All-Star Comics

Stalker #1 (Jun.-Jul., 1975)

Posted on by Alan Stewart

Following our coverage of Beowulf #1 in January, and Claw the Unconquered #1 in February, we come now to the third of the brand-new sword and sorcery series launched by DC Comics in the first quarter of 1975 — the shortest-lived of the group, as things turned out, but your humble blogger’s personal favorite, nevertheless.

In a career-spanning interview with Paul Levitz conducted in 2019 by Alex Grand and Jim Thompson, the primary progenitor of Stalker (also, albeit a few decades later, DC’s president and publisher) recalled how the project came to be.  At the time, the 18-year-old Levitz was working as an assistant to DC editor Joe Orlando…  Read More

Justice League of America #110 (Mar.-Apr., 1974)

Posted on by Alan Stewart

From a creative standpoint, 1973 had been a very stable year for Justice League of America.  Everyone who’d been working on the book as the year began — writer Len Wein, penciller Dick Dillin, inker Dick Giordano, cover artist Nick Cardy, and (of course) editor Julius Schwartz — remained in place as 1973 neared its end.  From a business perspective, however, it was a rather different story.  After having been published on a nine-times-a-year schedule from 1965 to 1971, DC Comics’ premiere super-team title had dropped back to eight issues per year in 1972; and then, with the first issue of 1973, had its frequency reduced even further, to a bimonthly status.

And then, December, 1973 brought a change that was even bigger (in more ways than one), as JLA joined several other DC titles in transitioning to the “100 Page Super Spectacular” format — a giant-sized package that featured some three pages of reprints to every one of new art and story, at a cost of 50 cents — more than twice that of the “standard” format comic JLA had been prior to the change, which sold for 20 cents.  (With the following month, the price of the “Super Spectacular” format would go up to 60 cents, making these comics a full three times more expensive than DC’s standard size books… but of course we fans of the time didn’t know that yet.)  Read More

Justice League of America #74 (September, 1969)

Posted on by Alan Stewart

The second half of 1969’s iteration of DC Comics’ annual summer event teaming the Justice League of America with their Golden Age predecessors, the Justice Society of America, sported a cover that was — for this particular twelve-year-old’s money — considerably more exciting than the previous issue‘s.  That cover had featured a row of JSAers looking on passively while some nameless kid ripped up a lamppost; this one, pencilled and inked by Neal Adams, heralded the first meeting between the Superman of Earth-One (the one currently appearing in multiple DC titles every month) and the Superman of Earth-Two (the one who’d ushered in the whole Golden Age of Comics in the first place in 1938’s Action Comics #1) — and from the looks of things, it was going to be a, shall we say, rather contentious meeting.  That I would buy this comic book was never in question; but I have a hard time imagining anyone who was even a casual reader of DC superhero comics seeing this book in the spinner rack in July, 1969, and not picking it up.  Read More

Justice League of America #71 (May, 1969)

Posted on by Alan Stewart

For the first year or so of the Justice League of America’s existence, the stories of DC’s premier superteam followed a fairly strict formula.  Beginning with the team’s three tryout issues of The Brave and the Bold in 1959 and 1960, the tales told by writer Gardner Fox, penciller Mike Sekowsky, and editor Julius Schwartz played out according to a prescribed pattern; the team members (Aquaman, Batman, Flash, Green Lantern, the Martian Manhunter, Superman, and Wonder Woman — and, from JLA #4 on, Green Arrow) would come together at (or at least near) the beginning of the story; then they’d encounter or discover a menace; then they’d split into teams to battle different aspects of said menace; and then, finally, they’d come together at the end to secure their ultimate victory over the menace.  Also as part of the formula, at least for the earliest adventures, Superman and Batman took no active role in the central team-up chapters, and sometimes didn’t even show up for the group scenes at the beginning or end; this was due to editor Schwartz deferring to the preferences of editors responsible for those heroes’ own titles, Mort Weisinger and Jack Schiff, who didn’t want DC’s two marquee characters overexposed.  Even after the restrictions on using the Man of Steel and the Caped Crusader eased up somewhat, there were issues when they were entirely absent (“on assignment” in Dimension X, or something else of that sort), and neither of them appeared on a cover until JLA #10 (March, 1962).  Read More

Avengers #58 (November, 1968)

Posted on by Alan Stewart

By September, 1968, when the subject of today’s post came out, I was buying The Avengers semi-regularly.  Of course, “semi” literally means “half” (at least in the original Latin) — which is my way of saying that though I’d bought issues #53, #56, and the 1968 Annual, I’d skipped, or at least missed, issues #54, #55, and #57.  So, not only did my eleven-year-old self miss out on the debut of the Vision (in #57), but I was also completely in the dark about the malevolent robot who’d allegedly created him, Ultron-5, introduced in issues #54 and #55 as the mysterious leader of the “new” Masters of Evil.

