Frank McLaughlin

Giant-Size Master of Kung Fu #1 (September, 1974)

Posted on by Alan Stewart

While this blog has briefly touched on the matter of Marvel’s 1974-75 line of “Giant-Size” comics in a few previous discussions, this is the first time we’ve devoted a post to a book in that fairly short-lived format.  So, I hope you all won’t mind if we take a little time here at the top of the page, before we flip past Giant-Size Master of Kung Fu #1’s Ron Wilson-Mike Esposito cover to take a look at this issue’s specific contents, to get into a little background on the introduction and early days of the “Giant-Size” format in general.  It’s an interesting story (at least in my opinion) that seems to indicate a certain degree of disorder in the Marvel offices around this time — disorder which might rise to the level of full-on chaos, but then again might not, depending on your point of view.  Read More

Marvel Spotlight #17 (September, 1974)

Posted on by Alan Stewart

If you were to take a deep dive into the credits page for writer Steve Gerber at the Mike’s Amazing World of Comics web site, you’d be forgiven if you ultimately concluded that, in the summer of 1974, he must have been scripting half of Marvel Comics’ entire line.  He wasn’t — not quite — but given that he was at that time responsible for six ongoing features, while also continuing to contribute the odd one-off short piece for anthology titles like Vampire Tales and Crazy, he was turning out at least as much verbiage for the House of Ideas as any other one writer, and arguably more. Read More

Savage Tales #4 (May, 1974)

Posted on by Alan Stewart

As we previously discussed in our post about Savage Tales #3 last October, back in the fall of 1973 it seemed that Marvel’s one-and-only sword-and-sorcery-centric black-and-white comics magazine was about to be cancelled — for the second time.  The first incarnation of Savage Tales had seen but one issue published in January, 1971 before Marvel’s then-publisher Martin Goodman pulled the plug; then, the second iteration, launched in June, 1972 following Goodman’s departure from the company he’d founded, had come under the scrutiny of an auditor for the conglomerate (Cadence Industries) that now owned Marvel.  According to a rather downbeat editorial by Roy Thomas that ran in ST #3, a go-ahead for producing further issues wouldn’t be given until sales numbers had been received for the relaunch; and if you read between the lines, the signs didn’t seem very encouraging. Read More

Captain America #172 (April, 1974)

Posted on by Alan Stewart

The ostensible main topic of today’s post, Captain America #172, is the first issue of the series in which writer Steve Englehart and artist Sal Buscema’s “Secret Empire” saga has the center stage completely to itself.  But the storyline may be said to have properly started three issues before this, in #169; and its earliest seeds show up a full six issues before that, in #163.  Read More

Avengers #117 (November, 1973)

Posted on by Alan Stewart

Before we leap right into the latest installment of Marvel Comics’ crossover event of summer, 1973 , the Avengers/Defenders War, let’s pause to note how its cover represents yet a third approach to representing the event in the context of a single 20-cent comic book — a comic which Marvel would have been keen to have a prospective buyer pick up, even if they hadn’t bought the ongoing storyline’s two previous episodes.  To wit: while the cover of Avengers #116 had spotlighted only the three heroes actively engaging in battle within its pages (i.e., Vision, Scarlet Witch, and Silver Surfer), and that of Defenders #9 “symbolically” shoehorned the three original Defenders (i.e., Dr. Strange, Hulk, and Sub-Mariner) into a scene of Iron Man vs. former Avenger/current Defender Hawkeye, this John Romita-Mike Esposito number puts the focus on the two marquee combatants (i.e., Captain America and Sub-Mariner) while giving us a selection of other Avengers in the form of floating heads, as well as teasing us with a partially-seen guest star… while never using the words “Defender” or “Defenders” at all.  It certainly makes for a marked contrast with the covers of most later multi-title crossover events at both Marvel and its rival DC Comics, where the emphasis is on making sure that a prospective buyer knows that a particular issue is part of the event, and so a “must-buy” for anyone following/collecting it… versus trying to downplay the possibility of someone not buying the comic because they don’t have all the previous chapters.  Times sure have changed, amirite?  Read More

Avengers #116 (October, 1973)

