According to the account given by Marvel editor-in-chief Roy Thomas on the letters page of Amazing Adventures #18, the new feature that made its debut in that issue had been gestating for some time. (“Two long and not always enjoyable years,” to quote the man himself.) It had all started in 1971, when Marvel was looking to expand its market share in a big way, and Stan Lee (himself still editor-in-chief at that time) asked Thomas to submit a list of ideas for new comics for consideration by Lee and Marvel’s publisher, Martin Goodman. Among those ideas was a series concept based on H.G. Wells’ classic late-Victorian science fiction novel, The War of the Worlds.
More specifically, Thomas imagined “a vast, hopefully unending sequel to the Wells classic. A storyline which would pit earthmen in a kind of guerrilla warfare against the Martians, who had returned approximately 100 years after their initial invasion attempt… and who this time had come, seen, and conquered.” Read More
First off, please be advised that this blog post is going to be one of the long ones. That’s primarily due to the fact that, in addition to covering the specific fifty-year-old comic book that gives the post its title, your humble blogger is also goiing to take a shot at answering the age-old conundrum: who came first, DC Comics’ Swamp Thing or Marvel Comics’ Man-Thing? (Regular readers may recall that when the blog spotlighted the second Man-Thing story, back in March, I promised something of this sort would be forthcoming; that moment has at last arrived.)
But it’s also destined to be at least a bit on the long side because before I can even get into discussing Swamp Thing #1, I feel that it’s necessary to give some attention to an even older comic, one that came out over fifty-one years ago. Of course, I’m talking about House of Secrets #92, published by DC in April, 1971; the comic book whose first eight pages gave us the very first “Swamp Thing” story, as written by Len Wein, drawn (mostly) by Bernie Wrightson, and edited by Joe Orlando. Neither the behind-the-scenes story of how Swamp Thing-the-series came to be — nor my own initial reactions to the first issue of the latter, as a fifteen-year-old reader in August, 1972 — make a whole lot of sense outside of the context of that classic tale. So, that’s where we’re starting, on what in all probability will indeed be a lengthy (though hopefully also enjoyable) journey. Forewarned is forearmed, eh? Read More
Any of you out there who aren’t already familiar with this particular comic book may be taking a look at its John Buscema-Joe Sinnott cover right now and thinking, “Nice, but what’s so special about Ka-Zar rasslin’ a big alligator, even underwater, that Astonishing Tales #12 should rate its own blog post?” The fact of the matter, however, is that this issue (along with its immediate follow-up, Astonishing Tales #13) represents a significant chapter in the histories of not one, but two, semi-major Marvel Comics characters — neither one of whom happens to be the self-styled Lord of the Savage Land. Read More
Born in Brooklyn, Conway was eight years old when Fantastic Four #1 hit the stands. By the time he was sixteen, he was writing scripts for DC Comics; soon after, he met [associate editor] Roy Thomas, who assigned him a Marvel writers’ test. But [editor Stan] Lee was, as usual, less than impressed with the way another writer handled the characters he shepherded.
“He writes really well for a seventeen-year-old kid,” Thomas reasoned.
Lee, who himself had first walked into Marvel’s offices at that age, paused. “Well, can’t we get someone who writes really well for a twenty-five-year-old kid?”
The point of the anecdote (at least for Howe) seems to be the irony of Lee’s doubting that someone could be ready to start writing for Marvel at age seventeen, when that’s exactly how old he’d been himself when he’d begun working for his cousin’s husband, Martin Goodman, circa 1940. But, after some consideration, your humble blogger is of the opinion that Stan the Man may have been on to something.
Maybe Gerry Conway wasn’t quite ready to handle the monthly adventures of Daredevil, Iron Man, Sub-Mariner, et al, fresh out of high school. Read More
As regular readers will recall, we’ve begun the last two Marvel-focused posts on this blog with excerpts from the Bulletin Bulletins page that ran in the company’s comics published in July, 1971 — and we see no reason to break that run with this installment. Especially since the very next Bulletin following those we’ve already shared is specifically about the subject of today’s post.
