In January I posed about Conan the Barbarian #4, the first issue I’d ever picked up of Marvel Comics’ series featuring Robert E. Howard’s pulp hero. As I wrote at the time, my thirteen-year-old self was quite favorably impressed by the efforts of writer Roy Thomas and artist Barry Windsor-Smith in that comic — impressed enough that I feel fairly certain that I meant to buy the next issue when it came out. Somehow, though, I didn’t manage to do so. I suppose it’s possible that I never actually saw Conan #5 on the stands; but if that’s true, that was the last time that kind of thing ever happened. Because with #6, I was back on board, and would thenceforth faithfully acquire every issue through #118 (Jan., 1981), some 9 1/2 years later. (The occasion for my dropping the book then was Roy Thomas’ exit a few issues earlier; as far as I was concerned, Thomas was Conan’s official biographer, and without him at the series’ helm, it just wasn’t the same.) Read More
For me as a young reader in early 1971, the road to Robert E. Howard’s fantasy realms of the Hyborian Age — and Marvel Comics’ version of the same — led through the equally imaginary landscapes of J.R.R. Tolkien’s Middle-Earth.
This was true despite the fact that, just one year earlier, I probably wouldn’t even have been able to tell you what the word “fantasy” meant, at least in terms of genre. Science fiction, horror, mystery, Western, romance — I had at least a rudimentary understanding of all of those, even at age twelve. But fantasy? What was that? Read More
As the year 1970 wound down, it seemed that mainstream American comic books had, at last, embraced the “sword and sorcery” fantasy subgenre in all its pulpy glory. After some tentative moves in that direction — courtesy of DC Comics’ three “Nightmaster” issues of Showcase in 1969, which were followed in 1970 by Marvel’s publication of several S&S short tales in its new horror anthology titles like Chamber of Darkness and Tower of Shadows — Marvel finally jumped into the deep-end of the pool in July, 1970, with a licensed adaptation of the field’s most prototypical character, Robert E. Howard’s Conan: Read More
Justice League of America was the first comic book title that you could say I “collected”, though I wouldn’t have used (or understood) that term at the time. I bought my first issue, #40 (Nov., 1965) at the age of eight, just a month or so after buying my first comic book, period, and didn’t miss a single issue out of the next twenty-eight — a run of a little over three years. Of course, it helped that I sent “National Comics” (i.e., DC) a dollar in the mail for a year’s subscription early on (and was then obliged to live with the legendary, dreaded folded-in-half crease for the next ten issues); but even after that ran out, I was able keep the run going without a break up through #68. If you’re old enough to remember how unreliable standard newsstand distribution was in the latter half of the 1960s (or if you just happen to be a regular reader of this blog) you’ll realize that was something of a feat — especially for a kid who had to rely on his parents for transportation to the convenience stores where he bought his comics, and couldn’t be certain of getting to the spinner rack every single week. Read More
The Mighty Thor has been my favorite Marvel Comics character for the better part of the last half-century. The subject of today’s post is as responsible for that fact as much as is any other single comic book — even though it’s not “really” a Thor comic.
As I’ve recounted in previous posts, I first made the acquaintance of Marvel’s take on the Norse god of thunder in the summer of 1967, via Avengers #45 (which also happened to be my very first Marvel comic), in which he appeared in only the first few pages. I didn’t encounter him again until almost a year later — this time in the pages of Avengers Annual #2, in which he played a somewhat more substantial role — but I didn’t get around to buying an issue of Thor itself until September, when the cover of #158 caught my eye. That turned out to be a pretty good first issue to purchase, since it reprinted in full Thor’s origin story from Journey into Mystery #83, and its new-material framing sequence by Stan Lee and Jack Kirby also introduced me to a number of the settings and characters that had been brought into the series post-origin, such as Asgard, Odin, the Lady Sif, and so forth. I enjoyed that comic book quite a bit, but for whatever reason, I didn’t pick up another issue of Thor for several months. Read More