Doctor Strange #9 (August, 1975)

When we last left Doctor Strange back in January, he and his lover/apprentice Clea were trapped in the Dark Dimension, facing down the demonic minions of the Dread Dormammu — a group led by Dormammu’s chief disciple, Orini, whom both Doc and we readers had just learned was Clea’s own father.

That startling revelation had come on the closing page of Doctor Strange #7; for that reason, despite the fact that the title up there says this post is about issue #9, we’re going to be starting things off instead with a look at #8, whose cover by Gil Kane and Tom Palmer is shown at right.  If you’re a regular reader, you already know this drill by heart… so, let’s get started:  Read More

Captain Marvel #39 (July, 1975)

When last the regular readers of this blog saw Captain Marvel, he’d just been defeated and taken prisoner by the Watcher — a formerly benign, self-declared non-interventionist, whose sudden heel turn after over a decade of Marvel Comics appearances seemed to come out of nowhere — who had then proceeded to hand him over to the mysterious, heretofore unseen enemies who’d been giving our hero trouble ever since the end of auteur Jim Starlin’s run on the series — the Lunatic Legion.

Our first glimpse of those baddies (see right) made them look pretty loony, indeed.  But, considering that storytellers Steve Englehart (co-plotter/scripter), Al Milgrom (co-plotter/penciller) and Klaus Janson (inker) were giving us a Captain Marvel’s-eye view of the LL, here — and also considering that Mar-Vell was, at the time, tripping balls on LSD (euphemistically referred to in the story as “Vitamin C”, so as not to draw the unwelcome attention of the Comics Code Authority) — one might reasonably doubt whether the image we saw here was entirely representative of objective reality.  Read More

Doctor Strange #7 (April, 1975)

Fifty years ago this month, this issue of Doctor Strange (second series) continued the storyline begun one issue earlier by the book’s ongoing regular writer Steve Englehart and “new” (actually returning, from the Doc’s first series) regular artist Gene Colan — a storyline that on first glance seemed to center on our hero’s old foe Umar the Unrelenting, but which by the end of its first episode had pulled back the curtain on an even older (as well as rather more famous) enemy of Doc’s: the Dread Dormammu.  Read More

Defenders #20 (February, 1975)

Art by Jim Starlin (and maybe John Romita).

Art by John Romita (and maybe Tony Mortellaro).

Fifty years ago, in November, 1974, Steve Gerber began his tenure as the regular writer of Marvel Comics’ Defenders series with the very issue we’re discussing here today.  But, as we’ve covered in a couple of recent posts, Gerber had already been warming up for his new assignment for several months.  In October, he’d scripted the third issue of the “non-team”‘s quarterly vehicle, Giant-Size Defenders, working from a plot by himself, artist Jim Starlin, and incumbent Defenders writer Len Wein.  But even beyond that, readers picking up Defenders #20 in November found that they weren’t just buying the first issue of the group’s monthly title to carry Gerber’s name in the credits; rather, they were coming in on the third chapter of a continued storyline that had begun back in August in the pages of another Gerber book, Marvel Two-in-One, which regularly featured the Fantastic Four’s Thing teamed up with a rotating roster of guest stars — in this case, the two Defenders known respectively as Doctor Strange, who’d co-headlined with Ben Grimm in MTiO #6, and the Valkyrie, who’d done the same in MTiO #7.  Read More

Doctor Strange #6 (February, 1975)

As we discussed in this space two months ago, the fifth issue of the second volume of Doctor Strange marked the end of the very successful collaboration of Steve Englehart (co-plotter and scripter) and Frank Brunner (co-plotter and artist) on the feature… more or less.  That “more or less” refers to the fact that Brunner had one last contribution to make to the series before turning his full focus to the upcoming (and eagerly awaited) “Howard the Duck” strip — i.e., the lovely cover shown above, which the artist pencilled, inked, and colored, making for a memorable final bow.

