Last month we took a look at Avengers #147, the cover of which we noted found its penciller, Rich Buckler, operating in “full Kirby mode”. By contrast, the cover of today’s fifty-year-old comic happens to have been pencilled by Jack Kirby himself… and may I just say, ain’t nothin’ like the real King, baby. (For the record, Mike Esposito inked this piece.) Read More
As regular readers of this blog will be aware, we haven’t had a post about Marvel Comics’ Defenders title since we covered issue #34 back in January — which means that our continuing coverage of writer Steve Gerber and artist Sal Buscema’s “Headmen/Nebulon Saga” must resume here not with the issue whose number and cover are shown directly above, but with the one whose cover you see pictured at left. And that Gil Kane-Mike Esposito number fronting Defenders #35 (May, 1976) is a doozy, isn’t it? If you’ve never read this comic before, I can’t wait for you to find out who that utterly bizarre unicorn-horned, bird-claw-footed, tentacle-armed monstrosity fighting the Valkyrie really is. Why, I bet you’ll be just as surprised as Chondu the Mystic was! (Wait, did I just give the whole thing away? Damn.) Read More
Cover to Avengers #145 (Mar., 1976). Art by Gil Kane and Dan Adkins.
Cover to Avengers #146 (Apr., 1976). Art by Gil Kane and Al Milgrom.
Back in November, we looked at Avengers #144, featuring the latest (as of Nov., 1975) installment in writer Steve Englehart and artist George Pérez’s “Serpent Crown Saga”. As readers of that post will recall, despite the comic’s final-page “Next” blurb’s promise that the following month’s issue would present the next chapter in the still-ongoing storyline, when Avengers #145 arrived on stands in December its pages were instead filled by the first half of a completely unrelated, out-of-sequence story scripted by Tony Isabella and drawn by Don Heck. That issue, together with the fill-in yarn’s second part in the next month’s Avengers #146, pushed the continuation of Englehart and Pérez’s epic out to February, 1976.
According to later reports, both halves of this story had originally been intended for publication in Giant-Size Avengers #5 — a plan that was up-ended by Marvel Comics’ mid-1975 decision to phase out their whole line of mostly-new-material-filled giant-sized comics. (While GSA #5 was indeed published in September, it was an all-reprint book.) Given that 30-plus pages of Isabella-Heck material had already been both produced and paid for, it’s certainly understandable that Marvel would want to get it into print sooner or later. But smack-dab in the middle of a complex, multi-issue story arc? That hardly seems like an optimal solution. Read More
As regular readers of this blog may have noticed, I tend not to talk very much about the covers of the half-century-old comics we discuss here; unless they’re really strikingly good, my tendency is simply to note who drew them — to the extent that that’s known, anyway — and then move on. (And just this week, in writing about Defenders #32, I forgot to do even that much; my thanks to reader Ben Herman for stepping into the breach.) But I’m going to make an exception this time, simply to express my disappointment with this particular job by Gil Kane and Frank Giacoia. While there are aspects of the composition that work well, the central figure of Hellcat — a significant new character (OK, technically a new combination of two pre-existing characters) whom readers are seeing here for the very first time — is almost painfully awkward, at least to my eyes. Kane was a great talent, but among the very many (probably too many) covers he cranked out for Marvel in the 1970s, it stands to reason that there’d be at least a few clunkers; and for me, this is one of them. (Naturally, your mileage may vary.) Read More
The cover of this issue, pencilled by Gil Kane and inked by Frank Giacoia (and maybe Mike Esposito), might fairly be called a bit misleading. Sure, the Avengers fight a big scaly monster inside, but not these Avengers — Captain America, Iron Man, the Beast, the Vision, and the Scarlet Witch — who, setting aside the whole monster business, show up for only two of the story’s nineteen pages, besides. On the other hand, the promises made by the cover’s blurbs are right on the money: these five Avengers do indeed “break loose” from the confinement we saw them trapped in back in Avengers #142; plus, this issue also features “the final battle against the power of Kang!” — or, at least, a final battle, since, then as now, nothing lasts forever in Marvel superhero comics. Read More
Last month we took a look at Avengers #141, which, as regular readers of this blog will remember, ended with three time-travelers — the founding Avenger named Thor, the would-be Avenger known as Moondragon, and their temporary ally, Immortus — touching down in the American West of 1873, just in time to be startled by someone coming up behind them… a someone, or someones, whom our travelers could see, but whose identities remained unknown to us readers…
…at least until the cover of the next issue — the subject of today’s post — where the illustration by Gil Kane and Frank Giacoia (with a likely assist from John Romita) rather gives the game away ahead of the book’s opening splash page… Read More
The main topic of today’s post is Avengers #141, which kicked off the last major story arc of one of the series’ defining writers, Steve Englehart — and also featured the debut on the series of one of its most celebrated artists, George Pérez. But given that the last issue of the title we looked at on this blog was #137, back in April — and that that one ended on a fairly large cliffhanger, with the Wasp having just been seriously injured by the enigmatic alien known as the Stranger — we’ll have some catching up to do in regards to the three intervening issues before we can move on to the latest doings of Earth’s Mightiest Heroes, circa August, 1975. Read More
As we discussed in our Giant-Size Avengers #4 post back in February, that comic had marked the end of a long sequence of stories by writer Steve Englehart and his various artistic collaborators — the “Celestial Madonna” saga — that had brought significant changes to the team. Perhaps the most of critical of these were the exits of the Swordsman (who’d actually perished in Giant-Size Avengers #2, but had been kinda-sorta brought back since then) and Mantis (who’d only “officially” become an Avenger in the final pages of GSA #4, but had been such a regular part of their adventures since issue #114 that she really might as well have been a member all along). Whatever else might be in store for Earth’s Mightiest Heroes, it certainly made sense that one or more additions to the team’s roster — whether in the form or returning veterans, fresh new recruits, or a mix of both — lay in the near future. Read More
Back in August, 1974, after laying the necessary narrative groundwork for many months, Avengers writer Steve Englehart had inaugurated his “Celestial Madonna” story arc with a pair of issues that came out within a couple of weeks of each other: Avengers #129 and Giant-Size Avengers #2. Half a year later, in February, 1975, the saga would reach its conclusion in a parallel fashion, with the final chapters appearing in that month’s issues of both the regular monthly Avengers title and its giant-sized quarterly companion. Read More
While it may say “Avengers #134 (April, 1975)” on the title line above — and, yes, that is that very issue’s cover (pencilled by Gil Kane, inked by Joe Sinnott, and probably touched up by John Romita) that’s displayed right above that — we’ll actually be beginning this post by looking at the preceding issue, Avengers #133 (whose cover by Kane, Dave Cockrum, and Frank Giacoia is shown at left). That’s because the last time we checked in with Earth’s Mightiest Heroes was in November’s post about Giant-Size Avengers #3, which, as you may remember, ended right in the middle of the extended storyline that today is generally known as the “Celestial Madonna Saga”. And while covering more than one comic in a single blog post is hardly anything new around these parts, your humble blogger feels moved to point out that, even more than with most continued stories of this era, this one happens to be so information-dense, particularly at this juncture, that a brief synopsis could never, ever cut it. Read More