Falcon, and girlfriend, sometime S.H.I.E.L.D. agent Sharon Carter, had to take down before he could permanently damage Cap’s reputation… and a whole lot else, besides.  Read More

Sub-Mariner #62 (June, 1973)

Posted on by Alan Stewart

In our post last October regarding Sub-Mariner #57, we discussed how Subby’s creator Bill Everett, who’d returned to write and draw the series in 1972 with issue #50, began to have trouble keeping up with the book’s monthly schedule due to chronic health issues; this situation eventually led to occasional fill-ins by other creators, as well as to ongoing help for Everett on both the writing and artistic ends of things.

During this period, the continuing uncertainty over Everett’s status month-to-month was evidenced in the title’s letters pages, where the anonymous Marvel Bullpener(s) responsible for answering reader correspondence would be telling fans in one issue (#55) that Everett probably wouldn’t be handling every story going forward, as “getting back into the swing of a monthly deadline is harder than you might imagine”; then, a few months later (in issue #58), explaining that “due to deadline problems, Bill will now be doing final art over the layouts of Irv Wesley [i.e., Sam Kweskin, who occasionally used the Wesley pen name], while Steve Gerber, working closely with the ebullient Mr. Everett, who will continue to plot the yarns, handles the scripting chores”; and then, finally, acknowledging (in #59) that “Bouncin’ Bill Everett has, indeed, moved on to other projects for Mighty Marvel (the monthly deadline on Subby’s book, sadly, proved too much for the compulsively conscientious Mr. Everett to handle)”.  Read More

Amazing Spider-Man #121 (June, 1973)

Posted on by Alan Stewart

The subject of today’s blog post is generally considered to be one of the most important issues in the sixty-plus-year history of Marvel Comics’ best-known hero, Spider-Man.  Many fans would call it one of the most significant single comic books ever published by Marvel, period.  Some (though not, I must confess, your humble blogger) would even go so far as to call this issue the precise dividing point between the Silver Age of Comics and the Bronze.

But you almost didn’t get a chance to read about Amazing Spider-Man #121 on its fiftieth anniversary — not in this venue, anyway.  Why?  Because your humble blogger’s then fifteen-year-old self almost didn’t purchase the book when it first arrived on stands, back in March of 1973.  And why was that?  Because I’d stopped buying Amazing Spider-Man two months earlier.  Read More

Daredevil #100 (June, 1973)

Posted on by Alan Stewart

It’s been a while — sixteen months, to be precise — since this blog checked in with Marvel Comics’ Man Without Fear.  Granted, our last Daredevil-themed post was something of a marathon, seeing as how it attempted to cover writer Gerry Conway’s entire “Mister Kline” saga — a complicated (and ultimately unsuccessful) continuity that encompassed not only a whopping eight issues of DD’s own series, but also five installments of Iron Man, and even one random Sub-Mariner — in a single go.  It was a long post, in other words; one in which no one could seriously claim we hadn’t given Matt Murdock and his alter ego a lot of quality time.  Still — it has been a while.  So, before we get on with the business of marking the milestone of ol’ Hornhead’s first hundred issues, we have some catching up to do in regards to what our Scarlet Swashbuckler been up to for the last 1 1/3 years.  Read More

Marvel Premiere #8 (May, 1973)

Posted on by Alan Stewart

Last April, we took a look at Marvel Premiere #3 (Jul., 1972), which featured Doctor Strange starring in his first full-length solo adventure since the cancellation of his title back in 1969.  In this issue, artist Barry Windsor-Smith and scripter Stan Lee introduced a mysterious new adversary for the Master of the Mystic Arts — a menace who was powerful enough to suborn one of the Doc’s oldest and most formidable foes, Nightmare, but who remained yet nameless and unseen at the episode’s conclusion.

More clues were forthcoming in the following bi-monthly issue, which we covered here last June.  This one was drawn by Windsor-Smith in collaboration with relative newcomer Frank Brunner, while Archie Goodwin scripted from a plot by Roy Thomas; it saw the storyline take a turn towards cosmic horror, as Dr. Strange journeyed to the New England village of Starkesboro, whose half-human, half-reptilian inhabitants secretly worshiped the demonic entity Sligguth.  However, Sligguth himself was no more than another servant of the same dark threat that our hero had first learned of in MP #3 — a threat that still remained nameless in this installment, though we at least learned a bit more about him — mostly courtesy of Doc’s mentor, the venerable Ancient One, who warned of the imminent return of “a cosmic obscenity that slumbers”.  The issue ended on a cliffhanger, with Strange shackled to a stone altar, about to be sacrificed to Sligguth by the demon’s scaly celebrants:  Read More

Amazing Adventures #18 (May, 1973)

Posted on by Alan Stewart

According to the account given by Marvel editor-in-chief Roy Thomas on the letters page of Amazing Adventures #18, the new feature that made its debut in that issue had been gestating for some time.  (“Two long and not always enjoyable years,” to quote the man himself.)  It had all started in 1971, when Marvel was looking to expand its market share in a big way, and Stan Lee (himself still editor-in-chief at that time) asked Thomas to submit a list of ideas for new comics for consideration by Lee and Marvel’s publisher, Martin Goodman.  Among those ideas was a series concept based on H.G. Wells’ classic late-Victorian science fiction novel, The War of the Worlds.

More specifically, Thomas imagined “a vast, hopefully unending sequel to the Wells classic.  A storyline which would pit earthmen in a kind of guerrilla warfare against the Martians, who had returned approximately 100 years after their initial invasion attempt… and who this time had come, seen, and conquered.”  Read More

Dracula Lives #1 (May, 1973)

Posted on by Alan Stewart

In February, 1973, Marvel Comics published 42 individual comic books — a 75% percent increase in production from the previous year, when the second month of 1972 had seen the company release a mere 24 new issues.  And notwithstanding such a prodigious expansion in production, the company (which had recently surpassed arch-rival DC Comics in sales numbers for the first time ever) wasn’t nearly done.  But Marvel’s next major phase of growth — which in fact began in that very month of February, 1973 — was to be in a different area than the full-color comics line in which it had made its mark.  Read More