Captain America #176 (August, 1974)

In his 2016 introduction to Marvel Masterworks — Captain America, Vol. 9, Steve Englehart refers to the cover John Romita produced for the subject of today’s post as “iconic”.  That’s become a rather overused word in today’s culture, I grant you; all the same, I find it hard to disagree with him.  For this grizzled old fan, it’s virtually impossible to think about this particular era of Captain America comics without the image shown above leaping immediately to mind — and that’s close enough to iconic for the word to fit, at least in my book.  Read More

Avengers #125 (July, 1974)

I suppose that Ron Wilson and John Romita’s cover for this issue of Avengers might be taken as misleading by some readers, since, as we’ll soon see, Earth’s Mightiest Heroes never directly confront Thanos himself anywhere within its pages (indeed, the Mad Titan only puts in a personal appearance on a couple of them).  I’m pretty sure, however, that that fact didn’t bother my sixteen-year-old self very much (if at all) when I first read this comic back in April, 1974; after all, the story is unquestionably a part of the “Thanos War” saga that had been being told by artist-writer Jim Starlin and others for the last year and a half, mostly (though not entirely) in the pages of Captain Marvel.  If you took Avengers #125’s cover as “symbolic” of our heroes’ struggle against that epic’s Big Bad, as I was happy to do, you’d have to admit it was pretty much on the money.  Read More

Captain America #174 (June, 1974)

When we last saw Captain America and the Falcon, near the end of last month’s post about CA #173, our heroes had seemingly been successful in their subterfuge against the sinister Secret Empire — the clandestine organization behind both Cap’s recent woes (which include first having his reputation smeared by an ad campaign, then being framed for murder) and the mysterious disappearance of multiple mutants, including several members of Cap and Falc’s newfound allies, the X-Men.  We rejoin them here on page one of issue #174, as they make their descent into the proverbial belly of the beast…  Read More

Captain America #173 (May, 1974)

In February, 1974, the X-Men hadn’t appeared in a new story in their own title in over four years — but while gone, they were hardly forgotten.  (Actually, they weren’t even gone, since their book had been resurrected as a reprint title by Marvel’s then-publisher, Martin Goodman, eight months after he’d cancelled the series with issue #66.  But you know what I mean.)  That’s because a number of people working for Marvel just plain liked the characters, regardless of their allegedly limited commercial viability; and, as writer Steve Englehart puts it in his 2009 preface to Marvel Masterworks — The X-Men, Vol. 8, “the Marvel Universe was a coherent entity, so the X-Men continued to exist in it even if they had no comic to call their own.”  Read More

Captain America #172 (April, 1974)

The ostensible main topic of today’s post, Captain America #172, is the first issue of the series in which writer Steve Englehart and artist Sal Buscema’s “Secret Empire” saga has the center stage completely to itself.  But the storyline may be said to have properly started three issues before this, in #169; and its earliest seeds show up a full six issues before that, in #163.  Read More

Avengers #118 (December, 1973)

It’s September, and we’ve finally arrived at the climax of Marvel Comics’ pioneering crossover event of the summer of 1973, the Avengers/Defenders War.  Having realized at last that they share a common enemy, the superheroes of the two feuding teams have united to save the world.

So it’s fitting that, for the first time since the storyline began, the cover of this chapter gives us a group shot of multiple members from both teams — although artists Ron Wilson and John Romita have probably chosen wisely in not trying to cram all fourteen heroes, plus supervillains Dormammu and Loki, into a single shot.  Rather, they’ve opted to go with just nine, and it’s interesting to take note of who’s been included.  Unsurprisingly, every character starring in their own series — that’s Thor, Iron Man, Captain America, and Black Panther (in Jungle Action) from the Avengers, plus Sub-Mariner, Hulk, and Doctor Strange (in Marvel Premiere) from the Defenders — makes the cut.  But that still leaves two slots, and they’ve both gone to female characters — the Avengers’ Scarlet Witch and the Defenders’ Valkyrie — which serves to make the cover at least slightly less of a sausage fest.  Better luck next time, Silver Surfer, Vision, Hawkeye, Swordsman, and Mantis (the only shero who didn’t make the cover).

