Avengers #149 (July, 1976)

The issue of Marvel Comics’ Avengers that we’re discussing today is the first ever of the title to have had not only its interiors, but also its cover, pencilled by artist George Pérez (though we should note for the record that John Romita is alleged to have done some touch-ups on the piece, and that the inks were provided by Frank Giacoia).  That seems quite appropriate, given that Avengers #149 also brings to a close the storyline that kicked off with Pérez’s first outing on the title, in issue #141; besides that, it’s a really attractive piece of work (especially if you’re as big a fan of the Mighty Thor as is your humble blogger)… and, of course, the first of many fine George Pérez Avengers cover to follow.  Read More

Omega the Unknown #3 (July, 1976)

Back in December, we took a look at the first issue of Omega the Unknown — Steve Gerber and Mary Skrenes’ 1975-77 Marvel Comics series that was just as much about a seemingly “normal” 12-year-old boy named James-Michael Starling as it was about the strange visitor from another planet that gave the book its title (if not more so).

This time out, we’ll be looking at the next two installments of the bimonthly title, beginning with issue #2 — which, as you can tell from the Rich Buckler-Al Milgrom cover shown at left, featured a special guest appearance by one of Marvel’s biggest stars, the Incredible Hulk — before proceeding to #3 — which, as you can tell from the Gil Kane-Frank Giacoia cover shown above, featured Omega’s run-in with one of Marvel’s longest-active supervillains, the Spider-Man adversary known as Electro.  Read More

Eternals #1 (July, 1976)

By April, 1976, the return of artist/writer Jack Kirby to Marvel Comics could no longer be considered news.  His first new cover for the publisher (an Avengers illustration fronting Marvel Treasury Edition #7) had appeared the previous July, and his first new full comic book, Captain America #193, three months after that.  Still, we hadn’t seen any brand-new series concepts from Kirby yet — and, given that he had been the House of Ideas’ preeminent idea man for roughly the first decade of “the Marvel Age of Comics” (i.e., 1961-70), longtime Marvelites were eager to see what would next emerge from the protean imagination of “King” Kirby — as, of course, were virtually all the creator’s many fans, regardless of their preference for one comics publisher or another.  Read More

Avengers #148 (June, 1976)

Last month we took a look at Avengers #147, the cover of which we noted found its penciller, Rich Buckler, operating in “full Kirby mode”.  By contrast, the cover of today’s fifty-year-old comic happens to have been pencilled by Jack Kirby himself… and may I just say, ain’t nothin’ like the real King, baby.  (For the record, Mike Esposito inked this piece.)  Read More

Captain America #197 (May, 1976)

Last October, at the end of our post concerning Captain America #193 (Jan., 1976) — a comic which, you’ll remember, featured the return of artist/writer/editor Jack “King” Kirby to the star-spangled hero he’d co-created with Joe Simon back in 1940 — your humble blogger invited you all to return in May, 2026 to see how the eight-issue, Bicentennial-themed storyline that had kicked off therein would turn out.  Four months later, however, I’ve come to the realization that trying to cover seven chapters’ worth of Kirby’s epic in a single go would likely result in a post of such length as to try the patience of even the most indulgent followers of this blog — and so, I’ve decided to break up the remainder of our “Madbomb” coverage into two posts, the first of which is presented here.  (Of course, given that this piece is still aiming to hit the high points of four individual comics, it’s still likely to be a pretty long read… though not quite as much of an imposition on your time as our originally planned Captain America #200 mega-post would have been, so at least there’s that.)  Read More

Astonishing Tales #34 (March, 1976)

As regular readers of this blog might recall, we ended our October post about Astonishing Tales #33 with the observation that with that issue, Marvel Comics seemed to have finally found a solid creative team for “Deathlok the Demolisher”, with the feature’s primary creator, plotter, and artist Rich Buckler now supported by Bill Mantlo as scripter and Klaus Janson as inker and colorist.  Meanwhile, Buckler’s frequently meandering plotline seemed to have found some new forward momentum as well.  Was it possible that this series — which, to be sure, had still generally been entertaining in (mostly) bi-monthly doses, where one might simply enjoy the gritty atmosphere and violent action without being overly concerned with the incoherence of the overall story arc — was finally on the verge of realizing its considerable potential?  Read More

Avengers #144 (February, 1976)

As regular readers of this blog may have noticed, I tend not to talk very much about the covers of the half-century-old comics we discuss here; unless they’re really strikingly good, my tendency is simply to note who drew them — to the extent that that’s known, anyway — and then move on.  (And just this week, in writing about Defenders #32, I forgot to do even that much; my thanks to reader Ben Herman for stepping into the breach.)  But I’m going to make an exception this time, simply to express my disappointment with this particular job by Gil Kane and Frank Giacoia.  While there are aspects of the composition that work well, the central figure of Hellcat — a significant new character (OK, technically a new combination of two pre-existing characters) whom readers are seeing here for the very first time — is almost painfully awkward, at least to my eyes.  Kane was a great talent, but among the very many (probably too many) covers he cranked out for Marvel in the 1970s, it stands to reason that there’d be at least a few clunkers; and for me, this is one of them.  (Naturally, your mileage may vary.)  Read More

Doctor Strange #12 (February, 1976)

Four months ago, we took a look at Doctor Strange #10, which presented the first chapter in writer Steve Englehart and artist Gene Colan’s latest (as of July, 1975) four-part saga of the Sorcerer Supreme — this one involving our hero’s attempt to prevent the awesome cosmic entity Eternity from destroying the Earth.  Naturally, that story had continued in the next bi-monthly issue of the series; but since we didn’t manage to fit a full post about Doctor Strange #11 into our September blogging schedule, we’ll need to cover its main events before moving on to the specific comic whose name and cover you see at the top of this post.  If you’re a regular reader, you already know how this goes… and if you’re not, I’m sure you’ll figure it out as we roll along.  Read More

Avengers #143 (January, 1976)

The cover of this issue, pencilled by Gil Kane and inked by Frank Giacoia (and maybe Mike Esposito), might fairly be called a bit misleading.  Sure, the Avengers fight a big scaly monster inside, but not these Avengers — Captain America, Iron Man, the Beast, the Vision, and the Scarlet Witch — who, setting aside the whole monster business, show up for only two of the story’s nineteen pages, besides.  On the other hand, the promises made by the cover’s blurbs are right on the money: these five Avengers do indeed “break loose” from the confinement we saw them trapped in back in Avengers #142; plus, this issue also features “the final battle against the power of Kang!” — or, at least, a final battle, since, then as now, nothing lasts forever in Marvel superhero comics.  Read More