Thus, when I came across Avengers #58 in the spinner rack, I may have been momentarily daunted.  Even if I had no obvious way of knowing that this issue tied into the Masters of Evil storyline from several months back, it was clear from the cover that the story was a direct follow-up to the previous issue’s Vision tale.

But the cover also made it crystal clear that the book featured appearances by Captain America, Iron Man, and Thor — the Avengers’ “Big Three”, whom series writer Roy Thomas wasn’t allowed to use as regular team members by the fiat of editor Stan Lee, but whom he nevertheless shoehorned into the book every chance he got — and I had been conditioned by now to recognize this as being something of a special event (if not necessarily a rare one).  And, in the end, that must have sold me.  I’d buy the book, and trust that the creative team — which included penciler John Buscema and inker George Klein, in addition to Thomas — would catch me up.  Read More

Justice League of America #65 (September, 1968)

Posted on by Alan Stewart

When last we left the non-costumed, non-codenamed, but nonetheless quite formidable supervillain T.O. Morrow — at the conclusion of the first half of 1968’s Justice League of America-Justice Society of America summer team-up extravaganza — he’d just managed to kill all the current members of Earth-Two’s JSA (some of them for the second time that issue), and was preparing to head back to his home world of Earth-One to similarly wipe out the JLA — secure in the knowledge provided by his future-predicting computer that the only way he could be stopped was if the Red Tornado intervened; and since the Red Tornado was 1) his own android creation, and 2) also dead, he was sitting in clover, as the saying goes.  Read More

Avengers Annual #2 (September, 1968)

Posted on by Alan Stewart

Fifty years ago, the decision to spend twenty-five cents on the comic book that’s the subject of today’s post was pretty much a no-brainer for my eleven-year-old self.  I had already bought and read that month’s regular monthly issue of Avengers, which I had enjoyed a great deal — and while that issue’s main plotline was mostly resolved by the story’s last page, there were some tantalizing loose ends left hanging, that a caption in the last panel assured readers would be tied up in the title’s “1968 Special — now on sale!”

But even if that hadn’t been the case, I expect I would have snatched up Avengers Annual #2 simply based on its spectacular John Buscema – Frank Giacoia cover.  “The New Avengers vs. the Old Avengers!”  Two superhero teams for the price of one (even if it did look like a couple of the heroes were doing double duty on both teams).  How could I pass up a deal like that?  Read More

Justice League of America #64 (August, 1968)

Posted on by Alan Stewart

As longtime readers of this blog may recall, Justice League of America was the first comic book title I ever subscribed to through the mail, way back in early 1966.  By June, 1968, that one-year subscription had long since expired, but I was still managing to score every issue off the stands, and at this point had an unbroken run extending back to my first issue, #40 — twenty-five issues in all.  I think it’s safe to say that it was still my favorite comic book series at that time (although The Amazing Spider-Man was definitely beginning to give it a run for its money).  Read More

Spectre #5 (Jul.-Aug., 1968)

Posted on by Alan Stewart

In May, 1968, I was a regular buyer and reader of The Spectre — or at least as regular as I could be, short of shelling out for a year’s subscription by mail, considering the state of comic book distribution at the time (as well as my ten-year-old self’s lack of reliable weekly transportation to a comics-selling outlet).  I had first come on board in 1966, with the Ghostly Guardian’s third and final tryout appearance in Showcase, and had bought the first issue of his own self-titled series when it finally appeared over a year later.  I’d failed to score issue #2 (the first drawn by new regular artist Neal Adams), but otherwise, I had ’em all.  Read More

Atom #36 (Apr.-May, 1968)

Posted on by Alan Stewart

What defines a comic book superhero as a unique character?  Is it a name, or a costume, or a power set?  What about a hero’s “secret identity”?  Does it even matter who’s wearing the costume?

For what it’s worth, I suspect that the majority of people reading this post have a general conception of “Superman” as a single, unique character, albeit one with multiple versions — “pre-Crisis”, “New 52”, “Golden Age”, and so on.  It’s probably the same with Batman, or Wonder Woman — or with Captain America, Iron Man, or the Mighty Thor, for that matter.  Even if these heroes undergo occasional costume modifications or power fluctuations — and even if someone else steps into their heroic role for a time in the service of a storyline — there’s still a sense of a core character underneath it all — an “ur-Superman”, an “ur-Batman”, and so forth.  Read More