As regular readers will recall, we’ve begun the last two Marvel-focused posts on this blog with excerpts from the Bulletin Bulletins page that ran in the company’s comics published in July, 1971 — and we see no reason to break that run with this installment. Especially since the very next Bulletin following those we’ve already shared is specifically about the subject of today’s post.
Coming after a Roy Thomas editorial and “ITEM!” that dealt with Lee’s decision to take a brief sabbatical from comics writing (and what that meant for the series he usually scripted, such as Amazing Spider-Man) — and directly preceded by another item announcing the move of several Marvel titles (including Conan the Barbarian) to a larger, 25-cent format — this Bulletin caught the attention of readers (well, this particular fourteen-year-old reader, at any rate) with a graphic by Gene Colan and Tom Palmer from Doctor Strange #180, featuring that book’s titular star — a hero who, in the wake of the cancellation of his series with issue #183, had been conspicuous by his absence from the Marvel Universe ever since a late-1969 guest appearance in Incredible Hulk which had effectively retired the character: Read More
In the waning months of 1970, with the early sales reports on their new Conan the Barbarian series good enough to warrant bumping the title up from bi-monthly to monthly publication, Marvel Comics — likely driven at least in part by the enthusiasm of Conan writer (and Marvel associate editor) Roy Thomas — decided to take a chance on another sword-and-sorcery barbarian hero created decades earlier by pulp writer Robert E. Howard: King Kull.
Though he’d almost immediately come to be seen by comics fans (well, by this one, anyway) as Howard’s “number two” hero, Kull was actually the earlier creation, predating the author’s imagining of Conan the Cimmerian by some three years. Kull could even be seen as the prototype for the later, more commercially successful hero, as the very first Conan story, “The Phoenix on the Sword” (published in the magazine Weird Tales in 1932) was a reworked version of an unsold Kull yarn, “By This Axe I Rule!”Read More
“Harlan Ellison Month” (well, “Harlan Ellison Week +1”, anyway) continues here today at “Attack of the 50 Year Old Comic Books”, as we take a look at the second half of a two-issue crossover between Avengers and Hulk, originally published in March, 1971, which the writer of those two Marvel series, Roy Thomas, adapted from a plot synopsis by Mr. Ellison.
I’m not going to provide a summary of the tale’s opening chapter here, mostly because the recap provided on the first three pages of Hulk #140 (which’ll be coming up shortly) will tell you pretty much everything you need to know to be able to follow the rest of the story — and also because you can, at any time, click on this link for the Avengers #88 post if you missed reading it a few days ago, and you really do want all the details. Even so, before we plunge head-first into the comic’s narrative, we need to take a moment to note what Thomas, as scripter, is going to be getting up to in these pages. And to facilitate our doing that, we’re going to quickly flip to the back of the book, to have a look at the letters column. Read More
When I first started buying Marvel comics in 1968, Daredevil was one of the first of the company’s titles that I sampled; over the next couple of years, it would be one of my most consistent purchases from any publisher. With that in mind, it seems a little odd that when I returned to the adventures of the Man Without Fear in December, 1970, after more than a year’s hiatus, I came back by way of a crossover with Iron Man — a Marvel series I’d only read intermittently up to this point. Read More
I was never more than a semi-regular reader of the original Silver Surfer series — out of the first year’s worth of bi-monthly issues, I only purchased #1, #4, and #5. On the other hand, I recall liking all three of those issues (especially the first two) quite a bit. So I’m not entirely sure why, after one more issue, #7 (which also happened to be the last that Marvel published in a double-sized, 25-cent, bi-monthly format), I basically told the book goodbye. I do remember being a bit disappointed by this issue’s “Frankenstein” tale — mainly, I think, because I was expecting a monster, and all I got was an evil replica of the Surfer himself. Perhaps that was all it took; in any event, when the series went to a standard 15-cent format and monthly schedule with issue #8 (Sep., 1969), I didn’t bite — and I wouldn’t, until almost a year later, when — probably attracted by the fact that the Inhumans were guest starring — I picked up #18. Read More
Back in September, I wrote about buying and reading my first issue of Sub-Mariner, #20, a mostly done-in-one tale (in keeping with Marvel’s new “no continued stories” policy) which nevertheless ended on an inconclusive note — though Namor, Prince of Atlantis, had escaped the clutches of Doctor Doom, he was still a fugitive in New York City, hunted by the U.S. military as well as by the municipal police, and unable to escape to the ocean depths due to having had his gills surgically closed by a forgettable villain from outer space called (checks notes) the Stalker. I ended the post by asking the question: would my twelve-year-old self be invested enough in Namor’s plight to come back for issue #21? On the face of it, it seemed a dubious prospect, as I was becoming somewhat less interested in comics in general around this time. After all, if I was on the verge of dropping titles I’d been buying regularly for a year or more, including Avengers and Daredevil, what sense would it make for me to start getting involved with yet another series? Read More
By May, 1969, I’d been reading Marvel comics regularly for about a year and a half, and had sampled at least one issue of most of their superhero-fronted titles — most, but not quite all. This month, I finally got around to checking out The Incredible Hulk.
At this time, my knowledge of the Hulk was pretty much limited to what I’d been able to glean from his guest appearances in comics I had read, the most substantial of which had been in Avengers Annual #2 (Sept.,1968) and Captain America #110 (Feb., 1969). From those, I’d learned at least some of the basics regarding the character — I knew, for instance, that the Hulk was the super-strong alter ego of Dr. Bruce Banner, an otherwise “ordinary” human being. I even knew a bit about his past history with a teenager named Rick Jones. But I also knew that he was belligerent, dangerously uncontrollable, and — at least sometimes (especially as depicted by artist Jim Steranko in CA #110) — rather frightening. Based on what I’d seen so far, I didn’t quite understand what made the Hulk a superhero.
But Marvel certainly seemed to be positioning him as a superhero, as best as I could tell; and I liked Marvel superhero comics. Thus, it was inevitable that I’d give the Hulk’s series a shot sooner and later; and when Hulk #118 came along, it probably seemed like an ideal opportunity to take the plunge, if only because the issue guest-starred the one other Marvel heroic headliner whose title I still hadn’t sampled: Prince Namor, the Sub-Mariner. Read More
As I’ve related in previous posts, I was a little slow in warming up to Doctor Strange. Marvel Comics finally got me in late 1968, however, through the double-barrelled approach of first giving him a visual makeover, and then guest-starring him in The Avengers. Those moves caught my interest — which, according to what Roy Thomas (a Marvel associate editor at the time, not to mention the writer of both Doctor Strange and Avengers) would state decades later in his introduction to Marvel Masterworks – Doctor Strange, Vol. 3, was precisely what the publisher had hoped they’d do.
But the next issue of Doctor Strange to hit the stands after Avengers #61 was a reprint, featuring the good Doctor’s “old look” — though, since it was a reprint of a classic tale by Steve Ditko and Stan Lee that co-starred Spider-Man, and which was 100 % new to me, I didn’t really have much to complain about. Still, I was happy to see Doctor Strange #180, the “real” follow-up to Avengers #61, when it finally arrived in early February, 1969. Read More