What defines a comic book superhero as a unique character? Is it a name, or a costume, or a power set? What about a hero’s “secret identity”? Does it even matter who’s wearing the costume?
For what it’s worth, I suspect that the majority of people reading this post have a general conception of “Superman” as a single, unique character, albeit one with multiple versions — “pre-Crisis”, “New 52”, “Golden Age”, and so on. It’s probably the same with Batman, or Wonder Woman — or with Captain America, Iron Man, or the Mighty Thor, for that matter. Even if these heroes undergo occasional costume modifications or power fluctuations — and even if someone else steps into their heroic role for a time in the service of a storyline — there’s still a sense of a core character underneath it all — an “ur-Superman”, an “ur-Batman”, and so forth. Read More
The estimable and invaluable web resource known as the Grand Comics Database, without which the production of this blog would be exponentially more difficult (if not downright impossible), generally confines its content to verified (or at least verifiable) facts. Its entry for Batman #183, however, contains the following anonymous “Indexer Note”:
“Camp style stories in the fashion of the TV series begin.”
That statement, on the face of it, appears to assert as fact something which, if we’re going to be honest and objective, surely must be reckoned a matter of subjective opinion, no matter how well-informed. But because it is from the Grand Comics Database — and also because we’ve already noted how, in the letters column of the last non-reprint issue of Batman prior to this one, editor Julius Schwartz dropped a non sequitur reference to “camp” — I think it’s worthwhile to examine Batman #183 in the context of that claim. Read More