Forever People #1 (Feb.-Mar., 1971)

In December, 1970 — a little over three months after the appearance of Jack Kirby’s first new comic book work for DC, in Superman’s Pal, Jimmy Olsen #133 — the first of the creator’s three brand-new titles for the publisher finally had its debut, with Forever People #1. The comic’s cover, pencilled by Kirby and inked by Frank Giacoia, was a powerful (if somewhat busy) invitation to check out the story within — a story which, via its inclusion of Superman, was clearly set smack-dab in the middle of the DC universe every bit as much as Jimmy Olsen was.

But DC could have put the book out with nothing on the cover but the title, and it would have sold just as readily to my thirteen-year-old self.  Because after three wildly imaginative, breathlessly paced issues of Jimmy Olsen, I couldn’t wait to see what “King” Kirby would give us next.  Read More

Jimmy Olsen #134 (December, 1970)

In August, 1970, when DC Comics released Jimmy Olsen #133 — the first new comic book produced for the publisher by Jack Kirby to make it to print — they marked the occasion with a “Kirby Is Here!” banner headline (a consummation of the “Kirby Is Coming!” promotional campaign they’d been running the last couple of months), topping a cover drawn (mostly) by Kirby himself.

Two months later, when the publisher brought out their second Kirby comic, they continued to use his name as a selling point, with the cover’s banner headline now proclaiming “A King-Size Kirby Blockbuster!”  (“King-Sized” was in fact not an entirely accurate description, since both the physical comic itself and the featured story within were of standard length; perhaps DC was trying to evoke the “King” nickname that Kirby had acquired at his former employer, Marvel Comics.)  But the cover illustration itself wasn’t by Kirby, this time; rather, it was the work of Neal Adams. Read More

Jimmy Olsen #133 (October, 1970)

By August, 1970, I’d been buying and reading comic books for a full five years.  Somehow, however, in all that time, I hadn’t yet sampled an issue of Jimmy Olsen.

I’m not really sure why that was.  My very first comic book had been an issue of Superman, after all, and I’d picked up a couple of Lois Lanes pretty early on, as well.  And I don’t recall having anything particularly against the red-headed cub reporter (in comics, anyway — I think I always considered the version played by Jack Larson on the live-action TV show to be kind of a doofus).  Indeed, as best as I can remember, I actually kind of enjoyed Jimbo’s appearances in World’s Finest, where he basically functioned as the Robin to Superman’s Batman, as well as having his own team-up thing going with the genuine Boy Wonder on the side (the Olsen-Robin team even had their own secret HQ, the Eyrie).  Read More