Avengers #118 (December, 1973)

It’s September, and we’ve finally arrived at the climax of Marvel Comics’ pioneering crossover event of the summer of 1973, the Avengers/Defenders War.  Having realized at last that they share a common enemy, the superheroes of the two feuding teams have united to save the world.

So it’s fitting that, for the first time since the storyline began, the cover of this chapter gives us a group shot of multiple members from both teams — although artists Ron Wilson and John Romita have probably chosen wisely in not trying to cram all fourteen heroes, plus supervillains Dormammu and Loki, into a single shot.  Rather, they’ve opted to go with just nine, and it’s interesting to take note of who’s been included.  Unsurprisingly, every character starring in their own series — that’s Thor, Iron Man, Captain America, and Black Panther (in Jungle Action) from the Avengers, plus Sub-Mariner, Hulk, and Doctor Strange (in Marvel Premiere) from the Defenders — makes the cut.  But that still leaves two slots, and they’ve both gone to female characters — the Avengers’ Scarlet Witch and the Defenders’ Valkyrie — which serves to make the cover at least slightly less of a sausage fest.  Better luck next time, Silver Surfer, Vision, Hawkeye, Swordsman, and Mantis (the only shero who didn’t make the cover).

Still, if you’re hankering for a big group shot featuring all the heroes from both teams, no exceptions, then have no worries; Marvel’s got you covered on the book’s opening splash page:  Read More

Defenders #10 (November, 1973)

Today we continue our coverage of Marvel Comics’ groundbreaking crossover event of summer, 1973, the Avengers/Defenders War.  As you’ll recall from our post about Avengers #117 two weeks ago, the latest battle in the ongoing conflict between the super-teams ended without a clear winner or loser, as Captain America and the Sub-Mariner called a time-out to investigate their suspicions that the heroes were being played against each other by a malevolent third party (which was indeed absolutely the case).

But, as had been promised in no uncertain terms by Avengers #117’s end-of-issue “coming next” blurb — and which was proclaimed even more forcefully by Defenders #10’s John Romita cover — whatever “Breakthrough!” might be imminent wouldn’t arrive in time the stop the Mighty Thor and the Incredible Hulk from throwing down.  And that was a good thing, since if that match-up hadn’t come to fruition, sixteen-year-old me would have asked for my money back.  (Well, not really, since I was well aware the guy working the counter at the Tote-Sum would simply have looked at me like I was crazy if I pulled something like that.  But you know what I mean.)  As it was, however, I could just kick back and wait for writer Steve Englenart and artists Sal Buscema and Frank Bolle to bring on the brawlers…  Read More

Avengers #117 (November, 1973)

Before we leap right into the latest installment of Marvel Comics’ crossover event of summer, 1973 , the Avengers/Defenders War, let’s pause to note how its cover represents yet a third approach to representing the event in the context of a single 20-cent comic book — a comic which Marvel would have been keen to have a prospective buyer pick up, even if they hadn’t bought the ongoing storyline’s two previous episodes.  To wit: while the cover of Avengers #116 had spotlighted only the three heroes actively engaging in battle within its pages (i.e., Vision, Scarlet Witch, and Silver Surfer), and that of Defenders #9 “symbolically” shoehorned the three original Defenders (i.e., Dr. Strange, Hulk, and Sub-Mariner) into a scene of Iron Man vs. former Avenger/current Defender Hawkeye, this John Romita-Mike Esposito number puts the focus on the two marquee combatants (i.e., Captain America and Sub-Mariner) while giving us a selection of other Avengers in the form of floating heads, as well as teasing us with a partially-seen guest star… while never using the words “Defender” or “Defenders” at all.  It certainly makes for a marked contrast with the covers of most later multi-title crossover events at both Marvel and its rival DC Comics, where the emphasis is on making sure that a prospective buyer knows that a particular issue is part of the event, and so a “must-buy” for anyone following/collecting it… versus trying to downplay the possibility of someone not buying the comic because they don’t have all the previous chapters.  Times sure have changed, amirite?  Read More

Avengers #116 (October, 1973)

According to writer Steve Englehart, the multi-issue Marvel Comics crossover event most of us refer to as the Avengers/Defenders War (Englehart himself prefers to call it the Avengers/Defenders Clash, God bless ‘im) had its origins in his personal affection for the classic Marvel Annuals he’d enjoyed as a fan in the 1960s — epic, overstuffed extravaganzas like the very crashed wedding of Reed Richards and the Invisible Girl in Fantastic Four Annual #3 (1965), or the save-the-timeline battle between the “new” and the “old” Avengers in Avengers Annual #2 (Sep., 1968).  As the writer confided in his 2010 introduction to Marvel Masterworks — The Defenders, Vol. 2, “I have great memories of finding these gems and sitting down in the shade of a tree on a sunny summer’s day to read them.”  But in recent years, such summertime Annuals as Marvel had continued to produce were mere collections of reprints — nice enough if you didn’t already have those stories, many of which were already classics, but not something you could really get excited about in the same way you could the extra-length, brand-new, “event” stories featured by the Annuals in their heyday.  Read More

Avengers #114 (August, 1973)

Panel from Avengers #112 (Jun., 1973). Text by Steve Englehart; art by Don Heck and Frank Bolle.

