George Tuska

Avengers #141 (November, 1975)

Posted on by Alan Stewart

The main topic of today’s post is Avengers #141, which kicked off the last major story arc of one of the series’ defining writers, Steve Englehart — and also featured the debut on the series of one of its most celebrated artists, George Pérez.  But given that the last issue of the title we looked at on this blog was #137, back in April — and that that one ended on a fairly large cliffhanger, with the Wasp having just been seriously injured by the enigmatic alien known as the Stranger — we’ll have some catching up to do in regards to the three intervening issues before we can move on to the latest doings of Earth’s Mightiest Heroes, circa August, 1975.  Read More

Avengers #137 (July, 1975)

Posted on by Alan Stewart

As we discussed in our Giant-Size Avengers #4 post back in February, that comic had marked the end of a long sequence of stories by writer Steve Englehart and his various artistic collaborators — the “Celestial Madonna” saga — that had brought significant changes to the team.  Perhaps the most of critical of these were the exits of the Swordsman (who’d actually perished in Giant-Size Avengers #2, but had been kinda-sorta brought back since then) and Mantis (who’d only “officially” become an Avenger in the final pages of GSA #4, but had been such a regular part of their adventures since issue #114 that she really might as well have been a member all along).  Whatever else might be in store for Earth’s Mightiest Heroes, it certainly made sense that one or more additions to the team’s roster — whether in the form or returning veterans, fresh new recruits, or a mix of both — lay in the near future.  Read More

Giant-Size X-Men #1 (May, 1975)

Posted on by Alan Stewart

Cover layout by Gil Kane, featuring only the new X-Men team lineup.

The completed original art for the cover, with the new team pencilled by Kane and the old team pencilled by Dave Cockrum; all inks by Cockrum.

Half a century after its original release, there’s little doubt that the subject of today’s post was the most historically significant mainstream American comic book released in 1975; indeed, it’s arguably in the very top tier for the entire decade of the Seventies.  But in April, 1975, it arrived with very little fanfare — at least in the relatively isolated comics-reading world of your humble blogger, who at age seventeen still wasn’t tuned in to what little fan press there was at the time.  I don’t recall seeing any house ads for Giant-Size X-Men #1 ahead of its release, and the only promotion of the book I’ve been able to locate in any Marvel Bullpen Bulletins page published around then is a brief mention in the column that ran in the company’s March-shipping issues, reporting how artist Dave Cockrum’s being chosen to illustrate the project represented the realization of the “fan dream of a lifetime”.  That may well have been the only heads-up I had that this book was coming out at all, prior to seeing its soon-to-be-iconic cover by Cockrum and Gil Kane staring out at me from the spinner rack. Read More

Giant-Size Avengers #4 (Jun., 1975)

Posted on by Alan Stewart

Back in August, 1974, after laying the necessary narrative groundwork for many months, Avengers writer Steve Englehart had inaugurated his “Celestial Madonna” story arc with a pair of issues that came out within a couple of weeks of each other: Avengers #129 and Giant-Size Avengers #2.  Half a year later, in February, 1975, the saga would reach its conclusion in a parallel fashion, with the final chapters appearing in that month’s issues of both the regular monthly Avengers title and its giant-sized quarterly companion.  Read More

Marvel Two-in-One #7 (January, 1975)

Posted on by Alan Stewart

As of October, 1974, Steve Gerber had been the writer on Marvel Two-in-One for a year — ever since the series teaming the Fantastic Four’s Thing with a rotating cast of co-stars had jumped from its previous home in Marvel Feature to its own brand-new title, in fact.  Intriguingly (though perhaps also understandably), with the whole Marvel Universe to play with, Gerber had initially opted to choose Benjamin J. Grimm’s partners in adventuring from environs he already knew well — that is, from other series he was already writing.  So it was that in MTiO #1, the Thing had come face-to-face with his half-namesake, the Man-Thing; next, in issue #2 he’d first fought and then joined forces with the Sub-Mariner; and then, in #3, he’d teamed up with Daredevil — a trio of co-stars who were all also headliners in other Gerber titles.  Read More

Planet of the Apes #1 (August, 1974)

Posted on by Alan Stewart

In June, 1974, my sixteen-year-old self was well-primed for the debut of a comic book series based on the Planet of the Apes media franchise.  True, at the time I’d seen only two out of the five extant movies — Escape from the Planet of the Apes (1971) and Conquest of the Planet of the Apes (1972), both of which I saw in theaters (to this day, I have no idea how or why I missed catching the fifth film, 1973’s Battle for the Planet of the Apes, at the movie house, but there it is).  But I’d read the English translation of Pierre Boulle’s La Planète des singes, the 1963 French novel on which the first film was based, as well as Michael Avallone’s paperback novelization of the second film, Beneath the Planet of the Apes, and, most recently, David Gerrold’s corresponding effort re: Battle.  So I was about as up-to-date on my “Apes” lore as it was possible to be in those pre-home video days, given that I’d missed the broadcast premieres of the first three films on The CBS Friday Night Movie the previous autumn (perhaps because I was out with friends, but more likely because my parents wanted to watch something else, and we were a one-TV household at the time).  In any event, I was more than ready for more Apes content.
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Avengers #127 (September, 1974)

Posted on by Alan Stewart

Following their close-shave victory over the mad Titan Thanos in Avengers #125 and Captain Marvel #33, Earth’s Mightiest Heroes barely got a breather before they were beset by the newly teamed super-villains Klaw and Solarr in Avengers #126.  This was a one-off story, and frankly not one of the Assemblers’ most memorable adventures — although it did mark a couple of significant changes in the team’s active roster worth noting before we proceed to the main topic of today’s post.

