Black Widow

Avengers #137 (July, 1975)

Posted on by Alan Stewart

As we discussed in our Giant-Size Avengers #4 post back in February, that comic had marked the end of a long sequence of stories by writer Steve Englehart and his various artistic collaborators — the “Celestial Madonna” saga — that had brought significant changes to the team.  Perhaps the most of critical of these were the exits of the Swordsman (who’d actually perished in Giant-Size Avengers #2, but had been kinda-sorta brought back since then) and Mantis (who’d only “officially” become an Avenger in the final pages of GSA #4, but had been such a regular part of their adventures since issue #114 that she really might as well have been a member all along).  Whatever else might be in store for Earth’s Mightiest Heroes, it certainly made sense that one or more additions to the team’s roster — whether in the form or returning veterans, fresh new recruits, or a mix of both — lay in the near future.  Read More

Giant-Size Avengers #4 (Jun., 1975)

Posted on by Alan Stewart

Back in August, 1974, after laying the necessary narrative groundwork for many months, Avengers writer Steve Englehart had inaugurated his “Celestial Madonna” story arc with a pair of issues that came out within a couple of weeks of each other: Avengers #129 and Giant-Size Avengers #2.  Half a year later, in February, 1975, the saga would reach its conclusion in a parallel fashion, with the final chapters appearing in that month’s issues of both the regular monthly Avengers title and its giant-sized quarterly companion.  Read More

Man-Thing #1 (January, 1974)

Posted on by Alan Stewart

In October, 1973, Marvel Comics’ muck-encrusted monstrosity, the Man-Thing — who’d first been introduced in the black-and-white Savage Tales #1 back in January, 1971, and had been holding down his own regular feature in Fear since July, 1972 — graduated into his own title at last.

But if anyone picked up this “Fear Fraught First Issue” expecting to get in on the ground floor of anything, they were likely disappointed once they turned past Frank Brunner’s excellent cover to find themselves smack dab in the middle of an ongoing storyline… and not exactly what you’d call a straightforward, uncomplicated storyline, either…  Read More

Daredevil #107 (December, 1973)

Posted on by Alan Stewart

Back in July, we took a look at Daredevil #105, in which a plotline involving a series of mysteriously-empowered new supervillains — one that had meandered through the generally street-level-set series for the past nine issues — suddenly took an unexpected turn for the cosmic, as our Man Without Fear found himself involved with Moondragon — a woman who, though Earth-born, presently called Saturn’s moon of Titan her home.  In other words, DD had somehow managed to wander into the outskirts of the “Thanos War” saga being chronicled by artist-writer Jim Starlin over in the pages of Captain Marvel.  Read More

Daredevil #105 (November, 1973)

Posted on by Alan Stewart

In summer,1973, my younger self was still pretty isolated as a comic-book reader.  Good, lasting face-to-face friendships with fellow enthusiasts were on the horizon, but had not yet arrived, and I wasn’t reading fanzines.  Therefore, I generally picked up on hot new titles — or on newly hot streaks on older titles — via the publishers’ own marketing efforts, or by reader buzz in the letters columns… or by sheer happenstance.

So how did I finally catch on to what artist-plotter Jim Starlin was up to in Captain Marvel, some five issues and eight months into his soon-to-be-classic run?  As best as I can tell, it was due mostly to the latter of those three options — more specifically, via a very unlikely tie-in with, of all things, Daredevil.  Read More

Daredevil #100 (June, 1973)

Posted on by Alan Stewart

It’s been a while — sixteen months, to be precise — since this blog checked in with Marvel Comics’ Man Without Fear.  Granted, our last Daredevil-themed post was something of a marathon, seeing as how it attempted to cover writer Gerry Conway’s entire “Mister Kline” saga — a complicated (and ultimately unsuccessful) continuity that encompassed not only a whopping eight issues of DD’s own series, but also five installments of Iron Man, and even one random Sub-Mariner — in a single go.  It was a long post, in other words; one in which no one could seriously claim we hadn’t given Matt Murdock and his alter ego a lot of quality time.  Still — it has been a while.  So, before we get on with the business of marking the milestone of ol’ Hornhead’s first hundred issues, we have some catching up to do in regards to what our Scarlet Swashbuckler been up to for the last 1 1/3 years.  Read More

