Marvel Premiere #1 (April, 1972)

Regular readers of this blog may recall my mentioning my religious upbringing on a few earlier occasions.  But for those who don’t know, or have forgotten, I was raised Southern Baptist.  My parents were very devout — they’d actually first met at the church we all later attended as a family — and I was inculcated in church doctrine pretty much from birth.  The very earliest stories that I consumed were Bible stories.

So you’d expect that the not-especially-subtle Christian allegory at the core of Roy Thomas and Gil Kane’s “Warlock” must have been glaringly obvious to me back in November, 1971, when at age fourteen I first read the comic that’s the subject of today’s blog post.  Maybe I was offended, and maybe not, but surely I at least got it, right?  Read More

Batman #237 (December, 1971)

Batman #237’s “Night of the Reaper!” wasn’t the first comic book story set at the real-life Rutland, VT Halloween Parade; that distinction goes to Avengers #83, which was published one year earlier (and was covered here on this blog last October).  Nor would it be the last such tale.

But it was almost certainly the best of the bunch.

That’s really not surprising, given that the story was crafted by one of the most outstanding creative teams of the era — writer Denny O’Neil, penciller Neal Adams, and inker Dick Giordano — as well as that it, more than most of its fellows, aspired to be about something more than either the Parade itself, or conventional superheroic goings-on — something decidedly more serious, in fact — and was largely successful in achieving this aim, ultimately addressing the subject of the Holocaust in a dramatic, but sensitive, manner.

Nevertheless, the origins of this classic story in certain actual (but not very serious) events — and the appearance within its pages of several equally actual persons who either already were, or would soon become, well-known comics industry professionals — can’t help but be responsible for a certain amount of “Night of the Reaper!” lasting appeal.  And it’s with those events, and persons, that we begin.  Read More

Marvel Feature #1 (December, 1971)

As regular readers will recall, we’ve begun the last two Marvel-focused posts on this blog with excerpts from the Bulletin Bulletins page that ran in the company’s comics published in July, 1971 — and we see no reason to break that run with this installment.  Especially since the very next Bulletin following those we’ve already shared is specifically about the subject of today’s post.

Coming after a Roy Thomas editorial and “ITEM!” that dealt with Lee’s decision to take a brief sabbatical from comics writing (and what that meant for the series he usually scripted, such as Amazing Spider-Man) — and directly preceded by another item announcing the move of several Marvel titles (including Conan the Barbarian) to a larger, 25-cent format — this Bulletin caught the attention of readers (well, this particular fourteen-year-old reader, at any rate) with a graphic by Gene Colan and Tom Palmer from Doctor Strange #180, featuring that book’s titular star — a hero who, in the wake of the cancellation of his series with issue #183, had been conspicuous by his absence from the Marvel Universe ever since a late-1969 guest appearance in Incredible Hulk which had effectively retired the character:  Read More

Fantastic Four #112 (July, 1971)

You always remember your first.

(Your first Hulk vs. Thing slugfest, that is.  Why, what did you think I meant?)

Technically, I suppose FF #112’s “Battle of the Behemoths!”, crafted by the regular Fantastic Four creative team of scripter Stan Lee, penciller John Buscema, and inker Joe Sinnott, wasn’t really my first experience seeing these two Marvel Comics heavy hitters go at it.  Rather, that would have come several months earlier, courtesy of  Marvel’s Greatest Comics #29 (Dec., 1970), which reprinted the characters’ very first meeting from FF #12 (Mar., 1963); the problem there, however, was that that story (a production of Lee, Jack Kirby, and Dick Ayers) was actually a bit of a bust, at least as far as Thing-Hulk dust-ups went.  The two bruisers didn’t actually encounter each other until page 17 of a 23-page story, and in the three page fight scene that followed, ol’ Jade Jaws took on the entire Fantastic Four, not just Bashful Benjy Grimm.  While both big guys got in some licks, the scene ultimately wasn’t very satisfying as a one-on-one match.

