Gil Kane

Ghost Rider #19 (August, 1976)

Posted on by Alan Stewart

At the end of last Saturday’s Tomb of Dracula #47 post, I promised you that the next installment of this blog would feature “the strange, sad story of Ghost Rider #19.”  But, as anyone out there who already knows some version of this tale is well aware, its origins go back well before the May, 1976 publication of the comic whose Gil Kane-Frank Giacoia cover appears at the top of this post.  To begin with, this specific issue presents the conclusion of a multi-part storyline that had kicked off in Ghost Rider #17; but beyond that, the ongoing plot lines that find their (more or less) ultimate resolution in this arc extend back at least to Ghost Rider #8 (Oct., 1974)… and, arguably, all the way back to the feature’s debut in Marvel Spotlight #5 (Aug., 1972).  And seeing as how we haven’t discussed any issues of this series since July, 2023, when we hit the high points of Ghost Rider #1 and #2 in the context of covering the debut of spinoff character Daimon Hellstrom, the Son of Satan, in Marvel Spotlight #12 (Oct., 1973), we’re going to have to do some catching up to properly set the stage.  So let’s get to it, shall we?  Read More

Omega the Unknown #3 (July, 1976)

Posted on by Alan Stewart

Back in December, we took a look at the first issue of Omega the Unknown — Steve Gerber and Mary Skrenes’ 1975-77 Marvel Comics series that was just as much about a seemingly “normal” 12-year-old boy named James-Michael Starling as it was about the strange visitor from another planet that gave the book its title (if not more so).

This time out, we’ll be looking at the next two installments of the bimonthly title, beginning with issue #2 — which, as you can tell from the Rich Buckler-Al Milgrom cover shown at left, featured a special guest appearance by one of Marvel’s biggest stars, the Incredible Hulk — before proceeding to #3 — which, as you can tell from the Gil Kane-Frank Giacoia cover shown above, featured Omega’s run-in with one of Marvel’s longest-active supervillains, the Spider-Man adversary known as Electro.  Read More

Defenders #36 (June, 1976)

Posted on by Alan Stewart

As regular readers of this blog will be aware, we haven’t had a post about Marvel Comics’ Defenders title since we covered issue #34 back in January — which means that our continuing coverage of writer Steve Gerber and artist Sal Buscema’s “Headmen/Nebulon Saga” must resume here not with the issue whose number and cover are shown directly above, but with the one whose cover you see pictured at left.  And that Gil Kane-Mike Esposito number fronting Defenders #35 (May, 1976) is a doozy, isn’t it?  If you’ve never read this comic before, I can’t wait for you to find out who that utterly bizarre unicorn-horned, bird-claw-footed, tentacle-armed monstrosity fighting the Valkyrie really is.  Why, I bet you’ll be just as surprised as Chondu the Mystic was!  (Wait, did I just give the whole thing away?  Damn.)  Read More

Avengers #147 (May, 1976)

Posted on by Alan Stewart

Cover to Avengers #145 (Mar., 1976). Art by Gil Kane and Dan Adkins.

Cover to Avengers #146 (Apr., 1976). Art by Gil Kane and Al Milgrom.

Back in November, we looked at Avengers #144, featuring the latest (as of Nov., 1975) installment in writer Steve Englehart and artist George Pérez’s “Serpent Crown Saga”.  As readers of that post will recall, despite the comic’s final-page “Next” blurb’s promise that the following month’s issue would present the next chapter in the still-ongoing storyline, when Avengers #145 arrived on stands in December its pages were instead filled by the first half of a completely unrelated, out-of-sequence story scripted by Tony Isabella and drawn by Don Heck.  That issue, together with the fill-in yarn’s second part in the next month’s Avengers #146, pushed the continuation of Englehart and Pérez’s epic out to February, 1976.

According to later reports, both halves of this story had originally been intended for publication in Giant-Size Avengers #5 — a plan that was up-ended by Marvel Comics’ mid-1975 decision to phase out their whole line of mostly-new-material-filled giant-sized comics.  (While GSA #5 was indeed published in September, it was an all-reprint book.)  Given that 30-plus pages of Isabella-Heck material had already been both produced and paid for, it’s certainly understandable that Marvel would want to get it into print sooner or later.  But smack-dab in the middle of a complex, multi-issue story arc?  That hardly seems like an optimal solution. Read More

Tomb of Dracula #44 (May, 1976)

