As we related on this blog back in February, in early 1971 Marvel Comics became the first major American comic-book company to publish a story dealing with drug abuse, when they released three monthly issues of Amazing Spider-Man without the Comics Code Authority’s Seal of Approval. But DC Comics could easily have been the first to do so, instead, if only they’d had the nerve — or at least that’s how artist Neal Adams tells the story.
That story appears to begin with a project that DC was invited to produce for a government agency (either the City or the State of New York, depending on the version of Adams’ narrative you consult). Both Adams and his creative collaborator on DC’s famously socially conscious title Green Lantern, writer Denny O’Neil, were asked to submit treatments for a comic book about drug addiction. This, presumably, would have been some sort of giveaway comic, distributed in such a manner that the Comics Code would have been irrelevant — but the project never came to fruition. As Adams told interviewer Bryan Stroud in 2007: Read More
Green Lantern #81, the sixth issue of writer Denny O’Neil and artist Neal Adams’ classic “Green Lantern/Green Arrow” run, represented a couple of “firsts” for the series. For one, the superheroine Black Canary, who’d previously appeared in issues #78 and #79, was cover-billed as a guest-star for the first time. For another, this was the first installment that overtly heralded the major social issue dramatized within the book’s pages with a cover blurb, i.e., the “Population Explosion!”
Along with these firsts, however, issue #81 almost had the added distinction of being the last issue drawn by Neal Adams. As the artist would later tell interviewer Arlen Schumer (in Comic Book Marketplace #40 [Oct., 1996]), “I thought we started to run out of ideas when we ran the overpopulation story… Politically, I had a problem with the book.” Read More
If you happened to read my blog post about Green Lantern #55 some weeks back, you’ll recall that that issue was merely the first chapter of a two-part epic. But if you missed that post, or would simply appreciate a memory refresher, here’s a handy recap of GL #55’s “Cosmic Enemy Number One” from writer John Broome and artist Gil Kane — straight from the splash page of issue #56 itself: Read More
Some years ago, when the late, lamented Comics Buyer’s Guide was still being published, comics writer and critic Tony Isabella offered up in its pages an opinion that’s always stuck with me — namely, that although he liked Green Lantern just fine, he’d never liked the concept of the Green Lantern Corps. As far as Mr. Isabella was concerned (and it’s been a long time since I read this, so I’m paraphrasing), a universe full of alien heroes all sharing the same name, wearing the same costume, and bearing the same super-powers as “our” Green Lantern, Hal Jordan, made Hal less special. The reason that this opinion has remained lodged in my memory, I think, is that I’ve always felt precisely the opposite. It’s the fact that Green Lantern is one of many heroes with the same name, powers, etc., that makes him (and his adventures) stand out from the rest of his costumed, code-named peers. Read More