Doug Moench

Marvel Super Action #1 (January, 1976)

Posted on by Alan Stewart

As was discussed in detail in our post about Marvel Preview #4 several weeks ago, by 1975 all four of the black-and-white comics magazines with which Marvel Comics had made a big push into that market just two years before were winding down.  But Marvel was far from throwing in the towel on the B&W format itself.  Accepting that the early-’70s horror boom that had inspired the launches of Dracula Lives and its ilk was pretty much over, Marvel now looked to other genres for new titles that could replace those that had made up the “Marvel Monster Group”.  Read More

Unknown Worlds of Science Fiction #6 (November, 1975)

Posted on by Alan Stewart

Last October, we took a look at the first issue of Unknown Worlds of Science Fiction — Marvel Comics’ latest (as of 1974), and, as things turned out, last (as of 2025) attempt to produce an SF anthology comic adapting well-known short stories and novels in the genre.  As I related in that earlier post, my younger self definitely enjoyed that premiere offering, but still somehow ended up not buying another issue until the August, 1975 release of the subject of today’s post.  Whether the magazine had been having distribution problems in my area in the ten-month interval between UWoSF #1 and #6, or I simply passed on #2 through #5 for reasons now forgotten, I’m glad that the stars aligned for me to buy this one.  Read More

Astonishing Tales #31 (August, 1975)

Posted on by Alan Stewart

The last time we checked in with Marvel Comics’ cyborg antihero, Deathlok the Demolisher, it was September, 2024.  (Or, if you prefer, September, 1974).  That’s been a good long while in comics periodical publishing terms, even taking into account the bi-monthly publication schedule of Astonishing Tales back then; so you might figure we have a lot of catching up to do before digging in to the character’s “latest” adventure.  But, as it turns out, the eight-month gap between issues #27 and #31 of the Astonishing Tales brought just two new Deathlok stories rather than three, as issue #29 was a fill-in featuring an unplanned reprint of the first Guardians of the Galaxy story, which (as we discussed in last week’s Defenders #26 post) had originally appeared in Marvel Super-Heroes #18 back in 1968.  Read More

Astonishing Tales #27 (December, 1974)

Posted on by Alan Stewart

Back in May, we covered Astonishing Tales #25, featuring the premiere outing (and origin story) of Deathlok the Demolisher.  Our main topic of discussion today is the third Deathlok story — but since this particular feature went in for serialized storytelling in a big way (not to mention doing more than a fair amount of jumping around in time, especially in the earliest episodes), we’ll first need to spend a bit of time and space recapping the major events of Astonishing Tales #26 (whose cover by primary creator Rich Buckler is shown at right) before moving on to the main event.

As discussed at some length in the aforementioned AT #25 post, later decades would find the question of just how much Buckler contributed to the creation of the Deathlok character, as well as to his earliest adventures, versus what the series’ first scripter, Doug Moench, brought to the enterprise, to be a matter of considerable contention; with that in mind, your humble blogger invites you to peruse the credits on the following splash page, where we find Buckler credited for “art/concept/plot”, while Moench gets a double nod for “script/plot”.  This is in contrast to AT #25, where we were told Buckler had “conceived, plotted, & drawn” the work, while Moench had only “scripted” it. Read More

Giant-Size Master of Kung Fu #1 (September, 1974)

Posted on by Alan Stewart

While this blog has briefly touched on the matter of Marvel’s 1974-75 line of “Giant-Size” comics in a few previous discussions, this is the first time we’ve devoted a post to a book in that fairly short-lived format.  So, I hope you all won’t mind if we take a little time here at the top of the page, before we flip past Giant-Size Master of Kung Fu #1’s Ron Wilson-Mike Esposito cover to take a look at this issue’s specific contents, to get into a little background on the introduction and early days of the “Giant-Size” format in general.  It’s an interesting story (at least in my opinion) that seems to indicate a certain degree of disorder in the Marvel offices around this time — disorder which might rise to the level of full-on chaos, but then again might not, depending on your point of view.  Read More

Planet of the Apes #1 (August, 1974)

