Fantastic Four

Captain Marvel #39 (July, 1975)

Posted on by Alan Stewart

When last the regular readers of this blog saw Captain Marvel, he’d just been defeated and taken prisoner by the Watcher — a formerly benign, self-declared non-interventionist, whose sudden heel turn after over a decade of Marvel Comics appearances seemed to come out of nowhere — who had then proceeded to hand him over to the mysterious, heretofore unseen enemies who’d been giving our hero trouble ever since the end of auteur Jim Starlin’s run on the series — the Lunatic Legion.

Our first glimpse of those baddies (see right) made them look pretty loony, indeed.  But, considering that storytellers Steve Englehart (co-plotter/scripter), Al Milgrom (co-plotter/penciller) and Klaus Janson (inker) were giving us a Captain Marvel’s-eye view of the LL, here — and also considering that Mar-Vell was, at the time, tripping balls on LSD (euphemistically referred to in the story as “Vitamin C”, so as not to draw the unwelcome attention of the Comics Code Authority) — one might reasonably doubt whether the image we saw here was entirely representative of objective reality.  Read More

Strange Tales #178 (February, 1975)

Posted on by Alan Stewart

Back in June, we took a look at Captain Marvel #34, which was the last issue drawn and plotted by Jim Starlin.  As we discussed in that post, Starlin abruptly quit the series after delivering only one chapter of his first post-“Thanos War” storyline, unhappy with Marvel Comics’ seeming unwillingness, or inability, to give him a single consistent inker on the bi-monthly title.

Per remarks the creator has made in interviews over the years, his leaving Captain Marvel amounted to his leaving Marvel, period, at least for a little while.  As he explained in 1998 for an interview published in Comic Book Artist #2:  Read More

Giant-Size Avengers #2 (November, 1974)

Posted on by Alan Stewart

For the most part, the comics that came out as part of Marvel’s “Giant-Size” line in 1974 and 1975 featured stories that, while generally understood to be in continuity with those in the regular-size titles, didn’t directly lead into and/or out of those books.  Such had been the case with Giant-Size Avengers #1 (Aug., 1974), a standalone that was written by Marvel’s editor-in-chief (and former Avengers scribe) Roy Thomas, rather than by the man who’d been authoring the monthly adventures of Earth’s Mightiest Heroes since August, 1972, Steve Englehart.  But with the second issue of the Avengers’ new quarterly vehicle, Englehart was given the reins — and he decided to treat the book as an extra, if plus-sized, issue of the monthly title.

Of course, that didn’t mean that the contents of the “Giant-Size” version of the series shouldn’t be special.  And with Giant-Size Avengers #2, Englehart and his artistic collaborators definitely delivered on that idea, giving readers a twenty-nine page epic that stands to this day as one of the all-time Avengers classics — perhaps even, as writer Kurt Busiek (author of more than a few great Avengers yarns of his own) said in 2014, “the uncontested, anyone-who-says-otherwise-is-sadly-mistaken best single issue of AVENGERS”.  Read More

Avengers #129 (November, 1974)

Posted on by Alan Stewart

When we last saw the Avengers, it was at the end of Fantastic Four #150 — the second half of a crossover with Avengers #127 in which both of Marvel’s premiere super-teams came together in the Great Refuge of the Inhumans to celebrate the wedding of the one-time FFer Crystal to the inactive Avenger Quicksilver.

The next issue of Avengers, #128, picked up directly from that two-parter’s events, as behind a cover by Gil Kane and John Romita, writer Steve Englehart and artists Sal Buscema and Joe Staton opened with a scene of the Avengers and Fantastic Four arriving together back in New York, via Avengers quintet.  (Just why the two groups were now traveling together, when Avengers #127 had clearly established that they’d made the journey to Attilan separately, was never explained.  Maybe the FF lent their own ship to the newlyweds for their honeymoon?) Read More

Thor #228 (October, 1974)

Posted on by Alan Stewart

The primary subject of today’s blog post is the advent of artist Rich Buckler as the regular artist on Marvel Comics’ Thor (and despite the post’s title, we’ll be spending at least as much time on issue #227 — Buckler’s actual debut on the series — as we will on #228).  But as it’s been a while since we last checked in on the God of Thunder (at least in his own book), it’s probably advisable that we take a few moments here at the top to orient ourselves to the current lay of the land in Thor, in terms both of its ongoing storyline and of its creative team.  Read More

Fantastic Four #150 (September, 1974)

Posted on by Alan Stewart

A week ago, we took a look at Avengers #127 (Sep., 1974), the first half of a two-part crossover story set to conclude in the comic book that’s the main subject of the present post.  But while Fantastic Four #150 does in fact pick up immediately from the cliffhanger ending that closed out its predecessor, we’re going to be taking a somewhat circuitous route today to get to the splash page of “Ultron-7:He’ll Rule the World!”.  Why?  Well, as regular readers of this blog will surely recall, our Avengers #127 post promised that this follow-up would provide an explanation for that issue’s depiction of a happily reunited Reed and Sue Richards, who’d been very much on the outs the last time we’d encountered them in this space.  So that’s where we’ll begin.  Read More

Avengers #127 (September, 1974)

Posted on by Alan Stewart

Following their close-shave victory over the mad Titan Thanos in Avengers #125 and Captain Marvel #33, Earth’s Mightiest Heroes barely got a breather before they were beset by the newly teamed super-villains Klaw and Solarr in Avengers #126.  This was a one-off story, and frankly not one of the Assemblers’ most memorable adventures — although it did mark a couple of significant changes in the team’s active roster worth noting before we proceed to the main topic of today’s post.

