Brian Michael Bendis

Green Lantern #81 (December, 1970)

Posted on by Alan Stewart

Green Lantern #81, the sixth issue of writer Denny O’Neil and artist Neal Adams’ classic “Green Lantern/Green Arrow” run, represented a couple of “firsts” for the series.  For one, the superheroine Black Canary, who’d previously appeared in issues #78 and #79, was cover-billed as a guest-star for the first time.  For another, this was the first installment that overtly heralded the major social issue dramatized within the book’s pages with a cover blurb, i.e., the “Population Explosion!”

Along with these firsts, however, issue #81 almost had the added distinction of being the last issue drawn by Neal Adams.  As the artist would later tell interviewer Arlen Schumer (in Comic Book Marketplace #40 [Oct., 1996]), “I thought we started to run out of ideas when we ran the overpopulation story… Politically, I had a problem with the book.” Read More

Amazing Spider-Man #85 (June, 1970)

Posted on by Alan Stewart

In July, 1969, Marvel Comics editor-in-chief Stan Lee announced in his “Stan’s Soapbox” column that the company was instituting a new “no continued stories” policy for all its titles.  Today, that policy (which remained in place for about a year and a half, at least officially) is widely considered to have been not Lee’s own idea, but rather one that was imposed on him by his then-boss, publisher Martin Goodman.  Assuming that’s true, it’s interesting to consider how much Lee flouted the policy in one of the relatively few books he still wrote himself, The Amazing Spider-Man — which, as it happens, was also the company’s best-selling title, and thus probably the one most likely to be noticed by Goodman.  Read More

Avengers #60 (January, 1969)

Posted on by Alan Stewart

They just don’t make superhero wedding comics* the way they used to.

These days, it’s as likely as not that a heavily promoted “wedding issue” will come out and have not a single scene where anything remotely resembling a wedding ceremony occurs.  Or, a couple does get married, but it’s a different couple than the one whose marital union the book was supposed to be about.  Something of a bait-and-switch going on in both of those cases, if you ask me.

Ah, but in the Good Ol’ Days (AKA the Silver Age of Comics), the major funnybook publishers really knew how to celebrate them some nuptials.  For an example, take Aquaman #18 (Nov.-Dec., 1964), where the whole blamed Justice League of America turns out for the Sea King’s undersea wedding to Mera (bubble helmets thoughtfully provided by the Royal Atlantean Event Planning Committee, I’m sure),   Or Fantastic Four Annual #3 (1965), in which not only do all of Reed Richards’ and Sue Storm’s super friends show up, but so do a whole passel of super foes, as well, thanks to the machinations of the diabolical Doctor Doom.  Now that’s what I call a wedding to remember.  Not a dry (or un-blackened) eye in the house, y’know what i mean?

And then, there’s Avengers #60, featuring “‘Til Death Do Us Part!”, by Roy Thomas (writer), John Buscema (penciler), and Mike Esposito (inker, as “Micky Demeo”) — which not only gives us an Avengers Mansion-ful of super-powered guests and gatecrashers, but also brings the wacky on a level rarely seen before or since.  Read More