Posted on by Alan Stewart

In June, 1974, my sixteen-year-old self was well-primed for the debut of a comic book series based on the Planet of the Apes media franchise.  True, at the time I’d seen only two out of the five extant movies — Escape from the Planet of the Apes (1971) and Conquest of the Planet of the Apes (1972), both of which I saw in theaters (to this day, I have no idea how or why I missed catching the fifth film, 1973’s Battle for the Planet of the Apes, at the movie house, but there it is).  But I’d read the English translation of Pierre Boulle’s La Planète des singes, the 1963 French novel on which the first film was based, as well as Michael Avallone’s paperback novelization of the second film, Beneath the Planet of the Apes, and, most recently, David Gerrold’s corresponding effort re: Battle.  So I was about as up-to-date on my “Apes” lore as it was possible to be in those pre-home video days, given that I’d missed the broadcast premieres of the first three films on The CBS Friday Night Movie the previous autumn (perhaps because I was out with friends, but more likely because my parents wanted to watch something else, and we were a one-TV household at the time).  In any event, I was more than ready for more Apes content.
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Astonishing Tales #25 (August, 1974)

Posted on by Alan Stewart

Marvel Comics’ first official mention of the feature that would eventually become known as “Deathlok the Demolisher” seems to have been a brief blurb in the fourth issue of the company’s self-produced fanzine FOOM (cover-dated “Winter, 1973”, but bearing a date of “Winter, 1974” in its indicia; Mike’s Amazing World of Comics offers an “approximate on-sale date” of January 1, 1974).  After hyping a 2-part adaptation of the movie The Golden Voyage of Sinbad that would be coming up soon in Worlds Unknown, FOOM‘s anonymous news columnist went on to add:  Read More

Dracula Lives #3 (October, 1973)

Posted on by Alan Stewart

Arriving on stands in June, 1973, the third issue of Marvel Comics’ new “Marvel Monster Group” of black-and-white titles got off to a strong start with a spectacular cover by Neal Adams.  Over a year prior, the star artist had begun backing away from a long stint as the most prolific cover artist for Marvel’s primary rival, DC Comics — a tour of duty extending back past the turn of the decade, and one which at its productive peak had seen him turning out ten or more covers a month.  Of course, Adams had kept his hand in the cover game (at Marvel as well as its chief competitor) even after curtailing his commitment to DC; but the painting that graced Dracula Lives #3 represented a new phase for the artist, one which would see him produce a number of covers in that medium for Marvel (though not in any sort of quantity approaching that of his earlier output at DC), primarily for black-and-white titles that weren’t even out yet as of this issue’s release (e.g., The Deadly Hands of Kung Fu) — titles which, when they did eventually make it to the magazine racks, would end the present horror-centric hegemony of the Marvel Monster Group.  Read More

Conan the Barbarian #24 (March, 1973)

Posted on by Alan Stewart

In December, 1972, Marvel Comics published the final issue of Conan the Barbarian drawn by Barry Windsor-Smith.  Again.

The young British artist’s first departure from the book had come just ten months earlier, with Conan #15.  But after a mere three issues away (the first of which in fact reprinted earlier work by Windsor-Smith), he was back on the book. reuniting with writer Roy Thomas on Conan #19 to launch an ambitious new multi-issue storyline, the “Hyrkanian War” epic.  Read More

Vampirella #18 (August, 1972)

Posted on by Alan Stewart

As regular readers of this blog may recall, I first encountered Warren Publishing’s Vampirella in the summer of 1971, courtesy of the series’ 1972 Annual — a collection of reprinted material from Vampi’s first two years by the likes of Neal Adams, Ernie Colón, and Wally Wood, with the exception of a single new story, “The Origin of Vampirella”.  I enjoyed it, but for reasons I can no longer recall, my younger self nevertheless waited until March, 1972 before deigning to pick up a regular issue of the title. Still, I evidently liked what I found within the pages of Vampirella #17, since I came back three months later for more.

On the other hand, it’s entirely possible that I would have picked up issue #18 even if I’d been indifferent to, or even actively disliked, the contents of #17 — since #18’s gorgeous cover by the Barcelonan painter Enrich Torres promised an appearance by Dracula.  And in 1972, I was into any and all things having to do with Transylvania’s most famous fictional (?) denizen. Read More