Fifty years (and one month) after the fact, I’m honestly not sure whether, upon first seeing the cover for Avengers #67 back in June, 1969, I had any idea that it hadn’t been pencilled by John Buscema, but rather by his younger brother, Sal. The look of the featured characters was so close to what I was accustomed to seeing from the elder Buscema that It probably didn’t occur to me to consider that the piece might have been drawn by someone else — and, after all, I only knew Sal Buscema as an inker at this point (and only of his big brother’s work on Silver Surfer, at that).
But I feel fairly confident that a month later, when I first saw the cover of Avengers #68, I realized that something was different about it, even if I can’t claim to have any distinct memory to that effect. Sure, the Avengers still closely resembled John Buscema’s renditions, but they were “off-model” just enough that I had to know they weren’t quite the same.
And once I’d picked up the book and flipped to the first page, i realized that more than just the cover art had changed… Read More
By September, 1968, when the subject of today’s post came out, I was buying The Avengers semi-regularly. Of course, “semi” literally means “half” (at least in the original Latin) — which is my way of saying that though I’d bought issues #53, #56, and the 1968 Annual, I’d skipped, or at least missed, issues #54, #55, and #57. So, not only did my eleven-year-old self miss out on the debut of the Vision (in #57), but I was also completely in the dark about the malevolent robot who’d allegedly created him, Ultron-5, introduced in issues #54 and #55 as the mysterious leader of the “new” Masters of Evil.
Thus, when I came across Avengers #58 in the spinner rack, I may have been momentarily daunted. Even if I had no obvious way of knowing that this issue tied into the Masters of Evil storyline from several months back, it was clear from the cover that the story was a direct follow-up to the previous issue’s Vision tale.
But the cover also made it crystal clear that the book featured appearances by Captain America, Iron Man, and Thor — the Avengers’ “Big Three”, whom series writer Roy Thomas wasn’t allowed to use as regular team members by the fiat of editor Stan Lee, but whom he nevertheless shoehorned into the book every chance he got — and I had been conditioned by now to recognize this as being something of a special event (if not necessarily a rare one). And, in the end, that must have sold me. I’d buy the book, and trust that the creative team — which included penciler John Buscema and inker George Klein, in addition to Thomas — would catch me up. Read More