Posted on by Alan Stewart

When you look back on it, it seems inevitable.  In 1976, Marvel Comics had these two leading men who, along with sharing a heavily mysterioso vibe, had a strikingly similar penchant for high-collared cloaks and neatly trimmed mustaches.  Not to mention that the exploits of both gentlemen were then being illustrated by the same art team of penciller Gene Colan and inker/colorist Tom Palmer.  If you were Marvel editor-in-chief Marv Wolfman, why wouldn’t you stage a crossover between Tomb of Dracula and Doctor Strange — especially since you, i.e., Marv, were also the regular writer of the former book?  Sure, it might take some time to coordinate the two stars’ respective continuities; but, as it happened, in February, 1976, both Wolfman and his counterpart over at Doctor Strange, writer Steve Englehart, were simultaneously in-between multi-issue storylines.  There would never be a more opportune moment for the Lord of Vampires and the Sorcerer Supreme to cross paths… and, in the end, that’s just what occurred, over the first two weeks of that month — as, naturally, we’ll be discussing here over the first two weeks of this month.  Read More

Astonishing Tales #34 (March, 1976)

Posted on by Alan Stewart

As regular readers of this blog might recall, we ended our October post about Astonishing Tales #33 with the observation that with that issue, Marvel Comics seemed to have finally found a solid creative team for “Deathlok the Demolisher”, with the feature’s primary creator, plotter, and artist Rich Buckler now supported by Bill Mantlo as scripter and Klaus Janson as inker and colorist.  Meanwhile, Buckler’s frequently meandering plotline seemed to have found some new forward momentum as well.  Was it possible that this series — which, to be sure, had still generally been entertaining in (mostly) bi-monthly doses, where one might simply enjoy the gritty atmosphere and violent action without being overly concerned with the incoherence of the overall story arc — was finally on the verge of realizing its considerable potential?  Read More

Avengers #144 (February, 1976)

Posted on by Alan Stewart

As regular readers of this blog may have noticed, I tend not to talk very much about the covers of the half-century-old comics we discuss here; unless they’re really strikingly good, my tendency is simply to note who drew them — to the extent that that’s known, anyway — and then move on.  (And just this week, in writing about Defenders #32, I forgot to do even that much; my thanks to reader Ben Herman for stepping into the breach.)  But I’m going to make an exception this time, simply to express my disappointment with this particular job by Gil Kane and Frank Giacoia.  While there are aspects of the composition that work well, the central figure of Hellcat — a significant new character (OK, technically a new combination of two pre-existing characters) whom readers are seeing here for the very first time — is almost painfully awkward, at least to my eyes.  Kane was a great talent, but among the very many (probably too many) covers he cranked out for Marvel in the 1970s, it stands to reason that there’d be at least a few clunkers; and for me, this is one of them.  (Naturally, your mileage may vary.)  Read More

Howard the Duck #1 (January, 1976)

Posted on by Alan Stewart

What a difference a couple of years can make.

From Fear #19 (Dec., 1973). Text by Steve Gerber; art by Val Mayerik and Sal Trapani.

From Man-Thing #1 (Jan., 1974). Text by Steve Gerber; art by Val Mayerik and Sal Trapani.

In the autumn of 1973, Howard the Duck’s debut in the last few pages of the “Man-Thing” story in Fear #19 had been followed just one month later by his apparent demise in the first few pages of Man-Thing #1.  Marvel Comics’ editor-in-chief at that time, Roy Thomas, hadn’t thought that the publisher’s readers were ready for a “funny animal”-style character in what was at least ostensibly a horror comic, and had asked Man-Thing writer Steve Gerber to get Howard out of the book as quickly as possible.  But Thomas turned out to be wrong; the fan response to the acerbic waterfowl was overwhelmingly favorable, and Gerber was eventually given the go-ahead to resurrect Howard in his own solo backup feature in Giant-Size Man-Thing.  After two such stories had appeared, and were again well-received, the author pitched Marvel publisher Stan Lee on the idea of giving Howard his very own solo title — and Lee, who not all that long before had reportedly been utterly bewildered when attendees at his college campus appearances quizzed him about when Howard the Duck would be coming back, immediately said yes.  And thus it came to pass that in late October, 1975, Howard the Duck #1 — featuring a guest-appearance by Marvel flagship character Spider-Man, no less — was hatched into the comic-book-buying world. Read More

Avengers #143 (January, 1976)

Posted on by Alan Stewart

The cover of this issue, pencilled by Gil Kane and inked by Frank Giacoia (and maybe Mike Esposito), might fairly be called a bit misleading.  Sure, the Avengers fight a big scaly monster inside, but not these Avengers — Captain America, Iron Man, the Beast, the Vision, and the Scarlet Witch — who, setting aside the whole monster business, show up for only two of the story’s nineteen pages, besides.  On the other hand, the promises made by the cover’s blurbs are right on the money: these five Avengers do indeed “break loose” from the confinement we saw them trapped in back in Avengers #142; plus, this issue also features “the final battle against the power of Kang!” — or, at least, a final battle, since, then as now, nothing lasts forever in Marvel superhero comics.  Read More