Avengers #99 (May, 1972)

Posted on by Alan Stewart

Like its immediate predecessor, the second installment of writer Roy Thomas and artist Barry Windsor-Smith’s three-part follow-up to the Kree-Skrull War leads off with a cover inked by Windsor-Smith, but pencilled by John Buscema.  If you happen to have read our post about part one, aka Avengers #98, then you may recall that your humble blogger was obliged to confess therein that he’d gone close to five decades not realizing that Buscema had anything to do with that book’s cover, never having recognized any hand at work on it save for that of Windsor-Smith.  Something similar holds true for the cover of our present subject, Avengers #99 — only this time, it’s Buscema whose style I’ve always recognized, and Windsor-Smith whose contribution failed to register with your humble blogger until quite recently, when I checked the Grand Comics Database as part of my research for this post.  (This fact probably has no significance beyond highlighting what a poor eye I have for picking out artists’ styles, but it’s still kind of amusing, at least to me.)

Behind the cover, on the other hand, Windsor-Smith’s work was unmistakable — and would have been even had the opening splash page carried no credits at all…  Read More

Amazing Adventures #8 (September, 1971)

Posted on by Alan Stewart

When we last checked in with the Inhumans feature in Amazing Adventures, back in December, the new creative team of writer Roy Thomas and artist Neal Adams had just launched a new multi-part storyline.  The beginning of this new arc found the Inhumans’ monarch, Black Bolt, traveling to the United States — more specifically, to San Francisco — to begin the process of developing better relations between his people and the outside world.  (Exactly how he expected to accomplish this by skulking around an urban waterfront at night, especially given his self-enforced muteness, was unrevealed.)  BB got off to a somewhat rocky start, getting involved in an altercation with some petty criminals as he came to the defense of a boy named Joey, the nephew of the hoods’ leader, Roscoe.  Meanwhile, back in the Great Refuge, the king’s mad brother Maximus lay in what appeared to be a state of suspended animation — something Black Bolt had set up prior to his departure, without explaining his reasons to the other members of the Inhumans’ royal family.  A suspicious Gorgon and Karnak elected to wake Maximus up, which turned out to be a bad move, since the previously non-super Max had recently developed immense mental powers.  Maximus promptly unleashed a brain blast that traveled halfway around the world before striking down Black Bolt, simultaneously robbing him of his memory.  This ten-page installment ended with young Joey, having just managed to rouse his mysterious new friend, trying to get him to say something — unaware that if the Inhumans’ incognito ruler uttered but a mere whisper, the power of his voice would unleash terrible destruction.  Yipes!  Read More

Amazing Adventures #5 (March, 1971)

Posted on by Alan Stewart

As I wrote in this space back in May, in 1970 my younger self bought the first two issues of Marvel Comics’ new double-feature title Amazing Adventures upon their release — but then skipped the next two.  Half a century later, I can’t recall what my decision-making process was (and the vagaries of distribution being what they were at the time, it’s entirely possible that I never saw AA #3 and/or #4 on the stands).  But I’d guess that I simply wasn’t all that crazy about what I’d found in #1 and #2.  Even though I liked the Inhumans a whole lot, and was an admirer of Jack Kirby’s art (I was also a fan of his plotting, of course, if only unconsciously, since I didn’t yet comprehend the extent of the King’s creative contributions to his collaborations with Marvel editor/scripter Stan Lee), the two-part tale that inaugurated the Inhumans feature, written as well as drawn by Kirby, didn’t feel like essential work.  At the time he produced these stories, Kirby was on the verge of unleashing a tremendous amount of pent-up creativity with his “Fourth World” project for DC; but, as with a lot of his other material for Marvel at the end of his monumental ’60s tenure at the publisher, his heart didn’t really seem to be in this stuff.

As for the title’s second feature, the Black Widow — she was more of an unknown quantity for me, anyway.  Besides the obvious fact that this was her first solo strip, I had at this point read very few of her earlier appearances in Avengers and elsewhere, and had little to no investment in the character.  Despite the reliably fine draftsmanship of John Buscema on her first two installments (with John Verpoorten inking Buscema’s pencils), I didn’t find enough there to hook me and bring me back.  Read More