Astonishing Tales #34 (March, 1976)

As regular readers of this blog might recall, we ended our October post about Astonishing Tales #33 with the observation that with that issue, Marvel Comics seemed to have finally found a solid creative team for “Deathlok the Demolisher”, with the feature’s primary creator, plotter, and artist Rich Buckler now supported by Bill Mantlo as scripter and Klaus Janson as inker and colorist.  Meanwhile, Buckler’s frequently meandering plotline seemed to have found some new forward momentum as well.  Was it possible that this series — which, to be sure, had still generally been entertaining in (mostly) bi-monthly doses, where one might simply enjoy the gritty atmosphere and violent action without being overly concerned with the incoherence of the overall story arc — was finally on the verge of realizing its considerable potential?  Read More

Captain Marvel #41 (November, 1975)

Back in April we looked at Captain Marvel #39, featuring “The Trial of the Watcher”.  As you may recall, that issue’s trial of “our” Watcher, Uatu, had been held on the home planet of his people, and ended with him getting off the charge of breaking the Watchers’ vow of non-intervention by promising he’d be a good boy and never doing it again.  That might have seemed like an exceedingly small slap on the wrist, given that Uatu had conspired with the group of renegade Kree known as the Lunatic Legion to not only capture but to outright kill our hero, Captain Marvel, before coming to his senses, but whattya gonna do?  The story ended with Mar-Vell literally shrugging off the whole episode, and implicitly inviting us readers to do the same.  Read More

Batman Family #1 (Sep.-Oct., 1975)

A couple of weeks ago, I noted that when I picked up Detective Comics #450 in the late spring of 1975, it had been well over a year since I’d bought an issue of that title.  As it happens, I could have said the same thing about most of DC Comics’ other Bat-books of the time.  The last issue of Batman itself that I’d purchased had been #255, which had come out at the end of 1973, and I hadn’t been paying any attention at all to World’s Finest (which of course was technically Superman’s book at least as much as it was Batman’s) since well before that.  Granted, I was a somewhat more frequent consumer of Brave and the Bold, where every new issue arrived possessing the baseline advantage of Jim Aparo’s reliably fine artwork, then might pick up additional interest based on who the Masked Manhunter’s co-star happened to be this time around.  Still, you get the basic idea; while I continued to like the character of Batman just fine, DC’s “Batman family” of comic-book titles was mostly leaving my younger self cold.  Read More

Detective Comics #450 (August, 1975)

This 450th issue of Detective Comics — a numerical milestone, though not commemorated as such by DC Comics at the time of its release (probably because the major comics publishers hadn’t yet determined that such commemorations often provided a sales bump) was the first issue of the series my younger self had purchased since #439, back in November, 1973.  As I related in a post last fall, as much as I liked the “new” comics material in that issue, I was a hard sell on DC’s reprint-heavy 100 Page Super-Spectacular format.  That meant I ended up missing out on most of editor-writer Archie Goodwin’s tenure on Detective, which largely overlapped with the run of issues published in that format — and which included among its highlights the “Manhunter” backup serial by Goodwin and a new young artist named Walt Simonson.  That serial, which ran through all of the Goodwin-edited Detective issues, culminated in #443’s Batman/Manhunter crossover — a “book-length” story which not only marked the end of the “Manhunter” feature itself (and the concurrent end of Archie Goodwin’s stint as Detective‘s editor), but was also the very first time that Walt Simonson drew the Batman.  Read More

Strange Tales #181 (August, 1975)

When we last left Adam Warlock at the end of Strange Tales #180, he’d just been driven into unconsciousness by his guilt over his Soul Gem’s stealing the soul of Kray-Tor — the judge who’d been presiding over our hero’s show trial prior to his breaking loose and fighting back.  But, as we learned in the story’s closing panels, the woman behind Adam’s ordeal — the Matriarch of the Universal Church of Truth — had actually planned the whole thing as a way to safely subdue Warlock without hurting him, so that she could subject him to being brainwashed by her underlings in a facility she called “the Pit”.  Read More

Defenders #26 (August, 1975)

The subject of today’s post is the first of four regular issues of Defenders that guest-starred the original Guardians of the Galaxy.  But the storyline actually kicked off in the fifth (and last) issue of the non-team’s other vehicle, Giant-Size Defenders, so you can probably guess what that means — yep, we’ll be taking a look at that one first.

