Mike Friedrich

Avengers #125 (July, 1974)

Posted on by Alan Stewart

I suppose that Ron Wilson and John Romita’s cover for this issue of Avengers might be taken as misleading by some readers, since, as we’ll soon see, Earth’s Mightiest Heroes never directly confront Thanos himself anywhere within its pages (indeed, the Mad Titan only puts in a personal appearance on a couple of them).  I’m pretty sure, however, that that fact didn’t bother my sixteen-year-old self very much (if at all) when I first read this comic back in April, 1974; after all, the story is unquestionably a part of the “Thanos War” saga that had been being told by artist-writer Jim Starlin and others for the last year and a half, mostly (though not entirely) in the pages of Captain Marvel.  If you took Avengers #125’s cover as “symbolic” of our heroes’ struggle against that epic’s Big Bad, as I was happy to do, you’d have to admit it was pretty much on the money.  Read More

Captain America #173 (May, 1974)

Posted on by Alan Stewart

In February, 1974, the X-Men hadn’t appeared in a new story in their own title in over four years — but while gone, they were hardly forgotten.  (Actually, they weren’t even gone, since their book had been resurrected as a reprint title by Marvel’s then-publisher, Martin Goodman, eight months after he’d cancelled the series with issue #66.  But you know what I mean.)  That’s because a number of people working for Marvel just plain liked the characters, regardless of their allegedly limited commercial viability; and, as writer Steve Englehart puts it in his 2009 preface to Marvel Masterworks — The X-Men, Vol. 8, “the Marvel Universe was a coherent entity, so the X-Men continued to exist in it even if they had no comic to call their own.”  Read More

Captain America #172 (April, 1974)

Posted on by Alan Stewart

The ostensible main topic of today’s post, Captain America #172, is the first issue of the series in which writer Steve Englehart and artist Sal Buscema’s “Secret Empire” saga has the center stage completely to itself.  But the storyline may be said to have properly started three issues before this, in #169; and its earliest seeds show up a full six issues before that, in #163.  Read More

Marvel Premiere #12 (November, 1973)

Posted on by Alan Stewart

In the summer of 1973, Marvel Comics decided to bring out an extra issue or two of a couple of their titles that normally came out only every two months.  I’m sure the thinking was that by doing so, they could capitalize on the fact of their mostly youthful audience having more time (and maybe more money) to spend on comic books while out of school, and you can’t really blame them.  But while the increase in frequency made all the sense in the world for a book like Defenders — which was then in the middle of a multi-issue, back-and-forth crossover with the always-monthly Avengers — it made somewhat less sense for the “Doctor Strange” solo vehicle, Marvel Premiere… if only because the publisher evidently got the idea for the “extra” issue too late to prepare a new story for it.

That would seem to be the simplest explanation for how, in the month of July, we got Marvel Premiere #11 — which, beneath a new cover by Frank Brunner, reprinted a couple of eight-page classics by Stan Lee and Steve Ditko that had originally appeared way back in Strange Tales #115 (Dec., 1963) and #117 (Feb., 1964), with the only new interior content being a three-page framing sequence by Brunner and writer Steve Englehart.  Hey, d’you think maybe Marvel was just trying to pry every dime they could out of faithful fans like your humble blogger?  Read More

Marvel Feature #12 (November, 1973)

Posted on by Alan Stewart

As I wrote in my post about Daredevil #105 a few weeks ago, back in 1973 my younger self hadn’t been paying much attention to what Jim Starlin had been up to lately in the pages of Captain Marvel — at least, not until elements of his burgeoning interplanetary epic of Thanos, the mad Titan, cropped up in the middle of an ongoing storyline of the Man Without Fear, of all places.  After that brief taste of Starlin’s concepts (and artwork), I was determined to pick up the next issue of Captain Marvel to learn more.  But before I even had that chance, Marvel Comics released yet another Thanosian tie-in — this one drawn (and most likely co-plotted) cover-to-cover by Jim Starlin himself.  Read More

Daredevil #105 (November, 1973)

Posted on by Alan Stewart

In summer,1973, my younger self was still pretty isolated as a comic-book reader.  Good, lasting face-to-face friendships with fellow enthusiasts were on the horizon, but had not yet arrived, and I wasn’t reading fanzines.  Therefore, I generally picked up on hot new titles — or on newly hot streaks on older titles — via the publishers’ own marketing efforts, or by reader buzz in the letters columns… or by sheer happenstance.

So how did t I finally catch on to what artist-plotter Jim Starlin was up to in Captain Marvel, some five issues and eight months into his soon-to-be-classic run?  As best as I can tell, it was due mostly to the latter of those three options — more specifically, via a very unlikely tie-in with, of all things, Daredevil.  Read More

Warlock #8 (October, 1973)

Posted on by Alan Stewart

When last we left Adam Warlock at the end of our Warlock #5 post back in January, the superheroic would-be savior of Counter-Earth had just saved thousands of Northern Californians from dying, either as a result of bomb test-caused earthquakes and flooding, or from the fire of armed missiles — the “Deathbirds” — which the same test had inadvertently triggered… only to have the very man responsible for ordering the bomb test in the first place, President Rex Carpenter, subsequently declare him a menace on national television.

The next issue of the series, sporting a cover by John Romita, picks up very soon after those events, as Adam finds himself under assault by the United States military.  Warlock #6 also sees the partial return of Mike Friedrich as the book’s writer, providing the finished script over a plot by Ron Goulart (who’d written issue #5), who in his turn worked from an “idea” contributed by Marvel editor-in-chief Roy Thomas.

Additionally, issue #6 also features a major changing of the guard on the series’ artistic side, as Bob Brown replaces Gil Kane as penciller.  Kane, who’d co-created the feature with Thomas back in Marvel Premiere #1 (Apr., 1972) and had drawn every installment but one since then, would go on to provide one more cover for the book before its cancellation, but was otherwise done with Warlock as of #5.  Read More

Warlock #5 (April, 1973)

Posted on by Alan Stewart

Back in November, 2021, we took a look at Marvel Premiere #1, in which Marvel’s new “Warlock” feature made its debut.  As we discussed at the time, that first installment found writer Roy Thomas and artist Gil Kane dusting off a few old Stan Lee-Jack Kirby concepts from 1960s issues of Fantastic Four and Thor and combining them to create the most overt religious allegory that had yet appeared in superhero comics.  In doing so, they were clearly seeking to tap into the cultural zeitgeist exemplified by the rock opera Jesus Christ Superstar both topping both the pop album charts and selling out shows on Broadway, and by the youth-driven “Jesus Movement” being featured on the cover of Time magazine, all of which happened in 1971.  Read More

Astonishing Tales #12 (June, 1972)

Posted on by Alan Stewart

Any of you out there who aren’t already familiar with this particular comic book may be taking a look at its John Buscema-Joe Sinnott cover right now and thinking, “Nice, but what’s so special about Ka-Zar rasslin’ a big alligator, even underwater, that Astonishing Tales #12 should rate its own blog post?”  The fact of the matter, however, is that this issue (along with its immediate follow-up, Astonishing Tales #13) represents a significant chapter in the histories of not one, but two, semi-major Marvel Comics characters — neither one of whom happens to be the self-styled Lord of the Savage Land.  Read More