As we covered in last month’s blog post about Avengers #113, writer Steve Englehart had introduced a mystery in the previous issue, #112, by briefly bringing onstage a brand-new character, Mantis, and her unnamed, only-seen-in-shadow companion.  About all we were told about the latter character, in either his first or his second blink-and-you’ll-miss-it appearance (in #113) was that he had a prior association with the series’ titular super-team, and that he had strong, less-than-positive opinions about a recently departed Avenger, Hawkeye.  Not a whole lot to go on, at least in the opinion of my fifteen-year-old self… though, to be honest, I probably didn’t give the matter a whole lot of thought at the time.  After all, there were plenty of other comic books to be read back in the spring of 1973, and a caption in #113 had promised us that the next issue would bring a solution to the puzzle of this mystery man’s identity.  So, I was content to wait to see what May would bring us.

As it turned out, when Avengers #114 was released, I wouldn’t even have to pull the issue all the way up out of the spinner rack to discover the answer to the two-month-old mystery, as the cover (probably by John Romita) prominently featured both Mantis and her shadowy beau — so much so, in fact, that the tops of the couple’s heads obscured some of the lower real estate of the book’s logo.  And if I had had a moment’s confusion in trying to place the purple-costumed, mustachioed gent dominating the cover’s left half (which I’m pretty sure I didn’t), the story title blurb at the bottom would have clued me in by the time I got the comic all the way out of the aforementioned spinner rack, by letting me know that Mantis’ mysterious amour was none other than… the Swordsman!  Read More

Captain America #164 (August, 1973)

Fifty years ago, John Romita’s cover for the topic of today’s blog post promised a certain degree of novelty; not only did it nod to the then-hot horror genre via presenting the superheroic Falcon as a werewolf, but it also heralded the debut of a new supervillain — and a Black female one at that.  (Nightshade may not have been the first such character to appear in American comics, but her particular race-gender combo made her stand out in this era, nevertheless… actually, as far as your humble blogger can tell, it still does.)

But we readers of May, 1973 couldn’t guess the full scope of the novelty awaiting us until we turned to this issue’s first page:  Read More

Captain America #162 (June, 1973)

It’s been some seven months since the blog last checked in with Captain America.  As regular readers may recall, at that time we took a look at the storyline that kicked off new writer Steve Englehart’s tenure on the title — a four-issue saga in which our star-spangled Avenger (aka Steve Rogers) learned that during the post-World War II era, while he himself had been frozen in ice, he’d been replaced by another Captain America — the “Commie-busting” Cap whose adventures Atlas (aka Marvel) Comics had published for a few years in the 1950s.  That iteration of the hero, along with his partner Bucky, had ultimately gone insane, becoming an avatar of bigotry — and a menace to society whom the real Captain America, along with his partner, the Falcon, and girlfriend, sometime S.H.I.E.L.D. agent Sharon Carter, had to take down before he could permanently damage Cap’s reputation… and a whole lot else, besides.  Read More

Daredevil #100 (June, 1973)

It’s been a while — sixteen months, to be precise — since this blog checked in with Marvel Comics’ Man Without Fear.  Granted, our last Daredevil-themed post was something of a marathon, seeing as how it attempted to cover writer Gerry Conway’s entire “Mister Kline” saga — a complicated (and ultimately unsuccessful) continuity that encompassed not only a whopping eight issues of DD’s own series, but also five installments of Iron Man, and even one random Sub-Mariner — in a single go.  It was a long post, in other words; one in which no one could seriously claim we hadn’t given Matt Murdock and his alter ego a lot of quality time.  Still — it has been a while.  So, before we get on with the business of marking the milestone of ol’ Hornhead’s first hundred issues, we have some catching up to do in regards to what our Scarlet Swashbuckler been up to for the last 1 1/3 years.  Read More

Avengers #105 (November, 1972)

Writing about Avengers #100 back in March of this year, I referred to the four issues that immediately followed that milestone as a “victory lap” for Roy Thomas, whose nearly-six-year tenure as the title’s writer was about to come to an end.   In characterizing Avengers #101-104 in such a fashion, I don’t mean to denigrate them; they’re not bad comics, by any means.  But coming directly upon the heels of the three-part “Olympus Trilogy” crafted by Thomas with Barry Windsor-Smith — and, right before that, the “Kree-Skrull War” epic by Thomas, Neal Adams, and Sal and John Buscema — these comics can’t help but seem somewhat anticlimactic by comparison.  I suppose there’s always been a part of me that kind of wishes that Thomas had just quit while he was ahead.  Read More