Astonishing Tales #3 (December, 1970)

As I’ve discussed in a previous post, when Marvel Comics brought back their mid-Sixties double-feature format with two titles in 1970, my younger self promptly jumped on one of them — Amazing Adventures, co-starring the Inhumans and Black Widow — picking up both the first and second issues.  For some reason, however, I put off sampling the companion title — Astonishing Tales, headlined by Ka-Zar and Doctor Doom — for several months, so my first issue was the series’ third.  Yes, reader; that does indeed mean that I turned up my nose at new work from not just one, but two giants of comic book art — Jack Kirby (who already had one foot out the door at Marvel) and Wally Wood (who was just putting a foot back in).  What can I say?  I was a callow youth, who pretty much took Kirby for granted (he put a couple of new books out every month, after all; if you missed one, there’d be another one along in a couple of weeks) — and, truth to tell, I didn’t yet know who Wood even was, or why I should care.  Read More

Fantastic Four #103 (October, 1970)

As was discussed in last month’s post on Fantastic Four #102, that issue — featuring the final collaboration of Stan Lee and Jack Kirby on the title — also included a “Stan’s Soapbox” column informing Marvel Comics’ readers that Kirby was departing not just from FF, but from Marvel as a whole.  Though I didn’t mention this fact in the earlier post, the same Marvel Bullpen Bulletins text page that featured that announcement also included a relatively lengthy biography of John Romita — a creator who’d been a Marvel mainstay since 1966, and had been either the full penciller or the layout artist for Marvel’s other top title, Amazing Spider-Man, for most of that period.  By this time, then, he could hardly have been thought to be an unfamiliar figure to most regular Marvel readers; nevertheless, editor-in-chief Lee seemed to think it was a good idea to introduce (or re-introduce) Romita to the publisher’s True Believers in the wake of Kirby’s abrupt (and unexpected) exodus. Read More

Silver Surfer #18 (September, 1970)

I was never more than a semi-regular reader of the original Silver Surfer series — out of the first year’s worth of bi-monthly issues, I only purchased #1, #4, and #5.  On the other hand, I recall liking all three of those issues (especially the first two) quite a bit.  So I’m not entirely sure why, after one more issue, #7 (which also happened to be the last that Marvel published in a double-sized, 25-cent, bi-monthly format), I basically told the book goodbye.  I do remember being a bit disappointed by this issue’s “Frankenstein” tale — mainly, I think, because I was expecting a monster, and all I got was an evil replica of the Surfer himself.  Perhaps that was all it took; in any event, when the series went to a standard 15-cent format and monthly schedule with issue #8 (Sep., 1969), I didn’t bite — and I wouldn’t, until almost a year later, when — probably attracted by the fact that the Inhumans were guest starring — I picked up #18.  Read More

Fantastic Four #102 (September, 1970)

Jack Kirby was leaving Marvel for DC.

It was the comics industry story of 1970 — and if you were a hip, well-connected fan who subscribed to Don and Maggie Thompson’s newszine Newfangles, you learned about it not all that long after the industry pros did, in March:

If, on the other hand, you were just a run-of-the-mill, solitary comics-reading twelve-year-old like yours truly, you probably had no idea that this was happening until June, when you perused the Bullpen Bulletins page that ran in all Marvel’s comics cover-dated September, 1970 (including Fantastic Four #102), and read the stunning news in Stan Lee’s “Soapbox” column:  Read More

Amazing Adventures #1 (August, 1970)

As I’ve previously related on this blog, I didn’t start buying Marvel comics on a regular basis until January, 1968 (though I’d bought my very first such issue almost half a year earlier, in August, ’67); therefore, I pretty much completely missed the era of Marvel’s original “split” books, Strange Tales, Tales to Astonish, and Tales of Suspense. Indeed, the month I became a full-fledged Marvelite was the very same month that Marvel rolled out Captain America and the Hulk in their brand-new solo titles, with Iron Man, Sub-Mariner, Doctor Strange, and Nick Fury soon to follow.  It was a near miss, for sure; but it was a miss, all the same.

Still, even if I hadn’t experienced the old split book format firsthand, I knew what it was.  So, I doubt I was more than mildly surprised (if that) to see Marvel bringing it back after an absence of more than two years with the premiere issues of Amazing Adventures and Astonishing Tales, both released in May, 1970.  Read More

It was April, 1970…

On July 21, 2015, this blog made its debut with a post entitled “It was the summer of ’65…”.  In that first installment, I described my earliest experiences with comic books, leading up to to my very first comics purchase in the, well, summer of ’65.  Since then, I’ve been writing about some of the most interesting individual issues I bought in my first few years as an avid comics reader (and nascent collector), while also attempting to chronicle, more generally, the evolution of my own comics tastes and interests, and setting that personal narrative in the broader context of what was going on in the funnybook industry (and, more broadly, in American culture), during those years.