Once we readers of November, 1975 turned past the cover to the opening splash page, however, it was clear that artistic change had indeed come to Doctor Strange — even if it wasn’t entirely a matter of “out with the old, in with the new…”  Read More

Unknown Worlds of Science Fiction #1 (January, 1975)

In February of last year, we ran a post on the first issue of Worlds Unknown — a four-color anthology title from Marvel Comics devoted to the science fiction genre, with a special focus on adapting short stories and novels by well-known SF authors.  As we discussed at the time, this passion project of Marvel’s editor-in-chief, Roy Thomas, saw just six issues released in this format before it took a hard turn in a decidedly different direction (an adaptation of the fantasy film The Golden Voyage of Sinbad) for its final two issues, the last of which came out in April, 1974.

Given its poor performance in the marketplace, Thomas’ project could hardly be called a success; still, in October of the same year, it became clear that the editor hadn’t given up on the basic idea behind it, as that month saw the debut of a brand new entry in Marvel’s ever-growing, and ever more genre-diverse, line of black-and-white comics magazines:  Unknown Worlds of Science Fiction.  Read More

Doctor Strange #4 (October, 1974)

As we previously noted in our post about Doctor Strange #2 back in May, in June, 1974, Marvel Comics provided fans of the Master of the Mystic Arts’ normally bimonthly series with the release of an extra issue.  But Doctor Strange #3 didn’t feature the third chapter of the continuing story begun by scripter/co-plotter Steve Englehart and penciller/co-plotter Frank Brunner back in the premiere issue of their hero’s newly revived solo title; rather, behind a new cover by Brunner (and also wrapped within a new 1 1/2-page framing sequence by Englehart, Brunner, and inker Alan Weiss), the comic offered an edited presentation of an old story that had originally run in Strange Tales #126 (Nov., 1964) and #127 (Dec., 1964).  That tale by Stan Lee and Steve Ditko was indisputably a stone classic, and as a latecomer who’d only arrived at the Doc Strange party in 1969, my younger self was happy to have it; still, even I was impatient to see the continuation of the Sorcerer Supreme’s current quest to escape the Orb of Agamotto, and rescue his beloved Clea from the sinister but self-righteous Silver Dagger, by the time Doctor Strange #4 finally showed up in the spinner rack.  Read More

Tomb of Dracula #25 (October, 1974)

The story told within the pages of this issue of Tomb of Dracula is, for the most part, a self-contained narrative; what’s often referred to as a “done in one”.  That said, it’s still one episode in an ongoing serial continuity, which means that it inevitably makes reference to past events — and thus, to help us make the most of this look back, we’ll start by briefly reviewing a few relevant story beats that have transpired since the last time we checked in with Count Dracula and his supporting cast, via the two-part crossover between Tomb of Dracula #18 and Werewolf by Night #15 covered here late last year.  Read More

Dracula Lives #6 (May, 1974)

In March, 1974, Marvel Comics’ black-and-white magazine Dracula Lives entered its second year of publication with a format relatively little changed from its first issue — meaning that it featured three all-new stories of the titular vampire (one set in the present, two set in the past), supplemented by illustrated text features and a reprint or two, all packaged behind a color painted cover.  (In this case, the cover was provided by Luis Dominguez, an Argentinian artist who’d been busy of late drawing covers [and occasional stories] for various DC Comics anthology titles; this was his third published cover for a Marvel horror magazine.)  Read More

Werewolf by Night #15 (March, 1974)

The second and concluding chapter of Marvel Comics’ 1973 crossover between Tomb of Dracula and Werewolf by Night introduces itself with a spectacular cover by Mike Ploog: one that epitomizes Marvel’s early-’70s horror trend as well or better than any other I can think of; and, truth be told, one of my very favorite covers in any genre from this particular era of comics.

Beyond the cover, writer Marv Wolfman, penciller Ploog, and inker Frank Chiaramonte pick up the story right where Wolfman, penciller Gene Colan, and inker Tom Palmer left off at the end of ToD #18, with our two series’ protagonists quite literally at each other’s throats: Read More