Justice League of America #110 (Mar.-Apr., 1974)

From a creative standpoint, 1973 had been a very stable year for Justice League of America.  Everyone who’d been working on the book as the year began — writer Len Wein, penciller Dick Dillin, inker Dick Giordano, cover artist Nick Cardy, and (of course) editor Julius Schwartz — remained in place as 1973 neared its end.  From a business perspective, however, it was a rather different story.  After having been published on a nine-times-a-year schedule from 1965 to 1971, DC Comics’ premiere super-team title had dropped back to eight issues per year in 1972; and then, with the first issue of 1973, had its frequency reduced even further, to a bimonthly status.

And then, December, 1973 brought a change that was even bigger (in more ways than one), as JLA joined several other DC titles in transitioning to the “100 Page Super Spectacular” format — a giant-sized package that featured some three pages of reprints to every one of new art and story, at a cost of 50 cents — more than twice that of the “standard” format comic JLA had been prior to the change, which sold for 20 cents.  (With the following month, the price of the “Super Spectacular” format would go up to 60 cents, making these comics a full three times more expensive than DC’s standard size books… but of course we fans of the time didn’t know that yet.)  Read More

Sword of Sorcery #1 (February, 1973)

Back in July of this year, we took a look at Wonder Woman #202 — an issue which, in addition to being the penultimate issue of that title’s four-year “Diana Prince” run (which had found the Amazing Amazon battling bad guys sans her traditional powers or costume), featured the comic-book debut of Fafhrd and the Gray Mouser, two heroes of sword-and-sorcery fiction who’d been appearing in the stories of Fritz Leiber since 1939.  In the comic’s story, Diana and Catwoman journeyed to the the world of Nehwon (spell it backwards), where they tussled briefly with the two blade-wielding adventurers before teaming up against their common foes.

Immediately following the story’s conclusion, a half-page ad promised us readers of 1972 that this was by no means the last we’d see of Fafhrd and the Mouser:  Read More

Justice League of America #102 (October, 1972)

Fifty years ago, this issue brought the conclusion of the tenth annual Justice League-Justice Society summer team-up extravaganza — a special event which also served to commemorate the League’s reaching its 100th issue milestone.  Making the occasion even more memorable, this JLA-JSA get-together was the first to take up three whole issues; it also featured the unexpected return, after twenty-seven years, of yet another DC Comics superhero team: the Seven Soldiers of Victory.

Or maybe that should be most of the Seven Soldiers of Victory, since one of the key mysteries of the storyline concerns a lonely grave standing on a Himalayan peak, with a stone marker inscribed to an “Unknown Soldier of Victory”.  As of the conclusion of JLA #101, small teams of Justice League and Justice Society members have retrieved four out of seven of the time-lost Soldiers (or Law’s Legionnaires, as they’re also called) — the Crimson Avenger, the Shining Knight, Green Arrow, and Stripesy — with three more left to go.  So who’s buried in the Unknown Soldier’s grave?  Is it Vigilante?  The Star-Spangled Kid?  Speedy?

The answer, as many of you reading this already know, is:  none of the above.  Which is, and simultaneously is not, a cheat.  But we’ll get to that soon enough — just as we’ll get to the solution to the separate mystery posed by Nick Cardy’s superb cover (his best yet for the title, in the opinion of your humble blogger) — who else among our heroes is doomed to die?  Read More

Justice League of America #101 (September, 1972)

The fifty-year old comic book that’s the subject of today’s post features the middle chapter of the three-month-long celebration of Justice League of America‘s reaching its hundredth-issue milestone, as well as of the tenth annual summer event co-starring the JLA’s predecessors from the Golden Age of Comics, the Justice Society.  Your humble blogger is as eager as the rest of you to jump back into the story by writer Len Wein, penciller Dick Dillin, and inker Joe Giella — but before we do, let’s take a good, close look at the cover by Nick Cardy.

Like all of the other JLA covers of this era, it features a left-hand column of League members’ floating heads (this particular issue also includes a right-hand column of JSA heads as an added bonus).  But unlike virtually any other such cover, there are only three full-time active members of the League included in this group of five — the presently non-powered Diana Prince being on a leave of absence, while Metamorpho is only a “reserve member”.  That meager number is the max number of “official” JLAers appearing in the story as well. Read More

Wonder Woman #202 (Sep.-Oct., 1972)

In July, 1972, I bought my second-ever issue of Wonder Woman.  My first issue had been #171 (Jul.-Aug., 1967) — and as I wrote here on the blog back in May, 2017, my nine-year-old self hadn’t been all that taken at the time with Robert Kanigher’s silly scripts, nor had the art by Ross Andru and Mike Esposito held much appeal for me.  So, what motivated me to finally get around to giving the title another go, five years later?