Posted on by Alan Stewart

According to writer Steve Englehart, the multi-issue Marvel Comics crossover event most of us refer to as the Avengers/Defenders War (Englehart himself prefers to call it the Avengers/Defenders Clash, God bless ‘im) had its origins in his personal affection for the classic Marvel Annuals he’d enjoyed as a fan in the 1960s — epic, overstuffed extravaganzas like the very crashed wedding of Reed Richards and the Invisible Girl in Fantastic Four Annual #3 (1965), or the save-the-timeline battle between the “new” and the “old” Avengers in Avengers Annual #2 (Sep., 1968).  As the writer confided in his 2010 introduction to Marvel Masterworks — The Defenders, Vol. 2, “I have great memories of finding these gems and sitting down in the shade of a tree on a sunny summer’s day to read them.”  But in recent years, such summertime Annuals as Marvel had continued to produce were mere collections of reprints — nice enough if you didn’t already have those stories, many of which were already classics, but not something you could really get excited about in the same way you could the extra-length, brand-new, “event” stories featured by the Annuals in their heyday.  Read More

Fear #15 (August, 1973)

Posted on by Alan Stewart

Back in September of last year we took a look at Fear #11 (Dec., 1972), featuring writer Steve Gerber’s debut outing on the “Man-Thing” feature (as well as the fifth appearance overall of that feature’s titular star).  As you may remember, that story introduced two siblings, Jennifer and Andy Kale, who lived with their grandfather in a small Florida town; the pair’s ill-advised experimentation with a book of magic spells “borrowed” from Grandpa inadvertently summoned a demon, the Nether-Spawn, who was only prevented from ravaging the town by the intervention of the Man-Thing, within whose swampy habitat the young people had conducted their spell-casting.  At the tale’s end, the Nether-Spawn had been banished back to his hellish dimension by the expedient of burning the spell-book, and the Kale kids had declared their gratitude and everlasting friendship for their shambling, semi-sentient savior.  There was no indication whether Gerber would return to these characters — or to the intriguing question of what Grandpa Kale was doing with such a powerful grimoire in the first place — but the conclusion certainly left the door open for a sequel.  Read More

Defenders #4 (February, 1973)

Posted on by Alan Stewart

Behind an attention-grabbing cover pencilled by John Buscema from a rough layout by Jim Starlin (and inked by Frank Giacoia), the Defenders creative team of writer Steve Englehart, penciller Sal Buscema, and inker Frank McLaughlin began this latest installment of the super-team’s continuing adventures right where the previous one had left off.

It wasn’t exactly what you’d call a happy scene…  Read More

Amazing Adventures #16 (January, 1973)

Posted on by Alan Stewart

In previous posts, we’ve discussed a couple of early “unofficial” crossovers between DC and Marvel Comics that appeared in 1969 and 1970.  Both involved an issue each of DC’s Justice League of America (#75 and #87) and Avengers (#70 and #85), and both were built on a conceit of each super-team series parodying the stars of the rival company’s book during the same month.  Part of the fun — at least for the creators responsible — was its mildly illicit nature, as none of the writers involved (JLA‘s Denny O’Neil and Mike Friedrich, Avengers‘ Roy Thomas) informed their bosses (DC’s Julius Schwartz, Marvel’s Stan Lee) what they were up to.  The results were perhaps something of a mixed bag (both as crossovers and simply as stories), but for the most part, these books made for a good time for comic-book fans.  Read More

Avengers #105 (November, 1972)

Posted on by Alan Stewart

Writing about Avengers #100 back in March of this year, I referred to the four issues that immediately followed that milestone as a “victory lap” for Roy Thomas, whose nearly-six-year tenure as the title’s writer was about to come to an end.   In characterizing Avengers #101-104 in such a fashion, I don’t mean to denigrate them; they’re not bad comics, by any means.  But coming directly upon the heels of the three-part “Olympus Trilogy” crafted by Thomas with Barry Windsor-Smith — and, right before that, the “Kree-Skrull War” epic by Thomas, Neal Adams, and Sal and John Buscema — these comics can’t help but seem somewhat anticlimactic by comparison.  I suppose there’s always been a part of me that kind of wishes that Thomas had just quit while he was ahead.  Read More