Justice League of America #135 (October, 1976)

Half a century ago, July, 1976 brought the return of one of my younger self’s favorite comic book traditions of those bygone days– the annual team-up event between the Justice League of America and their forerunners from the Golden Age of Comics, the Justice Society of America.  This particular iteration was the fourteenth such team-up to appear since DC Comics had kicked the whole thing off back in 1963, not to mention the eleventh for your humble blogger, who’d first come aboard in 1966.  And though you couldn’t tell it from Ernie Chan’s cover, Justice League of America #135 had an additional numerical distinction as well, as it presented the first chapter of what would eventually emerge as only the second JLA/JSA event up to that point to occupy three full issues, two having been the norm ever since JLA #21 and #22 had inaugurated the tradition way back when.  Read More

All-Star Comics #62 (Sept.-Oct., 1976)

Cover to All-Star Comics #58 (Jan.-Feb., 1976). Art by Mike Grell.

Cover to All-Star Comics #59 (Mar.-Apr., 1976). Art by Ernie Chan.

Last October, we took a look at All-Star Comics #58 — the first issue of DC Comics’ revival of the title which had played host to the original superhero team, the Justice Society of America, back in the Golden Age of Comics — as well as its immediate follow-up, issue #59.  Together, these two premiere installments presented a single story that established writer/editor Gerry Conway’s vision for updating the JSA for success in the comic book marketplace of the mid-1970s — a vision that involved taking the aging, veteran heroes who’d traditionally made up the ranks of the Justice Society (a large roster represented here by a core group of Flash, Green Lantern, Hawkman, Dr. Mid-Nite, Dr. Fate, and Wildcat) and teaming them up with a trio of younger champions of the right: Robin, the Star-Spangled Kid, and a brand-new character called Power Girl — under a new, not-quite-official umbrella name, the “Super Squad”.  Read More

All-Star Comics #58 (Jan.-Feb., 1976)

In October, 1975 — just a little less than a quarter-century since their last headlining appearance in All-Star Comics #57 (Feb.-Mar., 1951), and about half that time since their revival in Flash #137 (Jun., 1963) — the Justice Society of America finally returned to newsstands in their own book.  The premiere superhero team, not just of DC Comics but of all comics, was at last back in full force, ready to reclaim its former glory.

And it had Marvel Comics to thank for the opportunity.  Read More

Justice League of America #124 (November, 1975)

Fifty years ago this month, DC Comics brought us the second and concluding chapter of the 13th annual Justice League/Justice Society team-up event.  If you missed last month’s post about this story’s first half, or simply need to refresh your memory about what happened in it, you might want to go take a look at that post before digging into this one.  The rest of us, however, are just going to blow right past JLA #124’s cover by Ernie Chan and jump to the issue’s opening splash page, where we find the creative team of Cary Bates and Elliot S! Maggin (writers), Dick Dillin (penciller), and Frank McLaughlin (inker) picking up not long after the finale of the previous issue — which, if you’ll remember, ended with six members of the Justice Society of America having been rendered, well, deadRead More

Justice League of America #123 (October, 1975)

1975’s team-up between the Justice League of America and the Justice Society of America was the thirteenth such event since the annual tradition had begun in 1963.  Over the years, DC Comics fans had been privileged to vicariously visit such parallel worlds as Earth-One, Earth-Two, Earth-Three, Earth-X, and even the short-lived Earth-A.  But there was one particular Earth that had been established as existing in what would eventually be known as “the DC multiverse” that had yet to be glimpsed in any of the JLA-JSA summer shindigs… though readers of those comics could hardly claim to be unfamiliar with the place.  After all, they lived there.

Of course, I’m talking about Earth-Prime.  Read More

Swamp Thing #13 (Nov.-Dec., 1974)

As we covered in a post back in February, the 10th issue of DC Comics’ Swamp Thing marked the end of the award-winning collaboration on the title of writer Len Wein, artist Bernie Wrightson, and editor Joe Orlando, as Wrightson chose to leave the book after that installment.  But of course, that didn’t mean the end of Swamp Thing itself.

