“Harlan Ellison Month” (well, “Harlan Ellison Week +1”, anyway) continues here today at “Attack of the 50 Year Old Comic Books”, as we take a look at the second half of a two-issue crossover between Avengers and Hulk, originally published in March, 1971, which the writer of those two Marvel series, Roy Thomas, adapted from a plot synopsis by Mr. Ellison.
I’m not going to provide a summary of the tale’s opening chapter here, mostly because the recap provided on the first three pages of Hulk #140 (which’ll be coming up shortly) will tell you pretty much everything you need to know to be able to follow the rest of the story — and also because you can, at any time, click on this link for the Avengers #88 post if you missed reading it a few days ago, and you really do want all the details. Even so, before we plunge head-first into the comic’s narrative, we need to take a moment to note what Thomas, as scripter, is going to be getting up to in these pages. And to facilitate our doing that, we’re going to quickly flip to the back of the book, to have a look at the letters column. Read More
As noted in my recent post regarding Gold Key’s Star Trek, I didn’t get to see the TV series on which that comic was based until it hit my local market in syndicated re-runs, around 1970-71. And since I started consuming licensed Trek tie-in media (what there was of it) almost immediately upon discovering the show, concurrent with my viewing the television episodes for the very first time, my initial encounters with some classic Trek stories ended up being by way of the printed page, rather than the cathode-ray tube. That’s because the earliest licensed prose fiction based on the property, a series of paperback books written by James Blish and published by Bantam Books, were collections of short stories adapted from the TV episodes themselves. Read More
A half-century after writer Denny O’Neil and artist Neal Adams’ history-making run on “Green Lantern/Green Arrow”, it’s easy to see those thirteen comics as being more of one piece than they actually were. The run is well remembered, and rightfully so, for its consistent emphasis on social issues; but while it’s true that “relevance” was the watchword throughout the O’Neil-Adams tenure on Green Lantern, it’s worth noting that the expression of that guiding principle varied quite a bit over the two years of the project’s duration — as did the kinds of stories within which the writer-artist team couched their social commentary. Read More
Some fifteen months ago, I blogged about Avengers #70, which featured the first full appearance of the Squadron Sinister. Regular readers may recall my sheepish confession in that post that, despite how blindingly obvious it is to me now that these four characters were homages to/parodies of (take your pick) DC Comics’ Superman, Batman, Flash, and Green Lantern, in September, 1969 my then twelve-year-old self didn’t pick up on the joke at all.
Nor was I aware that this comic book was one half of a “stealth crossover” of sorts between Marvel Comics’ Avengers and its counterpart title over at DC, Justice League of America. Said crossover apparently had its origins at a party at which comics writer Mike Friedrich suggested to a couple of his cohorts, Roy Thomas (the writer of Avengers) and Denny O’Neil (then the writer of JLA), that they each present a “tip of the hat” of some sort from the super-team book they were writing to its rival, in issues coming out in the same month. Thomas and O’Neil both agreed, and Avengers #70 and JLA #75 were the results. But while the inspiration for Thomas’ Squadron Sinister was all but self-evident (though of course not to me, or to the other fans who chimed in after my September, 2019 blog post that they hadn’t caught on either), the relationship of the supposed Avengers analogues in O’Neil’s story — evil doppelgängers of the Justice League called “the Destructors” — to their Marvel models was obscure to the point of opacity, with the parallels being limited to such bits as having Superman’s dark twin refer to himself as being as powerful as Thor. (Um, sure.) I didn’t actually buy JLA #75 when it came out, but I’m all but 100% certain I wouldn’t have realized what O’Neil was up to with such subtle shenanigans, even if I had. Read More
The perennial popularity of the cover isn’t all that surprising, of course. It’s a wonderfully atmospheric and technically accomplished effort by the artist widely considered to be the definitive visual interpreter of Batman during this era, Neal Adams — a great cover even if (like my thirteen-year-old self, back in October, 1970), you have no idea that’s it’s an homage to a classic Batman cover from the first year of the Darknight Detective’s existence… Read More
According to the Mike’s Amazing World of Comics web site, Robert Kanigher scripted 2,707 comic book stories in his five-decade career, the vast majority of them for DC Comics. But despite the fact that I’ve been reading DC comics myself for over five decades — three of which overlap with those during which Kanigher was working — I’ve never really felt like I had a handle on the guy. Read More
If you’re a regular reader of this blog, you might have noticed that it’s been a while since I’ve written here about either Detective Comics or Batman. The last issue of the former title to receive the “Attack of the 50 Year Old Comic Books” spotlight was issue #369 (Nov., 1967), while the most recent issue of the latter to rate a post was #197 (Dec., 1967). Not counting the hero’s appearances in issues of Justice League of America, World’s Finest Comics, and (most significantly) The Brave and the Bold that I have posted about, this blog has been a Batman-free zone for more than two years. That’s quite a contrast to the first two years of this enterprise, during which time the blog covered comics published from mid-1965 to mid-1967, and Batman and Detective accounted for nine posts between them. Read More
If you’re a regular reader, you may recall that at the conclusion of last month’s post concerning Avengers #69, your humble blogger unburdened himself of a shameful, half-century-old secret — namely, that upon his first encounter with the brand-new supervillain group the Squadron Sinister way back in August, 1969, he had not the faintest clue that they were intended as parodies of the Justice League of America — who were, of course, the Avengers’ counterparts over at Marvel Comics’ Distinguished Competition, not to mention a team that he’d been reading about regularly for almost four years.
Imagine my gratified surprise when, subsequent to that post going up, I heard from a number of fellow old fans that they, too, had failed to get writer Roy Thomas’ joke back in the day. I’m honestly not sure whether that means that my twelve-year-old self wasn’t all that dumb after all, or simply that a lot of us were that dumb, but either way, I’ll take it as a win. Read More
As I’ve written in several previous posts, I was something of a wuss as a kid, at least when it came to my choices in entertainment. (Oh, who do I think I’m kidding? I was an all-around, all-purpose wuss.) To put it plainly, I was scared of being scared.
So I pretty much eschewed all forms of scary media: horror movies, eerie TV shows, spooky comic books… you get the idea.* That is, until a friend took me gently by the hand (metaphorically speaking) and showed me that a walk through the cemetery at midnight could actually be kind of fun. Read More
As of January, 1969, The Spectre was one of only two DC Comics titles I was still buying regularly (the other one was Justice League of America) — or maybe I should say I was trying to buy them regularly. Somehow, I managed to miss Spectre #8 on the stands — and since the book only came out bi-monthly, that meant that I hadn’t spent any real quality time with the Ghostly Guardian since the previous September. Normally, that wouldn’t be a problem in terms of picking up where I’d left off, storywise (though it was always irksome to miss an issue, of course), because Spectre — like most other DC titles of this era — had very little in the way of issue-to-issue continuity. That wasn’t entirely the case with this issue, however, as we’ll see in a bit. Read More