Justice League of America #108 (Nov.-Dec., 1973)

In August, 1973, the second half of the 11th annual team-up event between the Justice League of America and the Justice Society of America led off with a cover (by Nick Cardy) that clearly called back to a particular predecessor — namely, the cover that had graced the second half of the 5th such summertime event, way back in July, 1967.  And why not?  That Carmine Infantino-Murphy Anderson number is an all-time classic, which, aside from its own individual excellence, arguably established the motif of “two line-ups of superheroes charging each other” that has been a staple of super-team comic book covers ever since.

That said, it rankled me just a bit at the time — and, what the hell, I guess it still does — that to make the idea work in the context of JLA #108’s story by writer Len Wein and artists Dick Dillin and Dick Giordano, editor Julius Schwartz had to fudge the cover copy a bit.  After all, there aren’t just “two different Earths” represented among the eight costumed stalwarts heading towards blows whom we see on the cover above — there are three.  The JLA’s Earth-One, the JSA’s Earth-Two, and — as had been introduced to DC Comics’ readers just one issue before — Earth-X.  A world inhabited by yet another team of heroes, newly dubbed “the Freedom Fighters”, who had been published during the Golden Age of Comic Books by DC’s now-defunct rival, Quality Comics… and also a world where the Nazis had won World War II.  Read More

Justice League of America #56 (September, 1967)

This issue of JLA features “The Negative-Crisis on Earths One-Two!”, a story written by Gardner Fox and illustrated by Mike Sekowsky and Sid Greene.  It’s the second part of 1967’s Justice League – Justice Society team-up, an annual summertime tradition that DC Comics maintained from 1963 all the way through 1984.  I blogged about the first half of this tale a few weeks ago, and I’m sure you’re all eager to find out how our heroes get out of the mess they were in at the conclusion of JLA #55.  And we’ll get to that pretty soon — but first, I’d like us to spend a little quality time with the book’s cover.

To begin with, it’s just a great piece of work — one of the final, as well as one of the finest, products of penciller Carmine Infantino and inker Murphy Anderson’s long and profitable collaboration.  And as perhaps the first comic book cover to feature what would become an everlasting motif in the superhero genre — two line-ups of superheroes charging each other — it has historic significance as well.  Read More