Defenders #38 (August, 1976)

With this post, we continue our coverage of writer Steve Gerber and artist Sal Buscema’s “Headmen/Nebulon Saga” in Defenders, following our recently established routine of taking on two issues of the lengthy storyline at a time.  This go-round, we’ll be starting with Defenders #37, whose cover by Gil Kane and Mike Esposito heralds the imminent return to this title’s pages of Luke Cage, Power Man — a hero who’d first fought alongside Marvel Comics’ premiere non-team back in issues #17-19, and then had renewed his non-membership when the group battled the Sons of the Serpent in #24-25.

As regular readers will hopefully recall, Defenders #36 had ended with three of our heroes — leader Dr. Strange, veteran Nighthawk (in his civilian guise of Kyle Richmond), and newbie Red Guardian — having been captured by Plantman, who intended to hold the wealthy Richmond for ransom.  But rather than immediately picking things back up with those characters, our creative team (which in addition to Gerber and Buscema includes inker Klaus Janson) start off issue #37’s “Evil in Bloom!” with another Defender, namely the Hulk.  Read More

Thor #250 (August, 1976)

Welcome to the second installment in our series of four posts commemorating May, 1976 as “Marvel Milestone Month“.  Last time, we looked at Captain America’s “Special Bicentennial Issue”, aka Captain America #200; this go-round, it’s “The Spectacular 250th Issue!” of the four-color home of everyone’s favorite Norse God of Thunder.  (Technically, it’s only the 125th issue of this publication released under the title Thor; for its first 125 issues, the book was officially known as Journey into Mystery, and what’s more, the Son of Odin didn’t even show up until #83.  But I bet you already knew all that, didn’t you?)  Read More

Ghost Rider #19 (August, 1976)

At the end of last Saturday’s Tomb of Dracula #47 post, I promised you that the next installment of this blog would feature “the strange, sad story of Ghost Rider #19.”  But, as anyone out there who already knows some version of this tale is well aware, its origins go back well before the May, 1976 publication of the comic whose Gil Kane-Frank Giacoia cover appears at the top of this post.  To begin with, this specific issue presents the conclusion of a multi-part storyline that had kicked off in Ghost Rider #17; but beyond that, the ongoing plot lines that find their (more or less) ultimate resolution in this arc extend back at least to Ghost Rider #8 (Oct., 1974)… and, arguably, all the way back to the feature’s debut in Marvel Spotlight #5 (Aug., 1972).  And seeing as how we haven’t discussed any issues of this series since July, 2023, when we hit the high points of Ghost Rider #1 and #2 in the context of covering the debut of spinoff character Daimon Hellstrom, the Son of Satan, in Marvel Spotlight #12 (Oct., 1973), we’re going to have to do some catching up to properly set the stage.  So let’s get to it, shall we?  Read More

Omega the Unknown #3 (July, 1976)

Back in December, we took a look at the first issue of Omega the Unknown — Steve Gerber and Mary Skrenes’ 1975-77 Marvel Comics series that was just as much about a seemingly “normal” 12-year-old boy named James-Michael Starling as it was about the strange visitor from another planet that gave the book its title (if not more so).

This time out, we’ll be looking at the next two installments of the bimonthly title, beginning with issue #2 — which, as you can tell from the Rich Buckler-Al Milgrom cover shown at left, featured a special guest appearance by one of Marvel’s biggest stars, the Incredible Hulk — before proceeding to #3 — which, as you can tell from the Gil Kane-Frank Giacoia cover shown above, featured Omega’s run-in with one of Marvel’s longest-active supervillains, the Spider-Man adversary known as Electro.  Read More

Astonishing Tales #36 (July, 1976)

Rich Buckler’s cover for this issue of Astonishing Tales is one of the most striking ones he ever did for his “Deathlock the Demolisher” series, featuring a design-forward approach that clearly displays the influence of Jim Steranko (though without being a direct “lift” from any of that artist’s individual works, to the best of my knowledge).  Interestingly, although the cover’s copy announces “a new beginning” for the feature, its imagery comes almost entirely from previous episodes (among other elements, it prominently features two characters — Deathlok’s arch-foe, Major Simon Ryker, and his one-time friend, Mike Travers — who don’t appear in this issue at all).  But perhaps Buckler’s choice to look back is appropriate, as, fifty years ago this month, the 36th issue of Astonishing Tales turned out to be the last one for the title — a fact which, intentionally or not, retrospectively allows its cover to serve as a sort of commemorative piece for the entire “Deathlok” series.  Read More

Howard the Duck #3 (May, 1976)

As we discussed in last December’s post about the second issue of Marvel Comics’ Howard the Duck, the departure from the series of artist Frank Brunner — who, along with having drawn the first two Howard solo strips (published as backups in Giant-Size Man-Thing #4 and #5), and the first two issues of the Duck’s own title, had also contributed to the plotting of HtD #1 — was less than entirely amicable.  Among the complaints later aired by Brunner in an article published in The Comics Journal #51 (Nov., 1979), the “Master of Quack Fu” parody featured the third issue was his idea as well — though he received no credit in the book itself, nor was he remunerated so much as “a thin dime” (his own words) for his contribution.  Read More

Astonishing Tales #34 (March, 1976)

As regular readers of this blog might recall, we ended our October post about Astonishing Tales #33 with the observation that with that issue, Marvel Comics seemed to have finally found a solid creative team for “Deathlok the Demolisher”, with the feature’s primary creator, plotter, and artist Rich Buckler now supported by Bill Mantlo as scripter and Klaus Janson as inker and colorist.  Meanwhile, Buckler’s frequently meandering plotline seemed to have found some new forward momentum as well.  Was it possible that this series — which, to be sure, had still generally been entertaining in (mostly) bi-monthly doses, where one might simply enjoy the gritty atmosphere and violent action without being overly concerned with the incoherence of the overall story arc — was finally on the verge of realizing its considerable potential?  Read More

X-Men #97 (February, 1976)

Re-reading the early issues of the revived, “All-New, All-Different” X-Men title for the first time in decades, your humble blogger has found himself struck not only by how quickly writer Chris Claremont — still a relative neophyte in 1975 — made the book his own, but also by how enduring many of the concepts and characters he introduced in the first half-dozen or so of the stories he wrote on his lonesome (the first two issues under his byline, #94 and #95, had of course been plotted by his predecessor, Len Wein) have ultimately proven to be.  Half a century on, it’s hard to imagine what the X-books — or maybe even the Marvel Universe, period — would look like, had neither Moira MacTaggert nor the Shi’ar (to name two of the most prominent examples), ever existed.  Read More

Astonishing Tales #33 (January, 1976)

Back in May of this year, we took a look at Astonishing Tales #31, which featured Deathlok the Demolisher… although only for its first ten pages.  As regular readers of this blog may recall, the ongoing series plotted and (mostly) drawn by Deathlok’s primary creator, Rich Buckler, had in the spring of 1975 recently been having scheduling problems, leading Marvel Comics to make the bi-monthly title full reprint for one issue (#29), bring in additional pencilling help for the next (#30), and then, having only enough new content to fill half of the last (#31), pad out the rest of that book with yet another reprint.  Still, we found cause for cautious optimism in what Deathlok material we did get in AT #31, per the coming-on-board of new (hopefully to become regular) inker Klaus Janson, as well as some welcome progression in the feature’s meandering plotlines.

How well-founded was our optimism?  Well, let’s start with the fact that this post, which is mostly about issue #33, is appearing in October… meaning that, fifty years ago, it took Marvel five months to bring out two issues of this book, rather than the expected four.  Not exactly what you’d call a good sign.  Read More