Coming after a Roy Thomas editorial and “ITEM!” that dealt with Lee’s decision to take a brief sabbatical from comics writing (and what that meant for the series he usually scripted, such as Amazing Spider-Man) — and directly preceded by another item announcing the move of several Marvel titles (including Conan the Barbarian) to a larger, 25-cent format — this Bulletin caught the attention of readers (well, this particular fourteen-year-old reader, at any rate) with a graphic by Gene Colan and Tom Palmer from Doctor Strange #180, featuring that book’s titular star — a hero who, in the wake of the cancellation of his series with issue #183, had been conspicuous by his absence from the Marvel Universe ever since a late-1969 guest appearance in Incredible Hulk which had effectively retired the character: Read More
In the waning months of 1970, with the early sales reports on their new Conan the Barbarian series good enough to warrant bumping the title up from bi-monthly to monthly publication, Marvel Comics — likely driven at least in part by the enthusiasm of Conan writer (and Marvel associate editor) Roy Thomas — decided to take a chance on another sword-and-sorcery barbarian hero created decades earlier by pulp writer Robert E. Howard: King Kull.
Though he’d almost immediately come to be seen by comics fans (well, by this one, anyway) as Howard’s “number two” hero, Kull was actually the earlier creation, predating the author’s imagining of Conan the Cimmerian by some three years. Kull could even be seen as the prototype for the later, more commercially successful hero, as the very first Conan story, “The Phoenix on the Sword” (published in the magazine Weird Tales in 1932) was a reworked version of an unsold Kull yarn, “By This Axe I Rule!”Read More
“Harlan Ellison Month” (well, “Harlan Ellison Week +1”, anyway) continues here today at “Attack of the 50 Year Old Comic Books”, as we take a look at the second half of a two-issue crossover between Avengers and Hulk, originally published in March, 1971, which the writer of those two Marvel series, Roy Thomas, adapted from a plot synopsis by Mr. Ellison.
I’m not going to provide a summary of the tale’s opening chapter here, mostly because the recap provided on the first three pages of Hulk #140 (which’ll be coming up shortly) will tell you pretty much everything you need to know to be able to follow the rest of the story — and also because you can, at any time, click on this link for the Avengers #88 post if you missed reading it a few days ago, and you really do want all the details. Even so, before we plunge head-first into the comic’s narrative, we need to take a moment to note what Thomas, as scripter, is going to be getting up to in these pages. And to facilitate our doing that, we’re going to quickly flip to the back of the book, to have a look at the letters column. Read More
When I first started buying Marvel comics in 1968, Daredevil was one of the first of the company’s titles that I sampled; over the next couple of years, it would be one of my most consistent purchases from any publisher. With that in mind, it seems a little odd that when I returned to the adventures of the Man Without Fear in December, 1970, after more than a year’s hiatus, I came back by way of a crossover with Iron Man — a Marvel series I’d only read intermittently up to this point. Read More
I was never more than a semi-regular reader of the original Silver Surfer series — out of the first year’s worth of bi-monthly issues, I only purchased #1, #4, and #5. On the other hand, I recall liking all three of those issues (especially the first two) quite a bit. So I’m not entirely sure why, after one more issue, #7 (which also happened to be the last that Marvel published in a double-sized, 25-cent, bi-monthly format), I basically told the book goodbye. I do remember being a bit disappointed by this issue’s “Frankenstein” tale — mainly, I think, because I was expecting a monster, and all I got was an evil replica of the Surfer himself. Perhaps that was all it took; in any event, when the series went to a standard 15-cent format and monthly schedule with issue #8 (Sep., 1969), I didn’t bite — and I wouldn’t, until almost a year later, when — probably attracted by the fact that the Inhumans were guest starring — I picked up #18. Read More
Back in September, I wrote about buying and reading my first issue of Sub-Mariner, #20, a mostly done-in-one tale (in keeping with Marvel’s new “no continued stories” policy) which nevertheless ended on an inconclusive note — though Namor, Prince of Atlantis, had escaped the clutches of Doctor Doom, he was still a fugitive in New York City, hunted by the U.S. military as well as by the municipal police, and unable to escape to the ocean depths due to having had his gills surgically closed by a forgettable villain from outer space called (checks notes) the Stalker. I ended the post by asking the question: would my twelve-year-old self be invested enough in Namor’s plight to come back for issue #21? On the face of it, it seemed a dubious prospect, as I was becoming somewhat less interested in comics in general around this time. After all, if I was on the verge of dropping titles I’d been buying regularly for a year or more, including Avengers and Daredevil, what sense would it make for me to start getting involved with yet another series? Read More