Back in December, I wrote about the departure of Dick Giordano from his position as an editor at DC Comics. Giordano’s last day on staff at the publisher appears to have been November 4, 1970 — but, since the processes involved in producing periodical comic books don’t stop (or start) on a dime, the fruits of his stewardship would continue to appear in the titles he’d supervised for another few months, even after he was no longer the editor of record. The same principle had of course applied at the beginning of his tenure at DC; and thus, just as Giordano’s first issue of Teen Titans (#15, May-Jun., 1968) had featured a story almost certainly procured by his predecessor, George Kashdan, the first issue edited by his successor, Murray Boltinoff, would present a tale that had actually been written and drawn under Giordano’s direction.
Well, mostly written and drawn under Giordano’s direction. While the story in Teen Titans #32 is solely credited to writer Steve Skeates and artist Nick Cardy, its actual provenance is… rather more complicated. Read More
There’s an interesting story behind Detective #408’s lead Batman feature (and cover story), “The House That Haunted Batman!”. Or perhaps we should say, in the interest of total accuracy, that there are four of them.
Back in 1998, in the 1st issue of Comic Book Artist, editor Jon B. Cooke published “The Story That Haunted Julie Schwartz”, a collection of interviews with four of the personnel who’d been involved with producing this classic Detective story: editor Julius Schwartz, writers Len Wein and Marv Wolfman, and penciller Neal Adams. The funny thing about it, though, was that in spite of the interviews’ brevity (the entire article ran only two pages) the four veteran comics pros’ recollections differed in certain details, lending the whole enterprise a Rashomon-like quality.
This much, at least, the quartet could agree on: Quite early on in their professional careers, longtime friends Len Wein and Marv Wolfman wrote a Batman story together which they hoped to sell to Julius Schwartz. Somewhere along the line, Neal Adams took an interest in the as-yet-unbought script and ended up drawing it in his spare time, on spec — a remarkably generous gesture, considering how busy the artist was (not to mention what his time was worth). Ultimately, despite the irregularity of the process, editor Schwartz did indeed buy the completed 15-pager, and scheduled it for the next available issue of Detective Comics. Read More
Some fifteen months ago, I blogged about Avengers #70, which featured the first full appearance of the Squadron Sinister. Regular readers may recall my sheepish confession in that post that, despite how blindingly obvious it is to me now that these four characters were homages to/parodies of (take your pick) DC Comics’ Superman, Batman, Flash, and Green Lantern, in September, 1969 my then twelve-year-old self didn’t pick up on the joke at all.
Nor was I aware that this comic book was one half of a “stealth crossover” of sorts between Marvel Comics’ Avengers and its counterpart title over at DC, Justice League of America. Said crossover apparently had its origins at a party at which comics writer Mike Friedrich suggested to a couple of his cohorts, Roy Thomas (the writer of Avengers) and Denny O’Neil (then the writer of JLA), that they each present a “tip of the hat” of some sort from the super-team book they were writing to its rival, in issues coming out in the same month. Thomas and O’Neil both agreed, and Avengers #70 and JLA #75 were the results. But while the inspiration for Thomas’ Squadron Sinister was all but self-evident (though of course not to me, or to the other fans who chimed in after my September, 2019 blog post that they hadn’t caught on either), the relationship of the supposed Avengers analogues in O’Neil’s story — evil doppelgängers of the Justice League called “the Destructors” — to their Marvel models was obscure to the point of opacity, with the parallels being limited to such bits as having Superman’s dark twin refer to himself as being as powerful as Thor. (Um, sure.) I didn’t actually buy JLA #75 when it came out, but I’m all but 100% certain I wouldn’t have realized what O’Neil was up to with such subtle shenanigans, even if I had. Read More
In August, 1970, DC Comics retired the logo that had, with minor adjustments, appeared on the cover of their publications since 1949. (For the record, the red lettering had been added in 1954.) It was replaced by a new branding approach that basically consisted of the letters “DC”, the comic’s title, and a graphic representing the comic’s subject matter. That approach gave us a few imaginative and distinctive new logos, such as the eagle-and-shield emblem that graced the Justice League of America’s covers for a couple of years; for the most part, however, the publisher’s books defaulted to a simple formula of “DC” + title + image of the headliner(s), often with some or all of those elements enclosed within a circle. The end result was that every series seemed to have its own individual (if not necessarily memorable) logo, with even those comics that were part of a larger “family” of titles — such as those starring Superman or Batman — standing on their own, with little sense of a shared identity.
