Avengers #137 (July, 1975)

As we discussed in our Giant-Size Avengers #4 post back in February, that comic had marked the end of a long sequence of stories by writer Steve Englehart and his various artistic collaborators — the “Celestial Madonna” saga — that had brought significant changes to the team.  Perhaps the most of critical of these were the exits of the Swordsman (who’d actually perished in Giant-Size Avengers #2, but had been kinda-sorta brought back since then) and Mantis (who’d only “officially” become an Avenger in the final pages of GSA #4, but had been such a regular part of their adventures since issue #114 that she really might as well have been a member all along).  Whatever else might be in store for Earth’s Mightiest Heroes, it certainly made sense that one or more additions to the team’s roster — whether in the form or returning veterans, fresh new recruits, or a mix of both — lay in the near future.  Read More

Giant-Size Avengers #2 (November, 1974)

For the most part, the comics that came out as part of Marvel’s “Giant-Size” line in 1974 and 1975 featured stories that, while generally understood to be in continuity with those in the regular-size titles, didn’t directly lead into and/or out of those books.  Such had been the case with Giant-Size Avengers #1 (Aug., 1974), a standalone that was written by Marvel’s editor-in-chief (and former Avengers scribe) Roy Thomas, rather than by the man who’d been authoring the monthly adventures of Earth’s Mightiest Heroes since August, 1972, Steve Englehart.  But with the second issue of the Avengers’ new quarterly vehicle, Englehart was given the reins — and he decided to treat the book as an extra, if plus-sized, issue of the monthly title.

Of course, that didn’t mean that the contents of the “Giant-Size” version of the series shouldn’t be special.  And with Giant-Size Avengers #2, Englehart and his artistic collaborators definitely delivered on that idea, giving readers a twenty-nine page epic that stands to this day as one of the all-time Avengers classics — perhaps even, as writer Kurt Busiek (author of more than a few great Avengers yarns of his own) said in 2014, “the uncontested, anyone-who-says-otherwise-is-sadly-mistaken best single issue of AVENGERS”.  Read More

Avengers #127 (September, 1974)

Following their close-shave victory over the mad Titan Thanos in Avengers #125 and Captain Marvel #33, Earth’s Mightiest Heroes barely got a breather before they were beset by the newly teamed super-villains Klaw and Solarr in Avengers #126.  This was a one-off story, and frankly not one of the Assemblers’ most memorable adventures — although it did mark a couple of significant changes in the team’s active roster worth noting before we proceed to the main topic of today’s post.

The most obvious and expected one of these was the departure of Captain America, who, after all, had just renounced his costumed identity over in issue #176 of his own series — a series which, like Avengers, was written by Steve Englehart.  But the leave-taking of the Black Panther was arguably just as necessary, and probably overdue.  Ever since the second installment of T’Challa’s new solo feature, published in Jungle Action #6 almost a year earlier, writer Don McGregor and his artistic collaborators (primarily Rich Buckler, Gil Kane, and Billy Graham) had been chronicling a dense, ambitious, multi-part epic, “Panther’s Rage”, which took place entirely within the hero’s African kingdom of Wakanda.  After a time, it simply stretched reader credulity to the breaking point to have the Panther continue to appear every month with the New York-based Avengers — especially since it seemed unlikely that McGregor’s storyline was going to be wrapping up any time soon.  (For the record, the final full chapter of the epic would see print just over a year later, in Jungle Action #17, with an “Epilogue” following two months later in #18; alas, your humble blogger didn’t have the good sense to pick up this run of comics back in the day, so you won’t be reading too much more about “Panther’s Rage” on this blog, regretfully.)  Read More

Doctor Strange #2 (August, 1974)

Behind a very nice (if somewhat misleading — we’ll get to why a bit later) cover pencilled, inked, and colored by Frank Brunner, the second issue of the newly revived Doctor Strange title picks up where the first one left off.  In other words, Earth’s Sorcerer Supreme is still dead.

