Jimmy Olsen #137 (April, 1971)

Taken together, the first six issues of Jack Kirby’s run on Superman’s Pal, Jimmy Olsen — beginning with #133, and continuing on through #138 — comprise one long story, which, for purposes of discussion, can conveniently be broken down into three discrete parts, each two issues long.

In the first part (#133-134), Kirby hits the ground literally racing, introducing such new characters and concepts as the new Newsboy Legion, Inter-Gang, the Wild Area, the Outsiders, Habitat, the Zoomway, the Mountain of Judgment, and the Hairies — oh, and some fellow named Darkseid — without giving Jimmy, his pal the Man of Steel, or us readers, a chance to catch a breath.

Moving into the middle section (#135136), the writer-artist-editor slows things down a bit, as the headlong narrative comes to rest (at least temporarily) at the Project, a secret U.S. government initiative successfully experimenting with human cloning.  In these issues, the majority of scenes function in an expository mode — though that mode is significantly interrupted at one point by violent action, in the form of an attack from the Project’s rival operation, the Evil Factory.

Finally, in the third and final part, the pace ratchets up again, as the Evil Factory unleashes a second, more deadly assault on the Project — one which threatens virtually all of the characters and locales we’ve met in the series to date, including the entire city of Metropolis.  Read More

Teen Titans #32 (Mar.-Apr., 1971)

Back in December, I wrote about the departure of Dick Giordano from his position as an editor at DC Comics.  Giordano’s last day on staff at the publisher appears to have been November 4, 1970 — but, since the processes involved in producing periodical comic books don’t stop (or start) on a dime, the fruits of his stewardship would continue to appear in the titles he’d supervised for another few months, even after he was no longer the editor of record.  The same principle had of course applied at the beginning of his tenure at DC; and thus, just as Giordano’s first issue of Teen Titans (#15, May-Jun., 1968) had featured a story almost certainly procured by his predecessor, George Kashdan, the first issue edited by his successor, Murray Boltinoff, would present a tale that had actually been written and drawn under Giordano’s direction.

Well, mostly written and drawn under Giordano’s direction.  While the story in Teen Titans #32 is solely credited to writer Steve Skeates and artist Nick Cardy, its actual provenance is… rather more complicated. Read More

Jimmy Olsen #136 (March, 1971)

In early 1971, when the subject of today’s post blog first showed up on spinner racks, Jack Kirby had been producing new comic books for DC Comics for almost half a year.  Not only had three issues of Kirby’s debut project, Jimmy Olsen, been released by this time, but so had the premiere issues of his three brand new titles — Forever People, New Gods, and Mister Miracle (the latter actually hitting stands on the very same day as Jimmy Olsen #136, January 14).  He was becoming established (or, more accurately re-established) at the publisher, in other words.  Perhaps that’s the main reason that this fourth Olsen outing, unlike the first three, didn’t feature Kirby’s name anywhere on the cover; after five months, DC may have figured they no longer needed to tell us readers that Kirby Was Here — by now, we must know that, surely.  Read More

Justice League of America #87 (February, 1971)

Some fifteen months ago, I blogged about Avengers #70, which featured the first full appearance of the Squadron Sinister.  Regular readers may recall my sheepish confession in that post that, despite how blindingly obvious it is to me now that these four characters were homages to/parodies of (take your pick) DC Comics’ Superman, Batman, Flash, and Green Lantern, in September, 1969 my then twelve-year-old self didn’t pick up on the joke at all.

Nor was I aware that this comic book was one half of a “stealth crossover” of sorts between Marvel Comics’ Avengers and its counterpart title over at DC, Justice League of AmericaSaid crossover apparently had its origins at a party at which comics writer Mike Friedrich suggested to a couple of his cohorts, Roy Thomas (the writer of Avengers) and Denny O’Neil (then the writer of JLA), that they each present a “tip of the hat” of some sort from the super-team book they were writing to its rival, in issues coming out in the same month.  Thomas and O’Neil both agreed, and Avengers #70 and JLA #75 were the results.  But while the inspiration for Thomas’ Squadron Sinister was all but self-evident (though of course not to me, or to the other fans who chimed in after my September, 2019 blog post that they hadn’t caught on either), the relationship of the supposed Avengers analogues in O’Neil’s story — evil doppelgängers of the Justice League called “the Destructors” — to their Marvel models was obscure to the point of opacity, with the parallels being limited to such bits as having Superman’s dark twin refer to himself as being as powerful as Thor.  (Um, sure.)  I didn’t actually buy JLA #75 when it came out, but I’m all but 100% certain I wouldn’t have realized what O’Neil was up to with such subtle shenanigans, even if I had.  Read More

Flash #203 (February, 1971)

When I originally started buying comic books back in 1965, The Flash was one of the first titles I picked up;  over the next couple of years, it was one of my most regular purchases.  But my interest in the title fell off sharply following the end of Carmine Infantino’s tenure as penciller, and as of December, 1970, I hadn’t bought an issue of the Scarlet Speedster’s own title in over two years.  I still liked the character, and enjoyed reading about him in Justice League of America and elsewhere (I’d especially relished seeing him win his third race with Superman in World’s Finest #199, published just a couple of months previously), but his solo series had lost its appeal for me.

