Marvel Super Action #1 (January, 1976)

As was discussed in detail in our post about Marvel Preview #4 several weeks ago, by 1975 all four of the black-and-white comics magazines with which Marvel Comics had made a big push into that market just two years before were winding down.  But Marvel was far from throwing in the towel on the B&W format itself.  Accepting that the early-’70s horror boom that had inspired the launches of Dracula Lives and its ilk was pretty much over, Marvel now looked to other genres for new titles that could replace those that had made up the “Marvel Monster Group”.  Read More

Marvel Preview #4 (January, 1976)

Back in the early months of 1973, Marvel Comics confidently made a big push into the black-and-white comics magazine market then dominated by Warren Publishing with a slate of four horror titles — Dracula Lives, Monsters Unleashed, Tales of the Zombieand Vampire Tales — obviously designed to go head-to-head with Warren’s trio of Creepy, Eerie, and Vampirella.  Within two-and-a-half years, however, all four of those books had shuffled off back to the graveyard, victims of a general downturn in the horror genre’s appeal to American comics fans that had also prompted a significant pruning of Marvel’s color comics of that ilk.  (TTFN, Man-Thing; catch ya later, Morbius; Living Mummy, we hardly knew ye.)

Still, if you’d taken a look at the magazine racks in October, 1975, Marvel’s confidence in its ability to compete in the B&W comics field — or, at least, its determination to do so — would hardly have seemed to have diminished since the heady days of the “Marvel Monster Group”.  That month, you might have scored copies of Deadly Hands of Kung Fu #18, Planet of the Apes #15, Savage Sword of Conan #9… maybe even Crazy #15 or Doc Savage #2 (which had both come out in August, but wouldn’t be bumped off the stands by new issues until December).  And also, of course, the book that’s the main topic of today’s post:  the fourth issue of Marvel PreviewRead More

Planet of the Apes #1 (August, 1974)

In June, 1974, my sixteen-year-old self was well-primed for the debut of a comic book series based on the Planet of the Apes media franchise.  True, at the time I’d seen only two out of the five extant movies — Escape from the Planet of the Apes (1971) and Conquest of the Planet of the Apes (1972), both of which I saw in theaters (to this day, I have no idea how or why I missed catching the fifth film, 1973’s Battle for the Planet of the Apes, at the movie house, but there it is).  But I’d read the English translation of Pierre Boulle’s La Planète des singes, the 1963 French novel on which the first film was based, as well as Michael Avallone’s paperback novelization of the second film, Beneath the Planet of the Apes, and, most recently, David Gerrold’s corresponding effort re: Battle.  So I was about as up-to-date on my “Apes” lore as it was possible to be in those pre-home video days, given that I’d missed the broadcast premieres of the first three films on The CBS Friday Night Movie the previous autumn (perhaps because I was out with friends, but more likely because my parents wanted to watch something else, and we were a one-TV household at the time).  In any event, I was more than ready for more Apes content.
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Man-Thing #8 (August, 1974)

Mike Ploog’s splendidly over-the-top cover for Man-Thing #8 probably calls back harder to the lurid, gory glories of early-1950s pre-Code horror comics than anything else ever published by Marvel in the 1970s (including their Code-free black-and-white magazine line).  Of course, back in May, 1974, my sixteen-year-old self probably didn’t fully comprehend that that was what the artist was up to here; still, that didn’t mean that I couldn’t appreciate the cover on its own merits.  A muck-covered monstrosity breaking free from his lab-table restraints, while nearby a hideous ghoul threatened a beautiful, buxom young woman?  What wasn’t to love?  Read More