Swamp Thing

Strange Tales #179 (April, 1975)

Posted on by Alan Stewart

Last November, we took a look at Strange Tales #178, featuring the premiere installment of Marvel Comics’ revived “Warlock” feature, now written and drawn by Jim Starlin.  In the first episode of a new multi-part storyline, the one-time savior of Counter-Earth learned for the first time of the galactic-level threat represented by the Universal Church of Truth — a militant religious organization determined to bring the entire universe under its tyrannical control, led by an entity called the Magus; an entity who, somehow, was the very same being as Adam Warlock himself.

But while I’m sure we’re all eager to proceed with this issue’s continuation of Starlin’s saga, your humble blogger feels he would be remiss not to first encourage you all to take a closer look at the book’s cover — more specifically, at the upper right-hand corner of said cover, where we would normally expect to see the Comics Code Authority’s seal of approval on the contents of this comic book — because in this particular case, approval has evidently been granted by the Cosmic Code Authority.  Read More

Swamp Thing #13 (Nov.-Dec., 1974)

Posted on by Alan Stewart

As we covered in a post back in February, the 10th issue of DC Comics’ Swamp Thing marked the end of the award-winning collaboration on the title of writer Len Wein, artist Bernie Wrightson, and editor Joe Orlando, as Wrightson chose to leave the book after that installment.  But of course, that didn’t mean the end of Swamp Thing itself.

According to an interview with Orlando published in Amazing World of DC Comics #6 (May-Jun., 1975), among the artists who were considered to replace the muck-monster’s co-creator on the series were a young and mostly untried illustrator named Arthur Suydam, as well as the veteran Filipino artist Alex Niño.  In the end, however, it was another well-seasoned komiks creator from the Philippines, Nestor Redondo, who got the nod.  Read More

Swamp Thing #10 (May-Jun., 1974)

Posted on by Alan Stewart

With the publication of the subject of today’s blog post fifty years ago, the collaboration between writer Len Wein, artist Bernie Wrightson, and editor Joe Orlando on Swamp Thing that had begun with a one-off short story in House of Secrets #92 (Jun.-Jul., 1971) came to a close.  According to an interview Wein gave The Comics Journal in 1979, the trio’s issue-to-issue production of the ongoing Swamp Thing series — which, unusually for DC Comics at the time, regularly began with a joint plotting session between writer, artist, and editor held every couple of months in the latter’s office, followed by Wrightson pencilling the entire story before Wein wrote a word of the script (a version of the “Marvel method”, if you will) — started out as a great working experience… but then, somewhere along the way, it stopped being so:  Read More

Swamp Thing #7 (Nov.-Dec., 1973)

Posted on by Alan Stewart

A few months ago, I wrote about the “house dress” that, by mid-1973, had become common on the DC comics edited by Joe Orlando.  It was a look that included a solid color banner that ran behind the title logo  and other necessities (e.g., the price tag, Comics Code seal, etc.) and took up roughly the top third of the cover area.  Not every Orlando cover followed this format (see, for instance, Plop), and other DC editors used it on occasion as well.  Still, in the period of comics history we’re presently discussing, it was a prevalent enough feature to count as an editorial signature for Orlando, if not precisely a trademark.

At the time of my previous comments, I wrote that giving over a third of the cover’s real estate to a single solid color effectively reduced the canvas available to Orlando’s cover artists.  But while that statement was true enough on its face, it really should have been accompanied by an acknowledgement of how Orlando routinely mitigated the negative effect of that design choice by keeping the amount of verbiage used on his covers to an absolute minimum.  Nowhere was that truer than with Swamp Thing, whose covers through most of its existence included no blurbs or other typography (other than the necessary elements mentioned earlier) — depending entirely on the strength of the artwork to sell the comic. Read More

Swamp Thing #4 (April, 1973)

Posted on by Alan Stewart

As I’ve written in previous posts, I bought both the first and second issues of Swamp Thing upon their release back in 1972, and enjoyed them both very much.  Somehow, though, I managed to miss the third issue when it came out in December of that year.  And so, I had some catching up to do when I first picked up the subject of today’s post, back in February of 1973.

