In recent months, we’ve followed the Phantom Stranger’s crusade against the secret society of sinister sorcerers called the Dark Circle, as chronicled by writer Len Wein and artist Jim Aparo. That crusade finally comes to an end in the 24th issue — so after pausing just long enough to admire Aparo’s typically fine, mood-setting cover, let’s turn to the first page and get right to it, shall we? Read More
Artist Jim Aparo’s dramatic cover for Phantom Stranger #23 depicts a scene that unmistakably calls back to Gaston Leroux’s 1909-10 novel Phantom of the Opera, or one of its several film adaptations; meanwhile, a blurb at the top plugs the opening installment of a new back-up series, “Frankenstein”. A prospective buyer eyeing this one in the spinner rack back in November, 1972, might well have wondered: didn’t the comic’s publisher, DC Comics, know that Halloween was last month? Why were they releasing this kind of Double Creature Feature now, after the spooky season had already passed?
On the other hand, this was the latest issue of Phantom Stranger — and “spooky” was what this comic book title was all about, not just in October, but all year long. So I suspect most fans probably didn’t think twice about the double dose of classic horror stars, half a century ago; in any event, I’m pretty sure I didn’t, either when I first eyed the cover, or when, after buying the book and taking it home, I finally turned to the first page… Read More
In October, 1972, the debut of Marvel Comics’ new title Frankenstein — or, if you prefer, The Monster of Frankenstein, as it says on the cover — is unlikely to have come as a surprise to anyone. Given the recent relaxing of the Comics Code Authority’s rules regarding the depiction of horror, as well as the subsequent launch by Marvel of two series featuring (or at least inspired by) the other members of Universal Pictures’ classic trinity of monsters — i.e., Dracula and the Wolfman — the four-color advent of a Marvel version of Victor Frankenstein’s famous creation must have seemed all but inevitable to most observers. Read More
Last summer I wrote a couple of blog posts detailing how I first started buying and reading Warren Publishing’s black-and-white magazine-sized horror comics, beginning with the 1972 Eerie and Vampirella Annuals and the 36th “regular” issue of Eerie, all of which came out in July, 1971. As I noted at the time, I was fated never to become a consistent, regular reader of Warren’s titles, their ultimately serving as but an occasional snack within my overall comic-book diet during the next ten years. Having said that, I’m still a little surprised that after getting off to such a strong start, it ended up taking me a whole seven months to get around to buying my fourth Warren. Possibly I was anxious about getting in trouble should my parents catch me with such “mature” reading material (which did happen, in fact, on at least one occasion). Assuming that was indeed the case, however (and even if it wasn’t), what was it that finally compelled me to go ahead and buy this issue of Eerie, after passing on the last three? I can’t claim to actually remember for sure, but I feel pretty confident that, as with so many other impulse purchases I’ve made over the more than half a century I’ve been buying comic books, I was sold by the cover. Read More