Warlock #13 (June, 1976)

Back in November, we looked at Warlock #11, in which artist-writer Jim Starlin wrapped up the “Magus” storyline he’d originally initiated with his first episode of Adam Warlock’s revived feature, one full year earlier.  It was a conclusion that, among other things, had given us a glimpse of Adam’s future death by cosmic suicide, as well as setting up a future conflict between our hero and his unlikely ally against the Magus, i.e., Thanos the Mad Titan.  As we asked at that time, what was the auteur going to do for an encore?  Read More

Strange Tales #180 (June, 1975)

Fifty years ago this month, the third installment of Marvel Comics’ revived “Warlock” feature arrived sporting yet another cover pencilled and inked by Jim Starlin, as well as a 19-page story pencilled, inked, colored, and written by… Jim Starlin.

Characteristically, the auteur didn’t let his multifaceted role in the comic’s production stop him from having a little fun with the credits on its opening splash page, even at the risk of confusing any newcomers:  Read More

Savage Sword of Conan #1 (August, 1974)

In June, 1974, the Hyborian Age was clearly in full flower at Marvel Comics.  Along with the latest installment of the publisher’s successful ongoing Conan the Barbarian series (issue #42, for the record), the month also brought the fans of Robert E. Howard’s famous sword-and-sorcery hero the first issue of a brand-new quarterly companion title, Giant-Size Conan.  This new series got off to a spectacular start, featuring the first chapter of a multi-part adaptation of Howard’s one and only Conan novel, “The Hour of the Dragon”, as written by Roy Thomas and drawn by Gil Kane and Tom Sutton.

And that wasn’t even the biggest news in Conan comics this month; rather, that distinction went to the main topic of today’s blog post, The Savage Sword of Conan #1 — the first issue of a brand-new black-and-white bi-monthly magazine devoted to the barbarian adventurer and his fellow Howardian heroes.  It was, in some ways, Conan’s third coming as far as the b&w comics market went, following as it did both the initial release of Savage Tales in January, 1971, and the subsequent relaunch of that title with its long-delayed second issue in June, 1973.  It was also the biggest black-and-white comic Marvel had yet published — a square-bound number that weighed in at 80 pages (as compared to the then standard 64), and cost a whole buck (as compared to Marvel’s other b&w offerings’ going price of 75 cents).  Read More

Dracula Lives #1 (May, 1973)

In February, 1973, Marvel Comics published 42 individual comic books — a 75% percent increase in production from the previous year, when the second month of 1972 had seen the company release a mere 24 new issues.  And notwithstanding such a prodigious expansion in production, the company (which had recently surpassed arch-rival DC Comics in sales numbers for the first time ever) wasn’t nearly done.  But Marvel’s next major phase of growth — which in fact began in that very month of February, 1973 — was to be in a different area than the full-color comics line in which it had made its mark.  Read More

Vampirella #21 (December, 1972)

If you read my post about Vampirella #18 back in June, you may recall that I promised at that time that I would eventually let you know how things ultimately turned out for Count Dracula, who’d begun a quest for redemption that was just getting started when that issue’s installment of the magazine’s titular lead feature reached its end.  Well, faithful readers, the time has come at last.  But please be advised that in order to do so properly, I’m first going to need to fill you in on the key events of the storyline’s chapters from Vampirella #19 and #20, so that what transpires in issue #21’s “Slitherers of the Sand!” will land, dramatically speaking, in the way its creators intended.  Also, as it turns out, this issue doesn’t really fully resolve the Dracula arc either, so we’re also going to be taking a quick look at some later appearances of the Count in Eerie as well as in Vampirella, just so we can say we’ve wrapped things up properly.

Oh, and of course we’ll also be covering the other three stories published in Vampirella #21 — the ones that don’t have anything to do with the lead feature or with Dracula.  After all, I wouldn’t want to shortchange you on that material, would I?  Read More

Eerie 1972 Annual

The 1972 Eerie Annual (and no, I don’t know why publisher James Warren stuck “1972” on a periodical published in July, 1971, though my guess is that he hoped that at least a few inattentive retailers might leave the item on the stands for a full eighteen months) was almost certainly the very first comics magazine from Warren Publishing that your humble blogger, then fourteen years of age, ever bought.

But it wasn’t the first Warren magazine I’d ever bought.  And it may not even have been my first Warren comic book, either — at least, not if you define the latter term as “a book full of comics”.

Lemme ‘splain.  Read More

Iron Man #14 (June, 1969)

By March, 1969, I’d been buying and reading Marvel comics regularly for about fifteen months, and I was gradually working my way through all of their superhero-headlining titles.  This was the month that I finally got around to Iron Man.

While I’d enjoyed the few brief guest appearances of the character I’d seen in Avengers, and also been intrigued by some of the covers I’d seen on the racks or in house ads, somehow I hadn’t bitten the bullet before now.  Maybe my younger self thought Tony Stark’s mustache made him look too old?  I really don’t remember.  Read More