Behind an attention-grabbing cover pencilled by John Buscema from a rough layout by Jim Starlin (and inked by Frank Giacoia), the Defenders creative team of writer Steve Englehart, penciller Sal Buscema, and inker Frank McLaughlin began this latest installment of the super-team’s continuing adventures right where the previous one had left off.
It wasn’t exactly what you’d call a happy scene… Read More
I may be misremembering, but I have a vague recollection of my fifteen-year-old self looking at this one at the spinner rack back in October, 1972 and thinking, “The Justice League standing around a grave site? Again?” After all, it had only been three issues since artist Nick Cardy had built his cover for JLA #100 around a similar idea. On the other hand, it was October — the spooky season — and what could be spookier than an open grave? Especially when said grave was being ominously loomed over by… hey, is that thePhantom Stranger? In an issue of Justice League of America? Forget about repetitive cover concepts; I couldn’t wait to buy this one and take it home. Read More
In our last post we discussed Amazing Adventures #16, one of three comics published in October, 1972 in which a trio of young comic-book writers staged an unofficial crossover between Marvel and DC Comics, set at the annual Halloween Parade in Rutland, Vermont, and featuring themselves as characters, without telling their bosses they were doing so. In this post, we’ll be taking a look at another of those comics: Thor #207, which, behind its dynamic cover by Gil Kane and Joe Sinnott, features a script by Gerry Conway and art by John Buscema, Vince Colletta… as well as Marie Severin, whose mysterious credit for “good works” covers her renderings of the story’s likenesses of Conway, Steve Englehart, Len Wein, and Glynis Oliver (who, as it happens, also served as the story’s colorist, under her then-married name of Glynis Wein). Read More
In previous posts, we’ve discussed a couple of early “unofficial” crossovers between DC and Marvel Comics that appeared in 1969 and 1970. Both involved an issue each of DC’s Justice League of America (#75 and #87) and Avengers (#70 and #85), and both were built on a conceit of each super-team series parodying the stars of the rival company’s book during the same month. Part of the fun — at least for the creators responsible — was its mildly illicit nature, as none of the writers involved (JLA‘s Denny O’Neil and Mike Friedrich, Avengers‘ Roy Thomas) informed their bosses (DC’s Julius Schwartz, Marvel’s Stan Lee) what they were up to. The results were perhaps something of a mixed bag (both as crossovers and simply as stories), but for the most part, these books made for a good time for comic-book fans. Read More
If you read my post about Vampirella #18 back in June, you may recall that I promised at that time that I would eventually let you know how things ultimately turned out for Count Dracula, who’d begun a quest for redemption that was just getting started when that issue’s installment of the magazine’s titular lead feature reached its end. Well, faithful readers, the time has come at last. But please be advised that in order to do so properly, I’m first going to need to fill you in on the key events of the storyline’s chapters from Vampirella #19 and #20, so that what transpires in issue #21’s “Slitherers of the Sand!” will land, dramatically speaking, in the way its creators intended. Also, as it turns out, this issue doesn’t really fully resolve the Dracula arc either, so we’re also going to be taking a quick look at some later appearances of the Count in Eerie and Vampirella, just so we can say we’ve wrapped things up properly.
Oh, and of course we’ll also be covering the other three stories published in Vampirella #21 — the ones that don’t have anything to do with the lead feature or with Dracula. After all, I wouldn’t want to shortchange you on that material, would I? Read More
As we discussed on the blog back in May, the first issue of The Defenders (which was actually the fourth outing for the titular super-team, following their three-issue tryout run in Marvel Feature) ended on a note of mystery, as the Sub-Mariner revealed to his allies, Doctor Strange and the Hulk, that prior to the events of that comic, he’d been attacked by none other than the Silver Surfer — who had at the time appeared to be himself allied with Necrodamus, the sorcerous acolyte of the Undying Ones whose attempt to summon those evil extradimensional entities our three heroes had just then thwarted, though only barely. Read More
Writing about Avengers #100 back in March of this year, I referred to the four issues that immediately followed that milestone as a “victory lap” for Roy Thomas, whose nearly-six-year tenure as the title’s writer was about to come to an end. In characterizing Avengers #101-104 in such a fashion, I don’t mean to denigrate them; they’re not bad comics, by any means. But coming directly upon the heels of the three-part “Olympus Trilogy” crafted by Thomas with Barry Windsor-Smith — and, right before that, the “Kree-Skrull War” epic by Thomas, Neal Adams, and Sal and John Buscema — these comics can’t help but seem somewhat anticlimactic by comparison. I suppose there’s always been a part of me that kind of wishes that Thomas had just quit while he was ahead. Read More
When Steve Englehart came on board as the new writer for Captain America in June, 1972, your humble blogger had been a regular reader of the series for about ten months — coming on board with issue #144 — after having been an off-and-on one ever since #105, way back in June, 1968. Originally drawn in by #144’s dramatic cover by John Romita (the effect of which was unquestionably enhanced by the Falcon’s sharp new costume design, also by Romita), I’d hung around for the quite enjoyable Hydra/Kingpin/Red Skull multi-parter that had followed, as delivered by writer Gary Friedrich and a cadre of artists including Gil Kane and Sal Buscema. And when that storyline wrapped up in issue #148, I’d stayed with the book — despite the fact that the subsequent yarns concocted by Friedrich’s replacement Gerry Conway weren’t all that compelling. I suppose that inertia may have been carrying me along by that point; that, and the fact that by mid-1972 I was buying the vast majority of Marvel Comics’ superheroic output. In the context of the Marvel Universe as a whole, Captain America felt like a key title, and I didn’t want to miss anything important. Read More
Back in July of last year, we covered the advent of the Marvel Comics superhero team the Defenders in Marvel Feature #1. This new team’s debut had come following a tryout of sorts in two late-1970 issues of Sub-Mariner; although in those comics, the grouping went by the unofficial moniker of “Titans Three”, and their number included the Silver Surfer, rather than the guy who ended up actually being the de facto leader of the team (whose other members were Sub-Mariner and the Hulk, by the way) — Doctor Strange — for the simple reason that Marvel editor-in-chief Stan Lee had a proprietary interest in the Surfer, and wouldn’t let associate editor/writer Roy Thomas use him as a permanent member of the new super-team, now formally christened “the Defenders”, when it became the basis for an ongoing feature. Read More
In December, 1971, Marvel Comics’ X-Men were in a weird kind of limbo. The franchise was by no means dead — indeed, there was a new issue of the young mutant heroes’ titular series published every two months. It’s just that once you got past the freshly-drawn covers (such as the one produced by Gil Kane and Frank Giacoia for the latest issue, #74, as shown at right), the contents of those “new” comics were all reprinted X-stories of some five years vintage (for example, #74 featured an oldie by Roy Thomas, Werner Roth, and Dick Ayers that had originally appeared in #26).
This had been the state of affairs ever since around September, 1970, when Marvel publisher Martin Goodman — having cancelled X-Men nine months earlier, in the aftermath of Thomas, Neal Adams, and Tom Palmer’s brief but acclaimed run on the series — appears to have looked at some late sales reports, liked what he saw, and approved the “revival” of the title — but only as a reprint book. For more than a year afterwards, this would be the only place you could find the X-Men (save for a three-part Angel adventure that ran from July to December, 1970 in the back pages of two reprint issues of Ka-Zar and one of Marvel Tales, and a single guest appearance by Iceman in Amazing Spider-Man #92, published that October). Read More