Although, considering that we’ve never really discussed the OG Guardians on the blog prior to this post, and given that GSD #5 represented only their third non-reprint appearance overall at the time it was released, maybe we should look at least briefly at the prior history of the team?  Sure, let’s do that. Read More

Captain Marvel #39 (July, 1975)

When last the regular readers of this blog saw Captain Marvel, he’d just been defeated and taken prisoner by the Watcher — a formerly benign, self-declared non-interventionist, whose sudden heel turn after over a decade of Marvel Comics appearances seemed to come out of nowhere — who had then proceeded to hand him over to the mysterious, heretofore unseen enemies who’d been giving our hero trouble ever since the end of auteur Jim Starlin’s run on the series — the Lunatic Legion.

Our first glimpse of those baddies (see right) made them look pretty loony, indeed.  But, considering that storytellers Steve Englehart (co-plotter/scripter), Al Milgrom (co-plotter/penciller) and Klaus Janson (inker) were giving us a Captain Marvel’s-eye view of the LL, here — and also considering that Mar-Vell was, at the time, tripping balls on LSD (euphemistically referred to in the story as “Vitamin C”, so as not to draw the unwelcome attention of the Comics Code Authority) — one might reasonably doubt whether the image we saw here was entirely representative of objective reality.  Read More

Captain America #186 (June, 1975)

Art by Gil Kane and Joe Sinnott.

The last issue of Captain America we discussed in this space, was, as I’m sure you’ll remember, a highly significant one for the series, featuring as it did not only the tragic death of Roscoe, the young man who’d attempted to replace Steve Rogers in the titular role, but also Steve’s inevitable response to that tragedy: the abandonment of his briefly-held “Nomad” identity to once again take up the shield of Captain America, as he prepared to deal with the return of his greatest arch-enemy (and the man who’d brutally murdered Roscoe) — the Red Skull.

Interestingly, however, issue #183’s letters column devoted at least as much attention to the hero who shared the series’ title logo with Cap (even if the book’s “official” title, per the indicia, had been, and would remain, simply Captain America) — namely, the Falcon.  In response to a missive from reader Bob Stenson that included a brief, vaguely critical remark about the Falcon’s decision not to come to the aid of his erstwhile partner Steve Rogers against the Golden Archer back in CA #179, the book’s anonymous letters-page answerer (identified by the Grand Comics Database as series scribe Steve Englehart) took the opportunity to preview some upcoming — and ominous-sounding — developments in regards to Marvel Comics’ first Black American superhero:  Read More

Captain Marvel #37 (March, 1975)

Cover art by Jim Starlin.

Cover art by Ron Wilson and Frank Giacoia.

Back in June, we took a look at Captain Marvel #34 — the last issue produced by auteur Jim Starlin, who would soon be moving on to “Warlock” in Strange Tales.  As you may recall, Starlin’s swan song ended on a cliffhanger, with Mar-Vell lying unconscious after having been exposed to a deadly nerve toxin.

On one level, this cliffhanger wouldn’t be fully resolved until 1982, when Starlin’s graphic novel, The Death of Captain Marvel, revealed that the hero had contracted cancer as a result of the nerve gas — a cancer which did indeed ultimately prove fatal.  But in 1974, Mar-Vell wasn’t going anywhere, and so it would be up to the creators who picked up the ongoing storyline in Captain Marvel #35 to get him out of the fix Starlin had left him in — even if it ultimately turned out to be only a temporary reprieve, seen in retrospect.  Read More