According to an interview with Orlando published in Amazing World of DC Comics #6 (May-Jun., 1975), among the artists who were considered to replace the muck-monster’s co-creator on the series were a young and mostly untried illustrator named Arthur Suydam, as well as the veteran Filipino artist Alex Niño.  In the end, however, it was another well-seasoned komiks creator from the Philippines, Nestor Redondo, who got the nod.  Read More

The Brave and the Bold #112 (Apr.-May, 1974)

By my reckoning, DC Comics’ The Brave and the Bold was one of the first comic book titles I ever spent my own money on (for the record, it was preceded only by Superman, Detective Comics, Green Lantern, Justice League of America, Flash, and Lois Lane).  I bought my first issue, #64, in December, 1965 — drawn in, no doubt, by its irresistible Gil Kane cover — and BatB soon became one of my most consistent regular purchases as a nascent comics fan.  No, I didn’t buy every single issue, but that was true of virtually every other title as well (the sole exception in those early days being Justice League of America, to which I quickly subscribed).  The ongoing appeal of the book, of course, was that you were always guaranteed at least two superheroes for the price of one (sometimes, as with issue #65’s team-up between the Flash and the Doom Patrol, you got even more).  That wasn’t quite as good a deal as JLA, which might give you as many as ten costumed crusaders cavorting in the same story… but it was still pretty sweet.  Read More

Justice League of America #110 (Mar.-Apr., 1974)

From a creative standpoint, 1973 had been a very stable year for Justice League of America.  Everyone who’d been working on the book as the year began — writer Len Wein, penciller Dick Dillin, inker Dick Giordano, cover artist Nick Cardy, and (of course) editor Julius Schwartz — remained in place as 1973 neared its end.  From a business perspective, however, it was a rather different story.  After having been published on a nine-times-a-year schedule from 1965 to 1971, DC Comics’ premiere super-team title had dropped back to eight issues per year in 1972; and then, with the first issue of 1973, had its frequency reduced even further, to a bimonthly status.

And then, December, 1973 brought a change that was even bigger (in more ways than one), as JLA joined several other DC titles in transitioning to the “100 Page Super Spectacular” format — a giant-sized package that featured some three pages of reprints to every one of new art and story, at a cost of 50 cents — more than twice that of the “standard” format comic JLA had been prior to the change, which sold for 20 cents.  (With the following month, the price of the “Super Spectacular” format would go up to 60 cents, making these comics a full three times more expensive than DC’s standard size books… but of course we fans of the time didn’t know that yet.)  Read More

Detective Comics #439 (Feb.-Mar., 1974)

As of November, 1973, it had been twenty-seven months since the last time I bought an issue of Detective Comics.  (For the record, that issue was #416, featuring the fourth appearance of Man-Bat.)  There hadn’t been any conscious “drop” decision involved in this long dry spell between purchases; like a lot of other titles, Detective was simply one of those books I made an individual buy-or-not-buy choice about every time I saw a new issue on the stands.  I’d check out the cover, glance at the credits for the Batman story, note who Bats was fighting this go-around — maybe even see who was starring in the backup feature (there was always a backup feature back then) — and if one or more of those aspects grabbed me (or, if the spinner-rack pickings were really slim that week, even just mildly interested me), I bought the comic book.  Read More

Justice League of America #109 (Jan.-Feb., 1974)

Nick Cardy’s cover for Justice League of America #109 is interesting in that it completely ignores the conflict that drives roughly 80% of the plot of this issue’s story.  Rather, it seeks to hook the prospective buyer by way of a tantalizing mystery — who is leaving the team?  It’s not a bad strategy, really, since even casual fans of the JLA would likely be curious to learn the answer.

The only real problem with hanging the cover’s whole pitch on this mystery is that the answer is given immediately, on the story’s very first page.  So if our hypothetical prospective buyer was only interested in that bit of information, and they so much as flipped past the cover while still standing at the spinner rack, they might well have opted to put the comic back rather than spend two dimes on it.  But, hey, see for yourself:  Read More