Star Trek #10 (May, 1971)

As I’ve mentioned in passing a time or two before on this blog, I didn’t get to see Star Trek when it originally aired on the NBC television network from 1966 to 1969.  Until 1970, we only had two TV stations in the Jackson, MS metro area; and although one of them was an NBC affiliate, it sometimes pre-empted that network’s programming to carry something else (usually a program from ABC, the odd-network-out in our market).  My maiden voyage upon the starship Enterprise would thus have to wait until reruns of the by-then-cancelled show started airing locally in syndication, probably sometime in 1970.

Once first contact was finally made, however, I immediately (and unsurprisingly, considering the other stuff I was into) became a big Trek fan.  And I was keen to extend my enjoyment of the show through what we would now call ancillary media.  The thing was, in 1970 and 1971, there wasn’t a whole lot of licensed Trek story-product available.  Read More

The Man from U.N.C.L.E. #10 (January, 1967)

“Batmania” may have dominated the pop culture landscape in 1966, but it was by no means the only thing going on at the time — not even within the smaller sphere of pop-cultural activity that was of special interest to nine-year-old boys such as myself.  For one thing, there was also The Man from U.N.C.L.E.

The Man from U.N.C.L.E. (that’s the United Network Command for Law and Enforcement, for those of you who don’t already know, and yet might actually care for some reason), in addition to being something of a mini-phenomenon of its own, was of course also part of the larger wave of popularity of the “super-spy” genre in the early-to-mid-Sixties.  The wellspring of this popularity was author Ian Fleming’s James Bond, the hero of a series of espionage thrillers who’d debuted in 1953, but who’d really taken off (especially in the United States), when it was revealed that President John F. Kennedy was a fan.  By 1966, the enormous success of Agent 007 had yielded a crop of imitators as well as variations on the “spy-fi” concept, including TV’s spoof Get Smart and Western-spy-fi genre hybrid The Wild Wild West, not to mention comics’ Nick Fury, Agent of S.H.I.E.L.D. and T.H.U.N.D.E.R. Agents series.     Read More