It wasn’t the whole “New Wonder Woman”, white-jumpsuited Diana Rigg Prince thing, for sure; that had been around since 1968, and if it hadn’t inspired me to lay down my coin to check it out yet, it wasn’t going to.  No, it was the appearance on the Dick Giordano-drawn cover of perhaps the two most unlikely guest stars I could have imagined — science fiction and fantasy author Fritz Leiber’s sword-and-sorcery heroes, Fafhrd and the Gray Mouser.  What the heck were those guys doing on the cover of any DC comic book — let alone Wonder WomanRead More

Justice League of America #100 (August, 1972)

In the spring of 1972, Len Wein had been writing comics professionally for almost four years.  The career trajectory of the 23-year-old fan-turned-pro had thus far taken him from writing scripts for DC titles like The Adventures of Jerry Lewis, House of Secrets, and Hot Wheels, to similar work at other publishers including Marvel, Skywald, and Gold Key (Star Trek being among his gigs at the latter outfit), and then back to DC, where he’d been scripting Phantom Stranger for about a year, among other assignments.  But his experience with the publisher’s best-known super-heroes had largely been limited to a single issue of Teen Titans, one Batman story in Detective (both co-written with his friend Marv Wolfman), and, more recently, a smattering of tales in Superman, Flash, World’s Finest, and Adventure.  So you can imagine his surprise (and excitement, and trepidation) when, out of the blue, editor Julius Schwartz asked him if he’d like to write Justice League of America on a regular basis:  Read More

Justice League of America #97 (March, 1972)

During the nearly yearlong period (June, 1971 through April, 1972) that DC Comics published most of their books in a giant-sized, 25-cent format, Justice League of America presented a particular sort of challenge for its editor, Julius Schwartz.  The problem arose from the fact that the new, larger format called for a certain amount of reprint material — generally, 13 to 15 pages’ worth — to fill out each issue.  And whereas for Schwartz’s other books, such as Batman, Flash, Green Lantern, and Superman, there was a ready archive of suitable old stories featuring the titular stars, the same wasn’t true for JLA, which from the beginning had been devoted to issue-length tales of more than 20 pages.  Such stories weren’t going to work as backups in the new format without being either cut in half or severely abridged, neither of which options seems to have appealed to the veteran editor.  Read More

Superman #242 (September, 1971)

With this issue of Superman, the story arc begun eight months earlier in the iconic #233 (“Kryptonite Nevermore!”) came to a close — and the revamp of the Man of Steel inaugurated in that issue by writer Denny O’Neil and editor Julius Schwartz was at last complete.  But before we dive into issue #242’s “The Ultimate Battle!”, written by O’Neil and illustrated by his usual artistic collaborators, Curt Swan (penciller) and Murphy Anderson (inker), we’ll need to back up one month to take a look at issue #241’s “The Shape of Fear!”, by the same creative team — which not only leads right into #242’s concluding chapter of the “Sand-Superman saga”, but also follows directly from the previous chapter in issue #240 — which, of course, also happens to be the last issue we posted about on this blog.

As you may recall, that installment had ended with a moment of great personal triumph for Superman, who, though his powers had been thoroughly leeched from him by his mysterious sandy duplicate,  had yet managed to save both himself and I-Ching (the mentor of Diana Prince, as seen regularly in Wonder Woman) from a vicious attack by the Anti-Superman Gang.  But as we’ll soon see, the note of optimism with which that chapter ended is about to turn decidedly sour… Read More

Superman #240 (July, 1971)

With this issue of DC Comics’ flagship title, the “Sand Superman” saga that writer Denny O’Neil and penciller Curt Swan had initiated with the iconic Superman #233 (“Kryptonite Nevermore!”) moved into its climactic final phase.  In the previous chapter (published in #238, incidentally, as #239 was a giant-sized reprint issue), the Man of Steel had been brought to his lowest ebb yet.  While he’d ultimately managed to save the day in that episode, the victory had been a close one; with his powers still seriously depleted from multiple encounters with his mysterious sandy doppelgänger, our hero mused to himself in the story’s final panel:  “I’m a pretty poor excuse for a Superman these days… and that must change!  I’ll regain my former might — and soon! — or die trying!

Despite these determined words, however, when we turn past Neal Adams’ simple but dramatic cover for #240 to the story’s opening pages, we find that the Man of Tomorrow’s status remains pretty much the same as it was, well, yesterday:  Read More

World’s Finest Comics #199 (December, 1970)

Ah, here we are again, pondering the eternal question:  Who’s faster, Superman or the Flash?  Let’s see if I can recall where we’ve already been, and how we got where we are “now”, in October, 1970…

Oh, yeah, I remember.  Way back in the June of 1967, when your humble blogger had not yet reached the tender age of ten years, his DC superhero-besotted self thrilled to the first ever race between the Man of Steel and the Scarlet Speedster, as chronicled by the team of Jim Shooter, Curt Swan, and George Klein in Superman #199.  Thrilled, that is, up until the story’s last page, when the Flash was robbed — robbed, I say! — of his rightful victory, when the race ended in a tie.  (Why was I rooting for the Flash?  Essentially, because super-speed was his one and only thing, while Superman had a dozen other super-abilities he could be “best” at.)  Shooter’s story might have framed this as a necessary move by the heroes to thwart two gambling syndicates that were illegally betting on the race — but my younger self knew a rip-off when he saw one:  Read More