Avengers #60 (January, 1969)

They just don’t make superhero wedding comics* the way they used to.

These days, it’s as likely as not that a heavily promoted “wedding issue” will come out and have not a single scene where anything remotely resembling a wedding ceremony occurs.  Or, a couple does get married, but it’s a different couple than the one whose marital union the book was supposed to be about.  Something of a bait-and-switch going on in both of those cases, if you ask me.

Ah, but in the Good Ol’ Days (AKA the Silver Age of Comics), the major funnybook publishers really knew how to celebrate them some nuptials.  For an example, take Aquaman #18 (Nov.-Dec., 1964), where the whole blamed Justice League of America turns out for the Sea King’s undersea wedding to Mera (bubble helmets thoughtfully provided by the Royal Atlantean Event Planning Committee, I’m sure),   Or Fantastic Four Annual #3 (1965), in which not only do all of Reed Richards’ and Sue Storm’s super friends show up, but so do a whole passel of super foes, as well, thanks to the machinations of the diabolical Doctor Doom.  Now that’s what I call a wedding to remember.  Not a dry (or un-blackened) eye in the house, y’know what i mean?

And then, there’s Avengers #60, featuring “‘Til Death Do Us Part!”, by Roy Thomas (writer), John Buscema (penciler), and Mike Esposito (inker, as “Micky Demeo”) — which not only gives us an Avengers Mansion-ful of super-powered guests and gatecrashers, but also brings the wacky on a level rarely seen before or since.  Read More

Avengers #58 (November, 1968)

By September, 1968, when the subject of today’s post came out, I was buying The Avengers semi-regularly.  Of course, “semi” literally means “half” (at least in the original Latin) — which is my way of saying that though I’d bought issues #53, #56, and the 1968 Annual, I’d skipped, or at least missed, issues #54, #55, and #57.  So, not only did my eleven-year-old self miss out on the debut of the Vision (in #57), but I was also completely in the dark about the malevolent robot who’d allegedly created him, Ultron-5, introduced in issues #54 and #55 as the mysterious leader of the “new” Masters of Evil.

Thus, when I came across Avengers #58 in the spinner rack, I may have been momentarily daunted.  Even if I had no obvious way of knowing that this issue tied into the Masters of Evil storyline from several months back, it was clear from the cover that the story was a direct follow-up to the previous issue’s Vision tale.

But the cover also made it crystal clear that the book featured appearances by Captain America, Iron Man, and Thor — the Avengers’ “Big Three”, whom series writer Roy Thomas wasn’t allowed to use as regular team members by the fiat of editor Stan Lee, but whom he nevertheless shoehorned into the book every chance he got — and I had been conditioned by now to recognize this as being something of a special event (if not necessarily a rare one).  And, in the end, that must have sold me.  I’d buy the book, and trust that the creative team — which included penciler John Buscema and inker George Klein, in addition to Thomas — would catch me up.  Read More

Avengers #56 (September, 1968)

By July, 1968, my eleven-year-old self had decided he liked the Avengers, but, apparently, not quite enough yet to commit to buying their book every single month.  I’d bought my first Avengers comic (which also happened to be my very first Marvel comic), issue #45, almost a whole year previously, but had then waited until the following April to pick up my second, #53 (which also featured the X-Men, making it a bargain from a “more heroes for the money” perspective).  But even though I was already a regular buyer of two other Marvel comics (Amazing Spider-Man and Daredevil) by that time, I continued to hedge my bets on Avengers, for whatever reason.

Probably, it’s because neither of those Avengers issues had featured a story that continued into the following issue, as both Amazing Spider-Man #59 and Daredevil #39 — my first issues of those two series — had done.  By the time those two latter titles had each wrapped up three-issue story arcs in their respective issues #61 and #41, I was hooked enough on the main characters, and the subplots involving them and their supporting casts, to want to see what happened in their next issues.  In contrast, neither of the Avengers comics I’d bought thus far, as enjoyable as they’d been, had provided a compelling hook to bring me back for the next one.  It’s possible, of course, that I simply never saw copies of Avengers #54 or #55 for sale — as I’ve mentioned in earlier posts, I didn’t necessarily get to the Tote-Sum, or one of my other comics outlets, every single week — but since I was managing to score my copies of Spidey’s and DD’s books every month, it seems more likely that I did see ’em, and simply opted to pass.  Read More