Still, if you’re hankering for a big group shot featuring all the heroes from both teams, no exceptions, then have no worries; Marvel’s got you covered on the book’s opening splash page:  Read More

Defenders #10 (November, 1973)

Today we continue our coverage of Marvel Comics’ groundbreaking crossover event of summer, 1973, the Avengers/Defenders War.  As you’ll recall from our post about Avengers #117 two weeks ago, the latest battle in the ongoing conflict between the super-teams ended without a clear winner or loser, as Captain America and the Sub-Mariner called a time-out to investigate their suspicions that the heroes were being played against each other by a malevolent third party (which was indeed absolutely the case).

But, as had been promised in no uncertain terms by Avengers #117’s end-of-issue “coming next” blurb — and which was proclaimed even more forcefully by Defenders #10’s John Romita cover — whatever “Breakthrough!” might be imminent wouldn’t arrive in time the stop the Mighty Thor and the Incredible Hulk from throwing down.  And that was a good thing, since if that match-up hadn’t come to fruition, sixteen-year-old me would have asked for my money back.  (Well, not really, since I was well aware the guy working the counter at the Tote-Sum would simply have looked at me like I was crazy if I pulled something like that.  But you know what I mean.)  As it was, however, I could just kick back and wait for writer Steve Englenart and artists Sal Buscema and Frank Bolle to bring on the brawlers…  Read More

Avengers #117 (November, 1973)

Before we leap right into the latest installment of Marvel Comics’ crossover event of summer, 1973 , the Avengers/Defenders War, let’s pause to note how its cover represents yet a third approach to representing the event in the context of a single 20-cent comic book — a comic which Marvel would have been keen to have a prospective buyer pick up, even if they hadn’t bought the ongoing storyline’s two previous episodes.  To wit: while the cover of Avengers #116 had spotlighted only the three heroes actively engaging in battle within its pages (i.e., Vision, Scarlet Witch, and Silver Surfer), and that of Defenders #9 “symbolically” shoehorned the three original Defenders (i.e., Dr. Strange, Hulk, and Sub-Mariner) into a scene of Iron Man vs. former Avenger/current Defender Hawkeye, this John Romita-Mike Esposito number puts the focus on the two marquee combatants (i.e., Captain America and Sub-Mariner) while giving us a selection of other Avengers in the form of floating heads, as well as teasing us with a partially-seen guest star… while never using the words “Defender” or “Defenders” at all.  It certainly makes for a marked contrast with the covers of most later multi-title crossover events at both Marvel and its rival DC Comics, where the emphasis is on making sure that a prospective buyer knows that a particular issue is part of the event, and so a “must-buy” for anyone following/collecting it… versus trying to downplay the possibility of someone not buying the comic because they don’t have all the previous chapters.  Times sure have changed, amirite?  Read More

Avengers #116 (October, 1973)

According to writer Steve Englehart, the multi-issue Marvel Comics crossover event most of us refer to as the Avengers/Defenders War (Englehart himself prefers to call it the Avengers/Defenders Clash, God bless ‘im) had its origins in his personal affection for the classic Marvel Annuals he’d enjoyed as a fan in the 1960s — epic, overstuffed extravaganzas like the very crashed wedding of Reed Richards and the Invisible Girl in Fantastic Four Annual #3 (1965), or the save-the-timeline battle between the “new” and the “old” Avengers in Avengers Annual #2 (Sep., 1968).  As the writer confided in his 2010 introduction to Marvel Masterworks — The Defenders, Vol. 2, “I have great memories of finding these gems and sitting down in the shade of a tree on a sunny summer’s day to read them.”  But in recent years, such summertime Annuals as Marvel had continued to produce were mere collections of reprints — nice enough if you didn’t already have those stories, many of which were already classics, but not something you could really get excited about in the same way you could the extra-length, brand-new, “event” stories featured by the Annuals in their heyday.  Read More