Gary Friedrich

Strange Tales #180 (June, 1975)

Posted on by Alan Stewart

Fifty years ago this month, the third installment of Marvel Comics’ revived “Warlock” feature arrived sporting yet another cover pencilled and inked by Jim Starlin, as well as a 19-page story pencilled, inked, colored, and written by… Jim Starlin.

Characteristically, the auteur didn’t let his multifaceted role in the comic’s production stop him from having a little fun with the credits on its opening splash page, even at the risk of confusing any newcomers:  Read More

Giant-Size Avengers #4 (Jun., 1975)

Posted on by Alan Stewart

Back in August, 1974, after laying the necessary narrative groundwork for many months, Avengers writer Steve Englehart had inaugurated his “Celestial Madonna” story arc with a pair of issues that came out within a couple of weeks of each other: Avengers #129 and Giant-Size Avengers #2.  Half a year later, in February, 1975, the saga would reach its conclusion in a parallel fashion, with the final chapters appearing in that month’s issues of both the regular monthly Avengers title and its giant-sized quarterly companion.  Read More

Marvel Spotlight #12 (October, 1973)

Posted on by Alan Stewart

In several previous blog posts (most extensively in this one), I’ve described the early 1970s horror boom in American comics as part of a larger wave of interest in monsters (especially among young people) that can be traced back to the arrival of the classic old Universal monster movies on television in the late 1950s, and that flourished in the following decade and beyond, ultimately giving us such enduring cultural artifacts as Bobby “Boris” Pickett’s hit 1962 single “Monster Mash”, the Gothic TV soap opera Dark Shadows (which premiered in 1966, but didn’t really didn’t take off until the arrival of the vampire Barnabas Collins in ’67), and, lest we forget, Count Chocula and Franken Berry breakfast cereals, which first crept onto grocery shelves in 1971.  It was a legitimate popular phenomenon, but one that had largely passed American color comics by — at least until the early 1971 revisions to the Comics Code, which allowed for vampires, werewolves, and ghouls to be used “when handled in the classic tradition such as Frankenstein, Dracula, and other high calibre literary works” for the first time since the Code’s adoption in 1954.  Before too many months had passed, spinner racks were filling up with titles like Tomb of Dracula, Werewolf by Night, Frankenstein, and Swamp Thing — and fifty years ago, in the summer of 1973, new ones were continuing to arrive.  Read More

Frankenstein #5 (September, 1973)

Posted on by Alan Stewart

Last October, we took a look at Marvel Comics’ Frankenstein #1 (Jan., 1973), the first issue of an ongoing series that kicked off with an adaptation of Mary Shelley’s 1818 novel of the same name.  This adaptation, written by Gary Friedrich and drawn by Mike Ploog, would run for three issues, and probably still ranks as one of the most faithful takes on Shelley’s classic work ever attempted in comic books (even if Ploog’s design for the Monster owed at least as much to Universal Studios’ Frankenstein movies of the 1930s and ’40s as it did to Shelley’s text).

As you may recall, Friedrich and Ploog retold Shelley’s story within a narrative framework set a hundred year’s after its events, as an Arctic expedition led by Captain Robert Walton IV — the namesake and great-grandson of a character from the novel — discovered the body of Victor Frankenstein’s Monster frozen in a wall of ice.  The expedition not only retrieved the Monster, but inadvertently resuscitated him, setting off a chain of events which ultimately caused the wreck of Walton’s ship and the deaths of most of his crew.  Read More

Defenders #4 (February, 1973)

Posted on by Alan Stewart

Behind an attention-grabbing cover pencilled by John Buscema from a rough layout by Jim Starlin (and inked by Frank Giacoia), the Defenders creative team of writer Steve Englehart, penciller Sal Buscema, and inker Frank McLaughlin began this latest installment of the super-team’s continuing adventures right where the previous one had left off.

