Conan the Barbarian #68 (November, 1976)

With this post, we’ve reached the final chapter of Marvel Comics’ five-part crossover between Conan the Barbarian and Marvel Feature (starring Red Sonja) — and as this installment’s cover by Gil Kane, Pablo Marcos, and John Romita makes clear, Conan and Sonja — not to mention Bêlit, Queen of the Black Coast — are going to be joined for the occasion by the third sword-and-sorcery star derived from the works of Robert E. Howard who was currently headlining their own Marvel color comic:  Kull the Destroyer!  Read More

Marvel Treasury Special Featuring Captain America’s Bicentennial Battles #1 (1976)

If you weren’t around in 1976 (or were, but were too young then to remember much now), it might be hard to appreciate just how big a deal the United States Bicentennial was — not just in the key anniversary month of July, but also for a goodly number of months leading up to it.  But please, take an old geezer’s word for it; it really was everywhere in American popular culture for what seemed like quite a long while — and the nation’s comics publishers definitely did their share of celebratory flag-waving.  Read More

Conan the Barbarian #66 (September, 1976)

A week ago, we took a look at Marvel Feature #6, the first installment of what will eventually turn out to be a five-part crossover between that title and Conan the Barbarian.  Today, we’ll be dealing with the second chapter of this event — although, in fact, Conan #66 can just as easily (and perhaps more accurately) be described as the second prologue to the crossover “proper”, which won’t really get going until the next month’s Conan #67.  That’s because this comic, like Marvel Feature #6, is entirely concerned with getting the storyline’s three principal characters — i.e., Conan, his lover and partner-in-piracy Bêlit, and Marvel Feature headliner Red Sonja — all on the same page.  And I mean literally the same page, in more ways than one; since, as regular readers will recall, MF #6 ended with a full-page splash panel depicting Red Sonja facing down Conan and Bêlit over a priceless magical artifact: a single page from the Iron-Bound Book of Skelos.  Our story’s first prologue told us how Sonja got herself into that situation; now it’s time for us to check out the second, the better to learn what path Conan and Bêlit have followed to arrive at the very same place as Big Red.  Read More

Marvel Feature #6 (September, 1976)

Cover to Savage Sword of Conan #1 (Aug., 1974). Art by Boris Valejo.

It’s been a while since we discussed Red Sonja on this blog — since the 50th anniversary of the publication of Savage Sword of Conan #1, to be precise, and that was back in June, 2024, a full two years ago — so before we jump into the main topic of today’s post, it’ll behoove us to spend just a little bit of time tracking what the She-Devil with a Sword had been up to between her appearance(s) in that black-and-white comic magazine and her sixth solo outing as a headliner in the second volume of the color “showcase” comic title Marvel Feature.  Beyond that, a brief recap of the heroine’s earlier history may also be useful, both as a primer for anyone out there not already thoroughly familiar with Big Red, and as a refresher for those who are.  (Though if you do already know all this background material backwards and forwards and choose to skip the next couple of paragraphs, that’s fine.  After all, how will the rest of us ever know?)  Read More

Conan the Barbarian #57 (December, 1975)

The cover of this issue of Conan the Barbarian, as produced by the art team of Gil Kane and Vince Colletta, is unquestionably a solid piece of work; if it has any real flaw, it’s that it’s a little generic.  Yes, Conan is shown holding a length of chain in one hand, which at least vaguely nods to the “A Barbarian Chained!” title blurb at the cover’s bottom (and, for the record, we will indeed see our hero so bound before this issue’s story is over and done).  But other than that, it’s just a generic Conan illustration, which could have appeared anywhere, anytime, over the past several years of the title’s run, and has little true relation to this specific issue’s contents.

But, in a way, that was an appropriate choice, back in September,1975.  Conan the Barbarian was at this time on the verge of making a major shift in direction, setting a new course that the series would henceforth follow all the way through issue #100, published more than three and a half years later.  So the cover of Conan #57 could be taken as a capper for the entire run up to this point — a run that as recently as the past year (the last for which the Academy of Comic Book Arts’ “Shazam” Awards were given) had been deemed “Best Continuing Feature” — a fact the cover itself proudly proclaims.  In that sense, this cover serves not only (or even primarily) to promote the single story contained within the comic’s pages, but to commemorate this whole era of the series… what we might call “Conan the Barbarian B.B.”. Read More

Savage Sword of Conan #1 (August, 1974)

In June, 1974, the Hyborian Age was clearly in full flower at Marvel Comics.  Along with the latest installment of the publisher’s successful ongoing Conan the Barbarian series (issue #42, for the record), the month also brought the fans of Robert E. Howard’s famous sword-and-sorcery hero the first issue of a brand-new quarterly companion title, Giant-Size Conan.  This new series got off to a spectacular start, featuring the first chapter of a multi-part adaptation of Howard’s one and only Conan novel, “The Hour of the Dragon”, as written by Roy Thomas and drawn by Gil Kane and Tom Sutton.