Until Flash #203 hit the spinner rack — and its stunning Neal Adams-Jack Adler cover grabbed me by the eyeballs, not letting me go until after I’d plunked my fifteen cents down on the Tote-Sum counter and taken that bad boy home.  Read More

Forever People #1 (Feb.-Mar., 1971)

In December, 1970 — a little over three months after the appearance of Jack Kirby’s first new comic book work for DC, in Superman’s Pal, Jimmy Olsen #133 — the first of the creator’s three brand-new titles for the publisher finally had its debut, with Forever People #1. The comic’s cover, pencilled by Kirby and inked by Frank Giacoia, was a powerful (if somewhat busy) invitation to check out the story within — a story which, via its inclusion of Superman, was clearly set smack-dab in the middle of the DC universe every bit as much as Jimmy Olsen was.

But DC could have put the book out with nothing on the cover but the title, and it would have sold just as readily to my thirteen-year-old self.  Because after three wildly imaginative, breathlessly paced issues of Jimmy Olsen, I couldn’t wait to see what “King” Kirby would give us next.  Read More

Jimmy Olsen #135 (January, 1971)

The month of November, 1970 brought comics readers the third installment of writer-artist Jack Kirby’s run on Superman’s Pal, Jimmy Olsen — a book which also happened to be the third installment of the massive, multi-title, interconnected epic that we’d eventually come to know as Jack Kirby’s Fourth World, though few if any of us who were reading the comics as they came out fifty years ago had more than the vaguest inkling of that fact.

But it hardly mattered, because Kirby was giving us so much to thrill to and wonder at in each issue of Jimmy Olsen on its own, with no need for reference to any larger narrative.  The “King” had come roaring out of the gate with his very first issue, #133, which set Jimmy and his new best friends, the Newsboy Legion, on a mission into the mysterious Wild Area, where they immediately got mixed up with a community of motorcyclists called the Outsiders, who made their home in a “tree city” called Habitat.  The next issue, #134, found Jimmy and company taking their super-vehicle, the Whiz Wagon, out onto a subterranean drag strip called the Zoomway, joining the Outsiders in a quest for the Mountain of Judgement — which turned out to be an enormous, high-tech mobile home, the headquarters of yet another hidden society, the Hairies.  In the issue’s climax, a bomb that had been surreptitiously placed in the Whiz Wagon was discovered and — with the help of Superman, who’d followed Jimmy and his colleagues to the Wild Area — dealt with just in time to prevent the Mountain of Judgement and its inhabitants from being blown to bits.  The issue ended with Jimmy’s new boss, Morgan Edge — the man who’d built the Whiz Wagon for the Newsboys in the first place, and then sent them and Jimmy into the Wild Area — reporting in to his own, secret boss: a forbidding-looking fellow named Darkseid.

Quite a lot to take in for just two issues, wouldn’t you say?  Read More

Superman #233 (January, 1971)

As a kid, I was a big fan of Superman.  But I wasn’t all that crazy about Superman comics.

Oh, I bought ’em, at least occasionally.  Indeed, the very first comic I remember buying for myself was an issue of the “World’s Best-Selling Comics Magazine!” (as the blurb on each issue’s cover confidently assured us).  But they tended not to make a terribly strong impression, especially as my experience of comics widened; to me, at least, it seemed that for every Superman #199 (which featured the first race between Superman and the Flash, and which my then ten-year-old self enjoyed very much), there was a Superman #198 (see left) which centered on an “impossible” (but not really all that exciting) situation, or a Superman #200 (see right), which devoted all of its pages to an “imaginary novel” whose events didn’t even happen to the “real” Man of Steel, and thereby didn’t count.  (Yes, I was that kind of comics fan, pretty much from the get-go.)  Read More

The Brave and the Bold #93 (December, 1970)

Based on this note from editor Murray Boltinoff that appeared on the issue’s letters page, Brave and the Bold #93’s “Red Water Crimson Death” by Denny O’Neil (writer) and Neal Adams (artist) had been in the works for a while:

“…one of the most distinguished and inspired examples of comic mag art”?  That’s some pretty high praise from Mr. Boltinoff.  But my thirteen-year-old self wouldn’t have argued with him back in 1970; and it still sounds just about right to sixty-three-year-old me, here and now in 2020.

In any event, regardless of how and why the production of this story might have been delayed, its ultimate release could hardly have been more opportunely timed — October 27, just four days before Halloween.  What better time for Batman to dare enter the House of Mystery?  Read More

World’s Finest Comics #199 (December, 1970)

Ah, here we are again, pondering the eternal question:  Who’s faster, Superman or the Flash?  Let’s see if I can recall where we’ve already been, and how we got where we are “now”, in October, 1970…

Oh, yeah, I remember.  Way back in the June of 1967, when your humble blogger had not yet reached the tender age of ten years, his DC superhero-besotted self thrilled to the first ever race between the Man of Steel and the Scarlet Speedster, as chronicled by the team of Jim Shooter, Curt Swan, and George Klein in Superman #199.  Thrilled, that is, up until the story’s last page, when the Flash was robbed — robbed, I say! — of his rightful victory, when the race ended in a tie.  (Why was I rooting for the Flash?  Essentially, because super-speed was his one and only thing, while Superman had a dozen other super-abilities he could be “best” at.)  Shooter’s story might have framed this as a necessary move by the heroes to thwart two gambling syndicates that were illegally betting on the race — but my younger self knew a rip-off when he saw one:  Read More