It wasn’t exactly what you’d call a happy scene…  Read More

Frankenstein #1 (January, 1973)

Posted on by Alan Stewart

In October, 1972, the debut of Marvel Comics’ new title Frankenstein — or, if you prefer, The Monster of Frankenstein, as it says on the cover — is unlikely to have come as a surprise to anyone.  Given the recent relaxing of the Comics Code Authority’s rules regarding the depiction of horror, as well as the subsequent launch by Marvel of two series featuring (or at least inspired by) the other members of Universal Pictures’ classic trinity of monsters — i.e., Dracula and the Wolfman — the four-color advent of a Marvel version of Victor Frankenstein’s famous creation must have seemed all but inevitable to most observers.  Read More

Marvel Spotlight #5 (August, 1972)

Posted on by Alan Stewart

Like many another character to arise out of the production methods of the two major American comic book companies, Marvel Comics’ supernatural superhero Ghost Rider — the one with the flaming skull — had a number of creative minds involved in his beginnings.

Or, alternatively, he was in every significant sense the creation of one sole individual.  It all depends on whom you ask. (Or perhaps that should be “asked”, as more than one of the principals involved is no longer with us.)

That’s true in regards to a number of other comics characters as well, of course — though in most cases, the difference in opinion doesn’t make it all the way to federal court.  But more on that a bit later.  For now, let’s begin with a fact that’s not in dispute — to wit, that the flaming-skull guy who debuted in the 5th issue of Marvel Spotlight half a century ago was not the first comic book hero to bear the name “Ghost Rider”.  Read More

Daredevil #84 (February, 1972)

Posted on by Alan Stewart

In his 2013 book Marvel Comics: The Untold Story, Sean Howe tells of how young writer Gerry Conway first came to work for the publisher, circa 1970:

Born in Brooklyn, Conway was eight years old when Fantastic Four #1 hit the stands. By the time he was sixteen, he was writing scripts for DC Comics; soon after, he met [associate editor] Roy Thomas, who assigned him a Marvel writers’ test. But [editor Stan] Lee was, as usual, less than impressed with the way another writer handled the characters he shepherded.

 

“He writes really well for a seventeen-year-old kid,” Thomas reasoned.

 

Lee, who himself had first walked into Marvel’s offices at that age, paused. “Well, can’t we get someone who writes really well for a twenty-five-year-old kid?”

The point of the anecdote (at least for Howe) seems to be the irony of Lee’s doubting that someone could be ready to start writing for Marvel at age seventeen, when that’s exactly how old he’d been himself when he’d begun working for his cousin’s husband, Martin Goodman, circa 1940.  But, after some consideration, your humble blogger is of the opinion that Stan the Man may have been on to something.

Maybe Gerry Conway wasn’t quite ready to handle the monthly adventures of Daredevil, Iron Man, Sub-Mariner, et al, fresh out of high school.  Read More

Captain America #144 (December, 1971)

Posted on by Alan Stewart

In September, 1971, I bought my first issue of Captain America in almost two years; today, fifty years later, I’m not sure how to account for my long abstinence from the adventures of the Star-Spangled Avenger, especially considering that I was buying every other superhero title Marvel Comics was putting out at that time.  (Well, almost every other title.  Hulk remained a tough sell for your humble blogger, except for those occasions when his series crossed over with other books I followed, like Avengers.)  Read More

Amazing Adventures #1 (August, 1970)

Posted on by Alan Stewart

As I’ve previously related on this blog, I didn’t start buying Marvel comics on a regular basis until January, 1968 (though I’d bought my very first such issue almost half a year earlier, in August, ’67); therefore, I pretty much completely missed the era of Marvel’s original “split” books, Strange Tales, Tales to Astonish, and Tales of Suspense. Indeed, the month I became a full-fledged Marvelite was the very same month that Marvel rolled out Captain America and the Hulk in their brand-new solo titles, with Iron Man, Sub-Mariner, Doctor Strange, and Nick Fury soon to follow.  It was a near miss, for sure; but it was a miss, all the same.

Still, even if I hadn’t experienced the old split book format firsthand, I knew what it was.  So, I doubt I was more than mildly surprised (if that) to see Marvel bringing it back after an absence of more than two years with the premiere issues of Amazing Adventures and Astonishing Tales, both released in May, 1970.  Read More