But now, almost half a decade after starting this project, I’ve reached the point in the narrative of my comic book buying and reading where that story almost came to an end, fifty years ago.  I’ve arrived at the time in my life when, at least for a while, I stopped buying comics.  Read More

Amazing Spider-Man #85 (June, 1970)

In July, 1969, Marvel Comics editor-in-chief Stan Lee announced in his “Stan’s Soapbox” column that the company was instituting a new “no continued stories” policy for all its titles.  Today, that policy (which remained in place for about a year and a half, at least officially) is widely considered to have been not Lee’s own idea, but rather one that was imposed on him by his then-boss, publisher Martin Goodman.  Assuming that’s true, it’s interesting to consider how much Lee flouted the policy in one of the relatively few books he still wrote himself, The Amazing Spider-Man — which, as it happens, was also the company’s best-selling title, and thus probably the one most likely to be noticed by Goodman.  Read More

Archie Giant Series Magazine #169 (January, 1970)

As I’ve written here on earlier occasions (and even if I hadn’t, a quick scan of the blog’s archives would clue you in), I didn’t pick up many humor comic titles in my formative years as a comic book fan, a half-century and more ago.  The most notable exception to that rule was Mad, which, as I explained some weeks back, I probably didn’t consider to be a “comic book” in quite the same way that I did, say, Flash, or Daredevil.  Oh, there was that one issue of Not Brand Echh, of course, as well as several issues of The Fox and the Crow (aka Stanley and His Monster) — and even a Dennis the Menace comic or two, fairly early on, which I opted not to write about here.  But that was it, as far as “funny” funnybooks went.  Needless to say, I completely eschewed the teen humor genre — indeed, the only time I can remember even being vaguely interested in checking out the Archie Comics line circa 1965-1967 was when the company briefly jumped on the superhero fad bandwagon, with their flagship character transformed into Pureheart the Powerful and so forth.  Even then, I didn’t bite.

So, why in the world would my twelve-year-old self, after more than four years of enjoying DC comics (almost all of which were in the superhero genre) and close to two years of the same with Marvel (ditto) — pretty much to the exclusion of anything else (save, naturally, for Mad) — suddenly succumb to the impulse to buy an Archie title?  Read More

Fantastic Four #94 (January, 1970)

With the 94th issue of Fantastic Four, Marvel Comics’ new single-issue story policy, first announced by editor-in-chief Stan Lee in a “Stan’s Soapbox” editorial three months earlier, finally caught up with the publisher’s flagship title — its implementation there having been delayed for a couple of issues while Lee and his collaborator Jack Kirby wrapped up their “Skrull gangster planet” multi-parter.  Prior to that storyline, the book had featured another serialized tale, involving the Mole Man, that filled up two issues and spilled over into a third; that story had in turn followed a Dr. Doom epic that ran four issues; and so on.  In fact, the last real “done-in-one” story to appear in Fantastic Four had been “Where Treads the Living Totem!” in #80 (Nov., 1968) — an issue which happened to be not only the second-ever FF comic I’d ever bought, but also my least favorite issue to date.  Outside of reprints, prior to October, 1969 that was likely the only single-issue, non-continued Fantastic Four story my twelve-year-old self had ever read. Read More

Avengers #69 (October, 1969)

In his Introduction to the 2008 Marvel Masterworks volume reprinting this issue, scripter Roy Thomas compliments his artistic collaborator Sal Buscema for the “dramatic yet difficult cover”, noting that “it’s always hard to have a bunch of little guys fighting one big guy — and Goliath’s in-between size just complicated things further.”  That’s undoubtedly true; but my recent re-reading of Thomas’ words in preparation for writing this post reminded me of another cover that met the very same challenge, with at least a couple of the same characters — namely, Sal’s big brother John’s cover for Avengers #45, which came out almost exactly two years prior to Avengers #69, and which also just so happens to have been not only my first Avengers comic, but my first Marvel comic, period.  There’s no good reason why any of that should be particularly significant to anyone except me, I realize; but I hope you’ll pardon my momentary self-indulgence in deciding to highlight it here anyway.  Read More