Ant-Man

Avengers #60 (January, 1969)

Posted on by Alan Stewart

They just don’t make superhero wedding comics* the way they used to.

These days, it’s as likely as not that a heavily promoted “wedding issue” will come out and have not a single scene where anything remotely resembling a wedding ceremony occurs.  Or, a couple does get married, but it’s a different couple than the one whose marital union the book was supposed to be about.  Something of a bait-and-switch going on in both of those cases, if you ask me.

Ah, but in the Good Ol’ Days (AKA the Silver Age of Comics), the major funnybook publishers really knew how to celebrate them some nuptials.  For an example, take Aquaman #18 (Nov.-Dec., 1964), where the whole blamed Justice League of America turns out for the Sea King’s undersea wedding to Mera (bubble helmets thoughtfully provided by the Royal Atlantean Event Planning Committee, I’m sure),   Or Fantastic Four Annual #3 (1965), in which not only do all of Reed Richards’ and Sue Storm’s super friends show up, but so do a whole passel of super foes, as well, thanks to the machinations of the diabolical Doctor Doom.  Now that’s what I call a wedding to remember.  Not a dry (or un-blackened) eye in the house, y’know what i mean?

And then, there’s Avengers #60, featuring “‘Til Death Do Us Part!”, by Roy Thomas (writer), John Buscema (penciler), and Mike Esposito (inker, as “Micky Demeo”) — which not only gives us an Avengers Mansion-ful of super-powered guests and gatecrashers, but also brings the wacky on a level rarely seen before or since.  Read More

Not Brand Echh #9 (August, 1968)

Posted on by Alan Stewart

I gotta say, I sometimes have a hard time figuring out what was going through my younger self’s mind when I made certain choices at the spinner rack half a century ago.  The subject of today’s post is a case in point.  I mean — why would I put down 25 cents for a giant-size humor comic filled with satirical versions of Marvel characters I was only now getting to know in their “serious” incarnations?

I’m guessing that it was partly because Not Brand Echh, with its parodies of current movies and TV shows as well as comic books, reminded me of Mad magazine — which was one of my most regular comics purchases in the late Sixties, despite the fact that I haven’t yet devoted a blog post to it (probably because back in my younger days, I didn’t think of Mad as a bona fide “comic book”, due to its black-and-white magazine-size format).  And, hey, my inclination to go for the “bargain” of getting multiple heroes for the price of one (which, in contrast to Mad, I’ve often noted on the blog), may have figured into my purchasing decision as well — even if these were parody version of the heroes, there were still a lot of ’em.  Read More

Avengers #45 (October, 1967)

Posted on by Alan Stewart

By August, 1967, I’d been buying and reading comic books for two years — and the books that I had bought had almost exclusively been those published by DC Comics, with an occasional Gold Key issue for variety.  But in that month, as the Summer of Love (or the Long Hot Summer, take your pick) wound down — I finally broke down and bought my first Marvel Comics Group comic book.

So what the hell took me so long?

It’s entirely possible that I just didn’t see that many Marvel comics on the spinner racks in those first two years of comic-book buying.  Prior to 1968, the publisher’s newsstand distribution was controlled by Independent News (a company owned by National Periodical Publications, aka DC Comics — and no, that doesn’t sound like an ideal competitive situation, does it?), which restricted the number of titles that Marvel could release per month.  That restriction would be all but completely lifted by early 1968, but in the summer of 1967, it was still in place.  Read More

Batman #185 (October, 1966)

Posted on by Alan Stewart

When I first began reading Batman comics, in August, 1965 (my initial issue, as I posted about around a year ago, was Detective #344), the character’s “New Look” — as developed by editor Julius Schwartz, with the help of artist Carmine Infantino and various writers — had been in place for well over a year.  Nevertheless, by the time August, 1966 rolled around I had managed to achieve some familiarity with the Caped Crusader’s pre-1964 “old look” as well.  This was thanks to several factors.  For one thing, the animated opening credits of the Batman television series were based mostly on the older look; more significantly, the huge success of that show led to an expansion in the reprinting of older Batman material.  And so, within a few months of the TV series’ January, 1966 debut, I had become the proud owner of two Signet paperbacks reprinting old Batman stories in glorious black and white, as well as an “80 Page Giant” issue of the Batman comic itself featuring tales of similar vintage in full color.     Read More