Also contributing to making this story less than a slam-dunk for my thirteen-year-old self was its age — or, more accurately, what its age signified in terms of the development of the characters, both visually and personality-wise.  This was a decidedly different Hulk than the one I was familiar with — among other things, this guy spoke in the first person, and he wore purple trunks, rather than the tastefully torn trousers of the same hue that I was used to seeing him in — while this Thing was a lumpier and more belligerent fellow than the hero I was accustomed to, as well.  Read More

Hulk #140 (June, 1971)

“Harlan Ellison Month” (well, “Harlan Ellison Week +1”, anyway) continues here today at “Attack of the 50 Year Old Comic Books”, as we take a look at the second half of a two-issue crossover between Avengers and Hulk, originally published in March, 1971, which the writer of those two Marvel series, Roy Thomas, adapted from a plot synopsis by Mr. Ellison.

I’m not going to provide a summary of the tale’s opening chapter here, mostly because the recap provided on the first three pages of Hulk #140 (which’ll be coming up shortly) will tell you pretty much everything you need to know to be able to follow the rest of the story — and also because you can, at any time, click on this link for the Avengers #88 post if you missed reading it a few days ago, and you really do want all the details.  Even so, before we plunge head-first into the comic’s narrative, we need to take a moment to note what Thomas, as scripter, is going to be getting up to in these pages.  And to facilitate our doing that, we’re going to quickly flip to the back of the book, to have a look at the letters column. Read More

Avengers #88 (May, 1971)

In our last post, we took a look at Justice League of America #89 — a very special issue of DC Comic’s premiere super-team book, in which writer Mike Friedrich paid homage to one of his literary heroes by basing his story’s central character of “Harlequin Ellis” on the noted science fiction author and screenwriter, Harlan Ellison.

By a remarkable (but apparently entirely random) coincidence, the same month that saw the publication pf JLA #89 (March, 1971) also saw the release of a very special issue of the Marvel Comics series featuring that publisher’s nearest analogue to the Justice League, Avengers, which writer Roy Thomas had scripted from a plot outline by the real Harlan Ellison.  You really can’t make this stuff up, y’know?  Read More

Sub-Mariner #34 (February, 1971)

When Sub-Mariner #34 came out in November, 1970, it had been precisely one year since I’d bought an issue of the title.  It’s somewhat ironic, then, that there’s a well-known direct connection between that issue, Sub-Mariner #22 and the subject of today’s post — even if it’s a connection that’s only obvious — and perhaps even only exists — in retrospect.

That connection, of course, is that both comics are generally understood to be major building blocks in the development of the Defenders, the “non-team” that, for some of us old geezer fans, all but epitomizes 1970s Marvel Comics (at least as far as superheroes are concerned).  Read More

Avengers #83 (December, 1970)

Fifty years ago, one didn’t necessarily expect fresh linguistic coinages to turn up in comic books right away.  If anything, comics were notorious for incorporating slang words and expressions (especially those presumably favored by America’s youth) years past their peak of popularity– if, indeed, they’d ever been popular at all.

But in its incorporation of the phrase “male chauvinist pigs” on its cover, Marvel Comics’ Avengers #83 seems to have been right on the money.  Read More

Sub-Mariner #22 (February, 1970)

Back in September, I wrote about buying and reading my first issue of Sub-Mariner, #20, a mostly done-in-one tale (in keeping with Marvel’s new “no continued stories” policy) which nevertheless ended on an inconclusive note — though Namor, Prince of Atlantis, had escaped the clutches of Doctor Doom, he was still a fugitive in New York City, hunted by the U.S. military as well as by the municipal police, and unable to escape to the ocean depths due to having had his gills surgically closed by a forgettable villain from outer space called (checks notes) the Stalker.  I ended the post by asking the question: would my twelve-year-old self be invested enough in Namor’s plight to come back for issue #21?  On the face of it, it seemed a dubious prospect, as I was becoming somewhat less interested in comics in general around this time.  After all, if I was on the verge of dropping titles I’d been buying regularly for a year or more, including Avengers and Daredevil, what sense would it make for me to start getting involved with yet another series?  Read More

Captain Marvel #17 (October, 1969)

In the letters column of the comic that’s our main topic today, reader Normand LaBelle of Sherbrooke, Quebec expressed his great displeasure with the Captain Marvel series’ recent turn of direction, finding fault especially with the drastic changes to the titular hero’s powers and mission that had come about in issue #11.  In responding to Mr. LaBelle, the anonymous editorial staffer — probably Marvel Comics associate editor (and, as of this very issue, returning Captain Marvel writer) Roy Thomas — essentially agreed with him:  Read More