The most obvious and expected one of these was the departure of Captain America, who, after all, had just renounced his costumed identity over in issue #176 of his own series — a series which, like Avengers, was written by Steve Englehart.  But the leave-taking of the Black Panther was arguably just as necessary, and probably overdue.  Ever since the second installment of T’Challa’s new solo feature, published in Jungle Action #6 almost a year earlier, writer Don McGregor and his artistic collaborators (primarily Rich Buckler, Gil Kane, and Billy Graham) had been chronicling a dense, ambitious, multi-part epic, “Panther’s Rage”, which took place entirely within the hero’s African kingdom of Wakanda.  After a time, it simply stretched reader credulity to the breaking point to have the Panther continue to appear every month with the New York-based Avengers — especially since it seemed unlikely that McGregor’s storyline was going to be wrapping up any time soon.  (For the record, the final full chapter of the epic would see print just over a year later, in Jungle Action #17, with an “Epilogue” following two months later in #18; alas, your humble blogger didn’t have the good sense to pick up this run of comics back in the day, so you won’t be reading too much more about “Panther’s Rage” on this blog, regretfully.)  Read More

Daredevil #105 (November, 1973)

Posted on by Alan Stewart

In summer,1973, my younger self was still pretty isolated as a comic-book reader.  Good, lasting face-to-face friendships with fellow enthusiasts were on the horizon, but had not yet arrived, and I wasn’t reading fanzines.  Therefore, I generally picked up on hot new titles — or on newly hot streaks on older titles — via the publishers’ own marketing efforts, or by reader buzz in the letters columns… or by sheer happenstance.

So how did I finally catch on to what artist-plotter Jim Starlin was up to in Captain Marvel, some five issues and eight months into his soon-to-be-classic run?  As best as I can tell, it was due mostly to the latter of those three options — more specifically, via a very unlikely tie-in with, of all things, Daredevil.  Read More

Amazing Spider-Man #122 (July, 1973)

Posted on by Alan Stewart

Like its immediate predecessor, the 122nd issue of Amazing Spider-Man leads off with a cover by John Romita, which, if not quite as iconic as that of #121, is still an exceptionally arresting image.  Not to mention one which, back in April, 1973, would likely have shocked the hell out of any semi-regular reader of the web-slinger’s series who had somehow managed to miss not only that most monumental of issues, but also any fannish discussion of same over the several weeks since its release on March 13th.

If there were any such readers fifty years ago, and if they hoped for some sort of recap to bring them up to speed on the details of how so something so unthinkable as the murder of Spider-Man’s beloved Gwen Stacy had come to pass, they were pretty much out of luck — because the creative team behind both the previous episode and this one — i.e., scripter Gerry Conway, penciller Gil Kane, foreground inker John Romita (who may have also contributed to the plot) and background inker Tony Mortellaro — weren’t about to break their storyline’s headlong momentum with any more exposition than was minimally required, let alone any flashbacks:  Read More

Sub-Mariner #62 (June, 1973)

Posted on by Alan Stewart

In our post last October regarding Sub-Mariner #57, we discussed how Subby’s creator Bill Everett, who’d returned to write and draw the series in 1972 with issue #50, began to have trouble keeping up with the book’s monthly schedule due to chronic health issues; this situation eventually led to occasional fill-ins by other creators, as well as to ongoing help for Everett on both the writing and artistic ends of things.

During this period, the continuing uncertainty over Everett’s status month-to-month was evidenced in the title’s letters pages, where the anonymous Marvel Bullpener(s) responsible for answering reader correspondence would be telling fans in one issue (#55) that Everett probably wouldn’t be handling every story going forward, as “getting back into the swing of a monthly deadline is harder than you might imagine”; then, a few months later (in issue #58), explaining that “due to deadline problems, Bill will now be doing final art over the layouts of Irv Wesley [i.e., Sam Kweskin, who occasionally used the Wesley pen name], while Steve Gerber, working closely with the ebullient Mr. Everett, who will continue to plot the yarns, handles the scripting chores”; and then, finally, acknowledging (in #59) that “Bouncin’ Bill Everett has, indeed, moved on to other projects for Mighty Marvel (the monthly deadline on Subby’s book, sadly, proved too much for the compulsively conscientious Mr. Everett to handle)”.  Read More