There were a couple of exceptions, however, both of which involved anthology titles that didn’t have continuing characters who starred in every issue — specifically, DC’s romance and mystery comics. Read More
The perennial popularity of the cover isn’t all that surprising, of course. It’s a wonderfully atmospheric and technically accomplished effort by the artist widely considered to be the definitive visual interpreter of Batman during this era, Neal Adams — a great cover even if (like my thirteen-year-old self, back in October, 1970), you have no idea that’s it’s an homage to a classic Batman cover from the first year of the Darknight Detective’s existence… Read More
According to the Mike’s Amazing World of Comics web site, Robert Kanigher scripted 2,707 comic book stories in his five-decade career, the vast majority of them for DC Comics. But despite the fact that I’ve been reading DC comics myself for over five decades — three of which overlap with those during which Kanigher was working — I’ve never really felt like I had a handle on the guy. Read More
As regular readers of this blog know, I went through a brief period at age 12, lasting roughly from the fall of 1969 through the spring of 1970, when, for one reason or another, I became disaffected with comic books. By June, 1970, my interest in them was again on the increase, but I wasn’t quite all the way back yet; and one unfortunate consequence of this was that I failed to buy Justice League of America #82 off the stands when it was released that month. Why was missing this one comic such a big deal? Simply because it featured the first chapter of that year’s two-part team-up between the Justice League of America and their counterparts on “Earth-Two”, the Justice Society of America — an annual summertime tradition at DC Comics ever since 1963, and one in which I’d faithfully participated ever since 1966. That mean that not only had I been buying and enjoying these mini-epics for most of the time I’d been reading comics, but for a significant chunk of my life, period. Four years is a pretty substantial period of time when you’re only twelve years old, after all. Read More
In the summer of 1970, when I was finding my way back into the regular habit of comic-book buying after almost giving the whole thing up a few months earlier, I seem to have been inclined to give just about any and every title a shot. At least, that’s my best guess as to why I picked up this issue of Teen Titans — a title I’d only ever read once before, and that over two years previously.
If I had to come up with a more specific reason, however, it would have been the cover — which, in addition to being a typically fine effort by the series’ long-time semi-regular artist, Nick Cardy (pretty much at the peak of his powers in this era), promised that the issue’s story would feature an extra couple of superheroes in addition to the usual gang of Justice Leaguers’ junior partners I was used to; namely, the Hawk and the Dove. Read More
Justice League of America was my first favorite comic book. As I’ve written about here before, it was the first series I subscribed to through the mail (my first USPS-delivered issue being #44, in 1966), and even after my sub ran out, I managed to score every new issue when it hit the spinner racks — up until issue #69, that is, which I either missed or intentionally passed on (the former seems a bit more likely, but who knows). A couple of months later, I missed (or skipped) #72 as well; and then, after #74, I apparently more-or-less dropped the book. In any case, I didn’t buy another issue of JLA until the one I’m writing about today, which arrived on stands in January, 1970. By this time, as regular readers of the blog know, I had entered a period in which comic books in general held less appeal for me, and I was buying hardly anything at all. So what could have grabbed me about Justice League of America #79 so much that I felt compelled to pick the book up? Read More
If you’re a regular reader, you may recall that at the conclusion of last month’s post concerning Avengers #69, your humble blogger unburdened himself of a shameful, half-century-old secret — namely, that upon his first encounter with the brand-new supervillain group the Squadron Sinister way back in August, 1969, he had not the faintest clue that they were intended as parodies of the Justice League of America — who were, of course, the Avengers’ counterparts over at Marvel Comics’ Distinguished Competition, not to mention a team that he’d been reading about regularly for almost four years.
Imagine my gratified surprise when, subsequent to that post going up, I heard from a number of fellow old fans that they, too, had failed to get writer Roy Thomas’ joke back in the day. I’m honestly not sure whether that means that my twelve-year-old self wasn’t all that dumb after all, or simply that a lot of us were that dumb, but either way, I’ll take it as a win. Read More