Avengers #114 (August, 1973)

Panel from Avengers #112 (Jun., 1973). Text by Steve Englehart; art by Don Heck and Frank Bolle.

As we covered in last month’s blog post about Avengers #113, writer Steve Englehart had introduced a mystery in the previous issue, #112, by briefly bringing onstage a brand-new character, Mantis, and her unnamed, only-seen-in-shadow companion.  About all we were told about the latter character, in either his first or his second blink-and-you’ll-miss-it appearance (in #113) was that he had a prior association with the series’ titular super-team, and that he had strong, less-than-positive opinions about a recently departed Avenger, Hawkeye.  Not a whole lot to go on, at least in the opinion of my fifteen-year-old self… though, to be honest, I probably didn’t give the matter a whole lot of thought at the time.  After all, there were plenty of other comic books to be read back in the spring of 1973, and a caption in #113 had promised us that the next issue would bring a solution to the puzzle of this mystery man’s identity.  So, I was content to wait to see what May would bring us.

As it turned out, when Avengers #114 was released, I wouldn’t even have to pull the issue all the way up out of the spinner rack to discover the answer to the two-month-old mystery, as the cover (probably by John Romita) prominently featured both Mantis and her shadowy beau — so much so, in fact, that the tops of the couple’s heads obscured some of the lower real estate of the book’s logo.  And if I had had a moment’s confusion in trying to place the purple-costumed, mustachioed gent dominating the cover’s left half (which I’m pretty sure I didn’t), the story title blurb at the bottom would have clued me in by the time I got the comic all the way out of the aforementioned spinner rack, by letting me know that Mantis’ mysterious amour was none other than… the Swordsman!  Read More

Daredevil #100 (June, 1973)

It’s been a while — sixteen months, to be precise — since this blog checked in with Marvel Comics’ Man Without Fear.  Granted, our last Daredevil-themed post was something of a marathon, seeing as how it attempted to cover writer Gerry Conway’s entire “Mister Kline” saga — a complicated (and ultimately unsuccessful) continuity that encompassed not only a whopping eight issues of DD’s own series, but also five installments of Iron Man, and even one random Sub-Mariner — in a single go.  It was a long post, in other words; one in which no one could seriously claim we hadn’t given Matt Murdock and his alter ego a lot of quality time.  Still — it has been a while.  So, before we get on with the business of marking the milestone of ol’ Hornhead’s first hundred issues, we have some catching up to do in regards to what our Scarlet Swashbuckler been up to for the last 1 1/3 years.  Read More

Defenders #4 (February, 1973)

Behind an attention-grabbing cover pencilled by John Buscema from a rough layout by Jim Starlin (and inked by Frank Giacoia), the Defenders creative team of writer Steve Englehart, penciller Sal Buscema, and inker Frank McLaughlin began this latest installment of the super-team’s continuing adventures right where the previous one had left off.

It wasn’t exactly what you’d call a happy scene…  Read More

Avengers #105 (November, 1972)

Writing about Avengers #100 back in March of this year, I referred to the four issues that immediately followed that milestone as a “victory lap” for Roy Thomas, whose nearly-six-year tenure as the title’s writer was about to come to an end.   In characterizing Avengers #101-104 in such a fashion, I don’t mean to denigrate them; they’re not bad comics, by any means.  But coming directly upon the heels of the three-part “Olympus Trilogy” crafted by Thomas with Barry Windsor-Smith — and, right before that, the “Kree-Skrull War” epic by Thomas, Neal Adams, and Sal and John Buscema — these comics can’t help but seem somewhat anticlimactic by comparison.  I suppose there’s always been a part of me that kind of wishes that Thomas had just quit while he was ahead.  Read More

Captain America #155 (November, 1972)

When Steve Englehart came on board as the new writer for Captain America in June, 1972, your humble blogger had been a regular reader of the series for about ten months — coming on board with issue #144 — after having been an off-and-on one ever since #105, way back in June, 1968.  Originally drawn in by #144’s dramatic cover by John Romita (the effect of which was unquestionably enhanced by the Falcon’s sharp new costume design, also by Romita), I’d hung around for the quite enjoyable Hydra/Kingpin/Red Skull multi-parter that had followed, as delivered by writer Gary Friedrich and a cadre of artists including Gil Kane and Sal Buscema.  And when that storyline wrapped up in issue #148, I’d stayed with the book — despite the fact that the subsequent yarns concocted by Friedrich’s replacement Gerry Conway weren’t all that compelling.  I suppose that inertia may have been carrying me along by that point; that, and the fact that by mid-1972 I was buying the vast majority of Marvel Comics’ superheroic output.  In the context of the Marvel Universe as a whole, Captain America felt like a key title, and I didn’t want to miss anything important.  Read More

Marvel Spotlight #5 (August, 1972)

Like many another character to arise out of the production methods of the two major American comic book companies, Marvel Comics’ supernatural superhero Ghost Rider — the one with the flaming skull — had a number of creative minds involved in his beginnings.

Or, alternatively, he was in every significant sense the creation of one sole individual.  It all depends on whom you ask. (Or perhaps that should be “asked”, as more than one of the principals involved is no longer with us.)

That’s true in regards to a number of other comics characters as well, of course — though in most cases, the difference in opinion doesn’t make it all the way to federal court.  But more on that a bit later.  For now, let’s begin with a fact that’s not in dispute — to wit, that the flaming-skull guy who debuted in the 5th issue of Marvel Spotlight half a century ago was not the first comic book hero to bear the name “Ghost Rider”.  Read More

Avengers #100 (June, 1972)

The final panel of Avengers #99 had promised that “this hour” would see an imminent invasion of “the hallowed halls of Olympus!!“, as Earth’s Mightiest Heroes prepared to mount a rescue of their amnesiac comrade, Hercules, who’d just been snatched away by servants of Ares, the Greco-Roman God of War.  So you’d naturally expect the next issue to begin with such a scene — or if not, then maybe a scene of something happening simultaneously to the invasion, just to draw out the suspense a little bit longer.

As we’ll see momentarily, that’s not quite what happens in the opening pages of the Avengers’ hundredth issue.  But our heroes’ delay in launching their assault on the home of the gods turns out to have some justification behind it.  After all, it takes a little time to gather all of the characters on view in artist Barry Windsor-Smith’s instant-classic cover image — a first-time-ever assemblage of every Marvel character who’d ever been an Avenger as of March, 1972. Read More

Conan the Barbarian #15 (May, 1972)

When we last left Conan back in December, he and his two companions — Zephra (daughter of Conan’s old foe, the wizard Zukala), and Elric (ruler of an otherworldly realm called Melniboné) had just fended off an attack by Prince Gaynor the Damned and his Chaos Pack of beast-men.  We now pick up the tale where Conan the Barbarian #14 left off, as presented by the same storytellers — plotters Michael Moorcock (creator of Elric) and James Cawthorn, scripter Roy Thomas, artist Barry Windsor-Smith, and co-inker (with Windsor-Smith) Sal Buscema:  Read More