Conan the Barbarian #68 (November, 1976)

With this post, we’ve reached the final chapter of Marvel Comics’ five-part crossover between Conan the Barbarian and Marvel Feature (starring Red Sonja) — and as this installment’s cover by Gil Kane, Pablo Marcos, and John Romita makes clear, Conan and Sonja — not to mention Bêlit, Queen of the Black Coast — are going to be joined for the occasion by the third sword-and-sorcery star derived from the works of Robert E. Howard who was currently headlining their own Marvel color comic:  Kull the Destroyer!  Read More

Marvel Feature #7 (November, 1976)

With this post, we’ve arrived at the penultimate installment of Marvel Comics’ five-part crossover between Conan the Barbarian and Red Sonja, She-Devil with a Sword, as originally published in the summer of 1976 — although, if you’ve been following along the last couple of months, you might be feeling that, three chapters in, the story seems to have barely gotten started.  After all, the first two installments (in Marvel Feature #6 and Conan #66) were basically solo adventures that served to set up a face-to-face confrontation between the two principals on their respective last pages.  And the subsequent episode (in Conan #67) moved the main storyline forward only incrementally, as its primary focus was a sidequest by Conan on behalf of a couple of his former comrades, Tara and Yusef, in which Sonja didn’t figure at all. (Though for what it’s worth, Conan’s current partner in both adventure and romance, the pirate queen Bêlit, didn’t play an active role in those proceedings, either.) Read More

Conan the Barbarian #67 (October, 1976)

In this post, we’ll be looking at the third chapter in Marvel Comics’ 1976 five-part crossover between Conan the Barbarian and Marvel Feature, featuring Red Sonja — though this issue’s status as such is completely ignored by the cover, which, nice as the illustration by Gil Kane and Pablo Marcos is, gives no indication whatsoever of the She-Devil with a Sword’s role therein, either by image or blurb-text.  Read More

Savage Sword of Conan #14 (September, 1976)

You’d likely never guess it from the wholly acceptable, but not especially memorable Earl Norem cover to the comic book that’s our topic for today — but, half a century ago, Savage Sword of Conan #14 represented something of the end of an era… even if no one knew it at the time.  That’s because its pages contained the very last collaboration between writer Roy Thomas and artist Neal Adams — two creators whose previous joint efforts, though relatively few in number, comprised some of the high water marks of the late Silver and early Bronze Ages of comics.  Read More

Conan the Barbarian #66 (September, 1976)

A week ago, we took a look at Marvel Feature #6, the first installment of what will eventually turn out to be a five-part crossover between that title and Conan the Barbarian.  Today, we’ll be dealing with the second chapter of this event — although, in fact, Conan #66 can just as easily (and perhaps more accurately) be described as the second prologue to the crossover “proper”, which won’t really get going until the next month’s Conan #67.  That’s because this comic, like Marvel Feature #6, is entirely concerned with getting the storyline’s three principal characters — i.e., Conan, his lover and partner-in-piracy Bêlit, and Marvel Feature headliner Red Sonja — all on the same page.  And I mean literally the same page, in more ways than one; since, as regular readers will recall, MF #6 ended with a full-page splash panel depicting Red Sonja facing down Conan and Bêlit over a priceless magical artifact: a single page from the Iron-Bound Book of Skelos.  Our story’s first prologue told us how Sonja got herself into that situation; now it’s time for us to check out the second, the better to learn what path Conan and Bêlit have followed to arrive at the very same place as Big Red.  Read More

Marvel Feature #6 (September, 1976)

Cover to Savage Sword of Conan #1 (Aug., 1974). Art by Boris Valejo.

It’s been a while since we discussed Red Sonja on this blog — since the 50th anniversary of the publication of Savage Sword of Conan #1, to be precise, and that was back in June, 2024, a full two years ago — so before we jump into the main topic of today’s post, it’ll behoove us to spend just a little bit of time tracking what the She-Devil with a Sword had been up to between her appearance(s) in that black-and-white comic magazine and her sixth solo outing as a headliner in the second volume of the color “showcase” comic title Marvel Feature.  Beyond that, a brief recap of the heroine’s earlier history may also be useful, both as a primer for anyone out there not already thoroughly familiar with Big Red, and as a refresher for those who are.  (Though if you do already know all this background material backwards and forwards and choose to skip the next couple of paragraphs, that’s fine.  After all, how will the rest of us ever know?)  Read More

Conan the Barbarian #58 (January, 1976)

Last month we took a look at Conan the Barbarian #57, an issue mostly devoted to setting up the opening chapter of writer/editor Roy Thomas’ adaptation (and very extensive expansion) of Conan creator Robert E. Howard’s 1934 short story “Queen of the Black Coast” (full text available online here).  Turning past the cover by Johns Buscema and Romita, we find issue #58 beginning exactly where #57 left off, with our favorite Cimmerian adventurer riding hard for the docks of an Argossean seaport, a contingent of the city’s soldiers in hot pursuit…  Read More

Conan the Barbarian #57 (December, 1975)

The cover of this issue of Conan the Barbarian, as produced by the art team of Gil Kane and Vince Colletta, is unquestionably a solid piece of work; if it has any real flaw, it’s that it’s a little generic.  Yes, Conan is shown holding a length of chain in one hand, which at least vaguely nods to the “A Barbarian Chained!” title blurb at the cover’s bottom (and, for the record, we will indeed see our hero so bound before this issue’s story is over and done).  But other than that, it’s just a generic Conan illustration, which could have appeared anywhere, anytime, over the past several years of the title’s run, and has little true relation to this specific issue’s contents.

But, in a way, that was an appropriate choice, back in September,1975.  Conan the Barbarian was at this time on the verge of making a major shift in direction, setting a new course that the series would henceforth follow all the way through issue #100, published more than three and a half years later.  So the cover of Conan #57 could be taken as a capper for the entire run up to this point — a run that as recently as the past year (the last for which the Academy of Comic Book Arts’ “Shazam” Awards were given) had been deemed “Best Continuing Feature” — a fact the cover itself proudly proclaims.  In that sense, this cover serves not only (or even primarily) to promote the single story contained within the comic’s pages, but to commemorate this whole era of the series… what we might call “Conan the Barbarian B.B.”. Read More

Savage Sword of Conan #6 (June, 1975)

We’ve discussed the so-called “Filipino Invasion” of the American comic book industry during the 1970s in several previous posts.  As regular readers may recall, this development began with the arrival of artist Tony DeZuñiga at DC Comics around the middle of 1970, but really picked up steam in 1972 following a business trip to the Philippines taken by DeZuñiga, his editor Joe Orlando, and DC publisher Carmine Infantino.  That visit resulted in a deal by which DeZuñiga and his wife would act as a sort of broker between DC and his fellow Filipino illustrators, most of whom continued to live and work in the islands.  Within a number of months, DC’s mystery anthologies (along with related titles such as Weird War Tales and Weird Western Tales) were all but dominated by the art of such talents as DeZuñiga, Alfredo Alcala, Nestor Redondo, and a number of others. Read More

Savage Sword of Conan #4 (February, 1975)

The fifty-year-old comics magazine we’ll be looking at today leads off with a cover by fantasy painter Boris Vallejo that actually illustrates the issue’s lead story — something which wasn’t exactly unheard of with Marvel’s black-and-white comics of the 1970s, but wasn’t quite what you’d call commonplace, either.  About the only significant discrepancy between cover and story is that the young lady in Vallejo’s painting is depicted as wearing a little less clothing than the equivalent character drawn by John Buscema and Alfredo Alcala in the story’s version of this same scene… but it really is only a little less, as we’ll soon see.  Read More