Avengers #150 (August, 1976)

Welcome to the third of our posts commemorating May, 1976 as “Marvel Milestone Month“.  Following our looks at Captain America #200 and Thor #250, this time around we’re taking on the “Spectacular 150th Anniversary Special” issue of Avengers… although we’ll actually be spending more time on the following month’s issue, #151, since the “official” milestone issue turned out to be a disappointing misfire… unless, of course, you really were jonesing back then for an incomplete reprint of Avengers #16 (May, 1965) fronted by a mere six pages of new material from writer Steve Englehart and artist George Pérez.  Read More

Thor #250 (August, 1976)

Welcome to the second installment in our series of four posts commemorating May, 1976 as “Marvel Milestone Month“.  Last time, we looked at Captain America’s “Special Bicentennial Issue”, aka Captain America #200; this go-round, it’s “The Spectacular 250th Issue!” of the four-color home of everyone’s favorite Norse God of Thunder.  (Technically, it’s only the 125th issue of this publication released under the title Thor; for its first 125 issues, the book was officially known as Journey into Mystery, and what’s more, the Son of Odin didn’t even show up until #83.  But I bet you already knew all that, didn’t you?)  Read More

Avengers #148 (June, 1976)

Last month we took a look at Avengers #147, the cover of which we noted found its penciller, Rich Buckler, operating in “full Kirby mode”.  By contrast, the cover of today’s fifty-year-old comic happens to have been pencilled by Jack Kirby himself… and may I just say, ain’t nothin’ like the real King, baby.  (For the record, Mike Esposito inked this piece.)  Read More

Avengers #147 (May, 1976)

Cover to Avengers #145 (Mar., 1976). Art by Gil Kane and Dan Adkins.

Cover to Avengers #146 (Apr., 1976). Art by Gil Kane and Al Milgrom.

Back in November, we looked at Avengers #144, featuring the latest (as of Nov., 1975) installment in writer Steve Englehart and artist George Pérez’s “Serpent Crown Saga”.  As readers of that post will recall, despite the comic’s final-page “Next” blurb’s promise that the following month’s issue would present the next chapter in the still-ongoing storyline, when Avengers #145 arrived on stands in December its pages were instead filled by the first half of a completely unrelated, out-of-sequence story scripted by Tony Isabella and drawn by Don Heck.  That issue, together with the fill-in yarn’s second part in the next month’s Avengers #146, pushed the continuation of Englehart and Pérez’s epic out to February, 1976.

According to later reports, both halves of this story had originally been intended for publication in Giant-Size Avengers #5 — a plan that was up-ended by Marvel Comics’ mid-1975 decision to phase out their whole line of mostly-new-material-filled giant-sized comics.  (While GSA #5 was indeed published in September, it was an all-reprint book.)  Given that 30-plus pages of Isabella-Heck material had already been both produced and paid for, it’s certainly understandable that Marvel would want to get it into print sooner or later.  But smack-dab in the middle of a complex, multi-issue story arc?  That hardly seems like an optimal solution. Read More

Avengers #144 (February, 1976)

As regular readers of this blog may have noticed, I tend not to talk very much about the covers of the half-century-old comics we discuss here; unless they’re really strikingly good, my tendency is simply to note who drew them — to the extent that that’s known, anyway — and then move on.  (And just this week, in writing about Defenders #32, I forgot to do even that much; my thanks to reader Ben Herman for stepping into the breach.)  But I’m going to make an exception this time, simply to express my disappointment with this particular job by Gil Kane and Frank Giacoia.  While there are aspects of the composition that work well, the central figure of Hellcat — a significant new character (OK, technically a new combination of two pre-existing characters) whom readers are seeing here for the very first time — is almost painfully awkward, at least to my eyes.  Kane was a great talent, but among the very many (probably too many) covers he cranked out for Marvel in the 1970s, it stands to reason that there’d be at least a few clunkers; and for me, this is one of them.  (Naturally, your mileage may vary.)  Read More

Avengers #143 (January, 1976)