And that wasn’t even the biggest news in Conan comics this month; rather, that distinction went to the main topic of today’s blog post, The Savage Sword of Conan #1 — the first issue of a brand-new black-and-white bi-monthly magazine devoted to the barbarian adventurer and his fellow Howardian heroes.  It was, in some ways, Conan’s third coming as far as the b&w comics market went, following as it did both the initial release of Savage Tales in January, 1971, and the subsequent relaunch of that title with its long-delayed second issue in June, 1973.  It was also the biggest black-and-white comic Marvel had yet published — a square-bound number that weighed in at 80 pages (as compared to the then standard 64), and cost a whole buck (as compared to Marvel’s other b&w offerings’ going price of 75 cents).  Read More

The Shadow #6 (Aug.-Sep., 1974)

Last November, we took a look at the third issue of DC Comics’ The Shadow — the first issue by the team of writer/editor Denny O’Neil and artist Michael W. Kaluta to carry a credit for another creative talent.  In this case, it was Kaluta’s friend and fellow artist, Bernie Wrightson, who stepped in to help out his pal when the former artist ran behind on his bi-monthly deadline.

Kaluta ended up having some uncredited help on issue #4, as well — this time from Howard Chaykin and Stephen Hickman as well as Wrightson — although this seems to have been a case of the other artists just wanting to pitch in for the fun of it, rather than a matter of necessity.  Kaluta drew the cover solo, however, just as he had the previous three; like them, it was enhanced by the special washtone process utilized by colorist Jack Adler.  (For the record, this issue also featured an additional writing credit for the first time, as Len Wein co-scripted the story with O’Neil.)

Then, in March, 1974, The Shadow #5 brought the largest creative shakeup yet, as Kaluta was entirely absent from the issue; instead, both the cover and story were illustrated by an artist with a diametrically different style, i.e., Frank Robbins.  Read More

Savage Tales #4 (May, 1974)

As we previously discussed in our post about Savage Tales #3 last October, back in the fall of 1973 it seemed that Marvel’s one-and-only sword-and-sorcery-centric black-and-white comics magazine was about to be cancelled — for the second time.  The first incarnation of Savage Tales had seen but one issue published in January, 1971 before Marvel’s then-publisher Martin Goodman pulled the plug; then, the second iteration, launched in June, 1972 following Goodman’s departure from the company he’d founded, had come under the scrutiny of an auditor for the conglomerate (Cadence Industries) that now owned Marvel.  According to a rather downbeat editorial by Roy Thomas that ran in ST #3, a go-ahead for producing further issues wouldn’t be given until sales numbers had been received for the relaunch; and if you read between the lines, the signs didn’t seem very encouraging. Read More

Doctor Strange #1 (June, 1974)

I have to confess, that as fond as I am of the comic that’s the subject of today’s blog post, I’ve always had a little trouble thinking of it as a “real” first issue.  After all, Doctor Strange had already had a first issue of his own solo title all the way back in 1968 — despite Marvel’s having opted at that time to continue the numbering of Doc’s previous home, the double-featured Strange Tales, by sticking a “#169” on it.  That solo series had run for fifteen issues before succumbing to cancellation in 1969, so no way was the comic book that showed up on stands in the middle of March, 1974, the actual first issue of Doctor Strange.  Heck, this wasn’t even the first issue of his current headlining feature, since that had begun a little less than two years previously, in Marvel Premiere #3.  The hero’s MP run had continued through issue #14 and then picked up here after only a three-month break; so, as far as I was concerned, Doctor Strange #1 was little more than the latest issue of the Sorcerer Supreme’s successfully revived solo series.  “Fabulous First Issue!”, my eye (of Agamotto).  Read More

Savage Tales #3 (February, 1974)

As we covered in our discussion of Savage Tales #2 back in June, the promise made on that magazine’s last page — that the following issue would be on “on sale September 25 A.D. 1973 in this the Marvel age of swords and sorcery” — turned out to be off by almost exactly one month.  Savage Tales #3 would in fact not come out until October 23rd — its delay being a result, according to editor Roy Thomas, of business-based concerns over the title’s overall commercial viability.  And even now, the book’s future was far from secure — though we’ll wait and let Mr. Thomas deliver that fifty-year-old bad news himself per his ST #3 editorial, coming up later in this post.

For the moment, however, we’ll move right into the main event of the issue — the reason that my younger self would have continued to wait for ST #3 as long as required back in the day, and still considered the result to have been worth it: the conclusion of Thomas and artist Barry Windsor-Smith’s adaptation of Robert E. Howard’s final story of Conan the Barbarian, “Red Nails”. Read More