When I’d last seen the tragically transformed Dr. Alec Holland at the end of Swamp Thing #2, he’d just managed to defeat the evil genius Anton Arcane.  Arcane had brought Holland all the way from the southern United States to an unnamed Balkan country, solely for the purpose of appropriating the latter’s mucky body (which he then planned to use to wreak vengeance on his perceived enemies, naturally).  That adventure had ended with Arcane (apparently) dead, and Holland alive and free (as well as still mucky) — but nevertheless stranded somewhere in the Balkans… and on top of a mountain, to boot.  Read More

Swamp Thing #2 (Dec., 1972-Jan., 1973)

Posted on by Alan Stewart

According to an interview with Bernie Wrightson published in Back Issue #6 (Sep., 2004), the artist was initially reluctant to take on Swamp Thing, in large part because he wasn’t sure he’d be able to handle the deadlines required in producing a regularly published full-length comic book — even one that came out on a bi-monthly schedule.  What ultimately convinced him?  Mostly, he said, it was because he realized he’d never get a better chance to draw a series that would be “wall-to-wall monsters”.

That opportunity didn’t come immediately, of course; as readers of Swamp Thing #1 (or our August 13 blog post on same) already know, there’s just one bona fide monster in that issue — and he doesn’t even show up until well into the story.  But as we’re about to see, by only the series’ second installment, young Mr. Wrightson would be able to make his dreams come true.  Read More

Swamp Thing #1 (Oct.-Nov., 1972)

Posted on by Alan Stewart

First off, please be advised that this blog post is going to be one of the long ones.  That’s primarily due to the fact that, in addition to covering the specific fifty-year-old comic book that gives the post its title, your humble blogger is also going to take a shot at answering the age-old conundrum: who came first, DC Comics’ Swamp Thing or Marvel Comics’ Man-Thing?  (Regular readers may recall that when the blog spotlighted the second Man-Thing story, back in March, I promised something of this sort would be forthcoming; that moment has at last arrived.)

But it’s also destined to be at least a bit on the long side because before I can even get into discussing Swamp Thing #1, I feel that it’s necessary to give some attention to an even older comic, one that came out over fifty-one years ago.  Of course, I’m talking about House of Secrets #92, published by DC in April, 1971; the comic book whose first eight pages gave us the very first “Swamp Thing” story, as written by Len Wein, drawn (mostly) by Bernie Wrightson, and edited by Joe Orlando.  Neither the behind-the-scenes story of how Swamp Thing-the-series came to be — nor my own initial reactions to the first issue of the latter, as a fifteen-year-old reader in August, 1972 — make a whole lot of sense outside of the context of that classic tale.  So, that’s where we’re starting, on what in all probability will indeed be a lengthy (though hopefully also enjoyable) journey.  Forewarned is forearmed, eh?  Read More

Astonishing Tales #12 (June, 1972)

Posted on by Alan Stewart

Any of you out there who aren’t already familiar with this particular comic book may be taking a look at its John Buscema-Joe Sinnott cover right now and thinking, “Nice, but what’s so special about Ka-Zar rasslin’ a big alligator, even underwater, that Astonishing Tales #12 should rate its own blog post?”  The fact of the matter, however, is that this issue (along with its immediate follow-up, Astonishing Tales #13) represents a significant chapter in the histories of not one, but two, semi-major Marvel Comics characters — neither one of whom happens to be the self-styled Lord of the Savage Land.  Read More

Green Lantern #84 (Jun.-Jul., 1971)

Posted on by Alan Stewart

Although writer Denny O’Neil and artist Neal Adams had begun their tenure on Green Lantern in 1970 with a run of grounded stories featuring more-or-less realistic antagonists, as they moved into their second year they appeared more willing to incorporate the sort of colorfully code-named and costumed supervillains that had been the series’ bread-and-butter prior to their own advent.  Already in GL #82 they’d brought back Sinestro,  the renegade ex-Green Lantern; and now, two issues later, they were drafting yet another veteran foe back into active service — although you couldn’t tell that from the cover, which (like #82’s before it) gave no hint of who the story’s main bad guy actually was.  While O’Neil and Adams (and their editor, Julius Schwartz) may have decided that it was a good idea to include more old-school superhero genre elements in their storytelling, they evidently didn’t think putting a returning villain’s puss on the cover would have much if any impact on the book’s sales.  Read More

House of Secrets #81 (Aug.-Sept., 1969)

Posted on by Alan Stewart

As I’ve written in several previous posts, I was something of a wuss as a kid, at least when it came to my choices in entertainment.  (Oh, who do I think I’m kidding?  I was an all-around, all-purpose wuss.)  To put it plainly, I was scared of being scared.

So I pretty much eschewed all forms of scary media: horror movies, eerie TV shows, spooky comic books… you get the idea.*  That is, until a friend took me gently by the hand (metaphorically speaking) and showed me that a walk through the cemetery at midnight could actually be kind of fun.  Read More