The most obvious and expected one of these was the departure of Captain America, who, after all, had just renounced his costumed identity over in issue #176 of his own series — a series which, like Avengers, was written by Steve Englehart.  But the leave-taking of the Black Panther was arguably just as necessary, and probably overdue.  Ever since the second installment of T’Challa’s new solo feature, published in Jungle Action #6 almost a year earlier, writer Don McGregor and his artistic collaborators (primarily Rich Buckler, Gil Kane, and Billy Graham) had been chronicling a dense, ambitious, multi-part epic, “Panther’s Rage”, which took place entirely within the hero’s African kingdom of Wakanda.  After a time, it simply stretched reader credulity to the breaking point to have the Panther continue to appear every month with the New York-based Avengers — especially since it seemed unlikely that McGregor’s storyline was going to be wrapping up any time soon.  (For the record, the final full chapter of the epic would see print just over a year later, in Jungle Action #17, with an “Epilogue” following two months later in #18; alas, your humble blogger didn’t have the good sense to pick up this run of comics back in the day, so you won’t be reading too much more about “Panther’s Rage” on this blog, regretfully.)  Read More

Savage Tales #3 (February, 1974)

Posted on by Alan Stewart

As we covered in our discussion of Savage Tales #2 back in June, the promise made on that magazine’s last page — that the following issue would be on “on sale September 25 A.D. 1973 in this the Marvel age of swords and sorcery” — turned out to be off by almost exactly one month.  Savage Tales #3 would in fact not come out until October 23rd — its delay being a result, according to editor Roy Thomas, of business-based concerns over the title’s overall commercial viability.  And even now, the book’s future was far from secure — though we’ll wait and let Mr. Thomas deliver that fifty-year-old bad news himself per his ST #3 editorial, coming up later in this post.

For the moment, however, we’ll move right into the main event of the issue — the reason that my younger self would have continued to wait for ST #3 as long as required back in the day, and still considered the result to have been worth it: the conclusion of Thomas and artist Barry Windsor-Smith’s adaptation of Robert E. Howard’s final story of Conan the Barbarian, “Red Nails”. Read More

Fantastic Four #141 (December, 1973)

Posted on by Alan Stewart

Hard times at the Baxter Building.  Bleak House.  Heartbreak Hotel.  Is life not ironic?  If nothing else?  As Annihilus remarked back in issue #140.  Love and work had come between the Fantastic Four, America’s greatest superheroes.  For almost a year — a year in real time, a year in Paul Hood’s whirlpool teens, but a few days, no more, in the motionless, imperceptible time of Marvel comics — Sue Richards, née Storm, the Invisible Girl, had been estranged from her husband, Reed Richards.  With Franklin, their mysteriously equipped son, she was in seclusion in the country.  She would return only when Reed learned to understand the obligations of family, those paramount bonds that lay beneath the surface of his work.  In her stead, the Medusa had joined the Fantastic Four.  Medusa: Tibetan-born Inhuman and cousin of Johnny Storm’s paramour, Crystal, the Elemental…

The mood in the Baxter Building was grim.  Besides the Richards’s marital problems, Crystal had recently chosen to marry Quicksilver instead of Johnny Storm.  Sue was worried about Franklin’s trances; Reed was worried about Sue; Johnny was worried about Crystal; Ben Grimm was worried about himself.

It was a good period for readers of the F.F….

— from Rick Moody’s 1994 novel The Ice Storm.

Read More

Avengers #118 (December, 1973)

Posted on by Alan Stewart

It’s September, and we’ve finally arrived at the climax of Marvel Comics’ pioneering crossover event of the summer of 1973, the Avengers/Defenders War.  Having realized at last that they share a common enemy, the superheroes of the two feuding teams have united to save the world.

So it’s fitting that, for the first time since the storyline began, the cover of this chapter gives us a group shot of multiple members from both teams — although artists Ron Wilson and John Romita have probably chosen wisely in not trying to cram all fourteen heroes, plus supervillains Dormammu and Loki, into a single shot.  Rather, they’ve opted to go with just nine, and it’s interesting to take note of who’s been included.  Unsurprisingly, every character starring in their own series — that’s Thor, Iron Man, Captain America, and Black Panther (in Jungle Action) from the Avengers, plus Sub-Mariner, Hulk, and Doctor Strange (in Marvel Premiere) from the Defenders — makes the cut.  But that still leaves two slots, and they’ve both gone to female characters — the Avengers’ Scarlet Witch and the Defenders’ Valkyrie — which serves to make the cover at least slightly less of a sausage fest.  Better luck next time, Silver Surfer, Vision, Hawkeye, Swordsman, and Mantis (the only shero who didn’t make the cover).

Still, if you’re hankering for a big group shot featuring all the heroes from both teams, no exceptions, then have no worries; Marvel’s got you covered on the book’s opening splash page:  Read More