The cover of this issue, pencilled by Gil Kane and inked by Frank Giacoia (and maybe Mike Esposito), might fairly be called a bit misleading.  Sure, the Avengers fight a big scaly monster inside, but not these Avengers — Captain America, Iron Man, the Beast, the Vision, and the Scarlet Witch — who, setting aside the whole monster business, show up for only two of the story’s nineteen pages, besides.  On the other hand, the promises made by the cover’s blurbs are right on the money: these five Avengers do indeed “break loose” from the confinement we saw them trapped in back in Avengers #142; plus, this issue also features “the final battle against the power of Kang!” — or, at least, a final battle, since, then as now, nothing lasts forever in Marvel superhero comics.  Read More

Avengers #142 (December, 1975)

Last month we took a look at Avengers #141, which, as regular readers of this blog will remember, ended with three time-travelers — the founding Avenger named Thor, the would-be Avenger known as Moondragon, and their temporary ally, Immortus — touching down in the American West of 1873, just in time to be startled by someone coming up behind them… a someone, or someones, whom our travelers could see, but whose identities remained unknown to us readers…

…at least until the cover of the next issue — the subject of today’s post — where the illustration by Gil Kane and Frank Giacoia (with a likely assist from John Romita) rather gives the game away ahead of the book’s opening splash page…  Read More

Hercules Unbound #1 (Oct.-Nov., 1975)

Fifty-plus years ago, the spring of 1975 brought news of personnel changes to the major American comic book companies that might not have made it into any major metropolitan newspapers, but were guaranteed to garner headlines in the comics fanzines of the time.  Without doubt, the most dramatic such development was the return of artist/writer/editor Jack Kirby to Marvel Comics following a five-year tenure at rival DC; but another change that happened more or less simultaneously with Kirby’s move — and was essentially the reverse mirror image of it — was also significant enough to get a fair amount of ink in The Comics Reader and its ilk: the return of Gerry Conway to DC Comics as both a writer and an editor after having spent the better part of the past half-decade writing for Marvel, where he’d ultimately been responsible for such high-profile titles as Thor, Fantastic Four, and Amazing-Spider-Man. Read More

Thor #240 (October, 1975)

As I’ve mentioned numerous times before on this blog, Thor was my favorite Marvel superhero back in the 1970s.  (Just for the record, he still is.)  That didn’t mean that Thor was my favorite Marvel superhero comic book for most of that decade, however — at least, not so far as the new issues coming out then were concerned.  The reason for that disparity stems from the fact that, while my enthusiasm for the Son of Odin might have originally been inspired by a general affinity for myth and legend (and for modern heroic fantasy fiction derived from them), it was based at least as much on my admiration for the work that Stan Lee and Jack Kirby had done on the feature in the mid-to-late 1960s.  Thor/Journey into Mystery was the one major Marvel title I endeavored to acquire a complete run of back in my collecting heyday (I eventually made it back as far as JiM #96, if you’re curious).  So I had those Lee-Kirby classics — which I was picking up sporadically, just a few at a time — to compare the current issues to.  And despite regularly featuring a high quality of artwork (usually by John Buscema, working with a variety of mostly sympathetic inkers), the new stories (which for most of the first half of the 1970s were written by Gerry Conway) just didn’t measure up in my eyes… neither to those great old Thor/JiM comics, nor to the best of what Marvel was offering elsewhere in the superhero genre in those days.  Read More

Avengers #137 (July, 1975)

As we discussed in our Giant-Size Avengers #4 post back in February, that comic had marked the end of a long sequence of stories by writer Steve Englehart and his various artistic collaborators — the “Celestial Madonna” saga — that had brought significant changes to the team.  Perhaps the most of critical of these were the exits of the Swordsman (who’d actually perished in Giant-Size Avengers #2, but had been kinda-sorta brought back since then) and Mantis (who’d only “officially” become an Avenger in the final pages of GSA #4, but had been such a regular part of their adventures since issue #114 that she really might as well have been a member all along).  Whatever else might be in store for Earth’s Mightiest Heroes, it certainly made sense that one or more additions to the team’s roster — whether in the form or returning veterans, fresh new recruits, or a mix of both — lay in the near future.  Read More