Oh, all right.  Nearly dead.  Having been stabbed in the back with a silver dagger wielded by a brand-new villain named, um, Silver Dagger, our mortally wounded hero has postponed his otherwise inevitable demise by entering the Orb of Agamotto.  Unable to return the way he came, he’s presently on a journey to the center of the Orb, in hopes of finding an exit from its mystical confines before his body and soul succumb to its native unreality; of course, even if he succeeds, he’s still got the whole “mortally wounded” thing to deal with.  Yes, it’s quite the sticky wicket.  Read More

Avengers #125 (July, 1974)

I suppose that Ron Wilson and John Romita’s cover for this issue of Avengers might be taken as misleading by some readers, since, as we’ll soon see, Earth’s Mightiest Heroes never directly confront Thanos himself anywhere within its pages (indeed, the Mad Titan only puts in a personal appearance on a couple of them).  I’m pretty sure, however, that that fact didn’t bother my sixteen-year-old self very much (if at all) when I first read this comic back in April, 1974; after all, the story is unquestionably a part of the “Thanos War” saga that had been being told by artist-writer Jim Starlin and others for the last year and a half, mostly (though not entirely) in the pages of Captain Marvel.  If you took Avengers #125’s cover as “symbolic” of our heroes’ struggle against that epic’s Big Bad, as I was happy to do, you’d have to admit it was pretty much on the money.  Read More

Avengers #124 (June, 1974)

It’s been a minute since we last checked in what the Avengers were up to half a century ago — since the aftermath of the Avengers/Defenders War, in fact, and we put that multi-issue epic to bed back in September.  Given that consideration — as well as the fact that the issue we’re focusing on today is the second half of a two-part story, which itself has been spun off from the conclusion of the three-issue story arc preceding it — you might guess that we have a good amount of recapping to get through before moving on to our main event.  Read More

Captain America #172 (April, 1974)

The ostensible main topic of today’s post, Captain America #172, is the first issue of the series in which writer Steve Englehart and artist Sal Buscema’s “Secret Empire” saga has the center stage completely to itself.  But the storyline may be said to have properly started three issues before this, in #169; and its earliest seeds show up a full six issues before that, in #163.  Read More

Defenders #11 (December, 1973)

The primary subject of today’s post, Defenders #11, is the official conclusion of Marvel’s Avengers/Defenders War crossover event of summer, 1973 — though you’d be hard-pressed to find any evidence of that fact on the book’s otherwise very fine Sal Buscema cover.

Still, as the opening splash page clearly tells us, this is indeed “The 12th and final chapter of the greatest super-epic ever told!”  And surely writer Steve Englehart must know whereof he speaks.  Mustn’t he?  Read More

Avengers #118 (December, 1973)

It’s September, and we’ve finally arrived at the climax of Marvel Comics’ pioneering crossover event of the summer of 1973, the Avengers/Defenders War.  Having realized at last that they share a common enemy, the superheroes of the two feuding teams have united to save the world.

So it’s fitting that, for the first time since the storyline began, the cover of this chapter gives us a group shot of multiple members from both teams — although artists Ron Wilson and John Romita have probably chosen wisely in not trying to cram all fourteen heroes, plus supervillains Dormammu and Loki, into a single shot.  Rather, they’ve opted to go with just nine, and it’s interesting to take note of who’s been included.  Unsurprisingly, every character starring in their own series — that’s Thor, Iron Man, Captain America, and Black Panther (in Jungle Action) from the Avengers, plus Sub-Mariner, Hulk, and Doctor Strange (in Marvel Premiere) from the Defenders — makes the cut.  But that still leaves two slots, and they’ve both gone to female characters — the Avengers’ Scarlet Witch and the Defenders’ Valkyrie — which serves to make the cover at least slightly less of a sausage fest.  Better luck next time, Silver Surfer, Vision, Hawkeye, Swordsman, and Mantis (the only shero who didn’t make the cover).

Still, if you’re hankering for a big group shot featuring all the heroes from both teams, no exceptions, then have no worries; Marvel’s got you covered on the book’s opening splash page:  Read More

Defenders #10 (November, 1973)

Today we continue our coverage of Marvel Comics’ groundbreaking crossover event of summer, 1973, the Avengers/Defenders War.  As you’ll recall from our post about Avengers #117 two weeks ago, the latest battle in the ongoing conflict between the super-teams ended without a clear winner or loser, as Captain America and the Sub-Mariner called a time-out to investigate their suspicions that the heroes were being played against each other by a malevolent third party (which was indeed absolutely the case).

But, as had been promised in no uncertain terms by Avengers #117’s end-of-issue “coming next” blurb — and which was proclaimed even more forcefully by Defenders #10’s John Romita cover — whatever “Breakthrough!” might be imminent wouldn’t arrive in time the stop the Mighty Thor and the Incredible Hulk from throwing down.  And that was a good thing, since if that match-up hadn’t come to fruition, sixteen-year-old me would have asked for my money back.  (Well, not really, since I was well aware the guy working the counter at the Tote-Sum would simply have looked at me like I was crazy if I pulled something like that.  But you know what I mean.)  As it was, however, I could just kick back and wait for writer Steve Englenart and artists Sal Buscema and Frank Bolle to bring on the brawlers…  Read More