Human Torch

Giant-Size Avengers #4 (Jun., 1975)

Posted on by Alan Stewart

Back in August, 1974, after laying the necessary narrative groundwork for many months, Avengers writer Steve Englehart had inaugurated his “Celestial Madonna” story arc with a pair of issues that came out within a couple of weeks of each other: Avengers #129 and Giant-Size Avengers #2.  Half a year later, in February, 1975, the saga would reach its conclusion in a parallel fashion, with the final chapters appearing in that month’s issues of both the regular monthly Avengers title and its giant-sized quarterly companion.  Read More

Avengers #134 (April, 1975)

Posted on by Alan Stewart

While it may say “Avengers #134 (April, 1975)” on the title line above — and, yes, that is that very issue’s cover (pencilled by Gil Kane, inked by Joe Sinnott, and probably touched up by John Romita) that’s displayed right above that — we’ll actually be beginning this post by looking at the preceding issue, Avengers #133 (whose cover by Kane, Dave Cockrum, and Frank Giacoia is shown at left).  That’s because the last time we checked in with Earth’s Mightiest Heroes was in November’s post about Giant-Size Avengers #3, which, as you may remember, ended right in the middle of the extended storyline that today is generally known as the “Celestial Madonna Saga”.  And while covering more than one comic in a single blog post is hardly anything new around these parts, your humble blogger feels moved to point out that, even more than with most continued stories of this era, this one happens to be so information-dense, particularly at this juncture, that a brief synopsis could never, ever cut it.  Read More

Giant-Size Avengers #3 (February, 1975)

Posted on by Alan Stewart

Last month we took a look at Avengers #131, which ended with Earth’s Mightiest Heroes being transported against their wills to the realm of Limbo, where they were set to face off against a Legion of the Unliving assembled by their long-time foe, Kang the Conqueror.  This month, we’ll be discussing the “two-part triple-length triumph” which that comic’s final page promised as a follow-up… a story which, following a pattern that had been set the last time that an issue of the quarterly Giant-Size Avengers rolled around, doesn’t actually begin in the book whose Gil Kane-Frank Giacoia cover graces the top of this post; but, rather, in the one whose cover by Ron Wilson and Giacoia is shown at right: the latest (as of fifty years ago) issue of our assembled heroes’ regular monthly title, Avengers #132 (Feb., 1975).  Read More

Fantastic Four #150 (September, 1974)

Posted on by Alan Stewart

A week ago, we took a look at Avengers #127 (Sep., 1974), the first half of a two-part crossover story set to conclude in the comic book that’s the main subject of the present post.  But while Fantastic Four #150 does in fact pick up immediately from the cliffhanger ending that closed out its predecessor, we’re going to be taking a somewhat circuitous route today to get to the splash page of “Ultron-7:He’ll Rule the World!”.  Why?  Well, as regular readers of this blog will surely recall, our Avengers #127 post promised that this follow-up would provide an explanation for that issue’s depiction of a happily reunited Reed and Sue Richards, who’d been very much on the outs the last time we’d encountered them in this space.  So that’s where we’ll begin.  Read More

Avengers #127 (September, 1974)

Posted on by Alan Stewart

Following their close-shave victory over the mad Titan Thanos in Avengers #125 and Captain Marvel #33, Earth’s Mightiest Heroes barely got a breather before they were beset by the newly teamed super-villains Klaw and Solarr in Avengers #126.  This was a one-off story, and frankly not one of the Assemblers’ most memorable adventures — although it did mark a couple of significant changes in the team’s active roster worth noting before we proceed to the main topic of today’s post.

The most obvious and expected one of these was the departure of Captain America, who, after all, had just renounced his costumed identity over in issue #176 of his own series — a series which, like Avengers, was written by Steve Englehart.  But the leave-taking of the Black Panther was arguably just as necessary, and probably overdue.  Ever since the second installment of T’Challa’s new solo feature, published in Jungle Action #6 almost a year earlier, writer Don McGregor and his artistic collaborators (primarily Rich Buckler, Gil Kane, and Billy Graham) had been chronicling a dense, ambitious, multi-part epic, “Panther’s Rage”, which took place entirely within the hero’s African kingdom of Wakanda.  After a time, it simply stretched reader credulity to the breaking point to have the Panther continue to appear every month with the New York-based Avengers — especially since it seemed unlikely that McGregor’s storyline was going to be wrapping up any time soon.  (For the record, the final full chapter of the epic would see print just over a year later, in Jungle Action #17, with an “Epilogue” following two months later in #18; alas, your humble blogger didn’t have the good sense to pick up this run of comics back in the day, so you won’t be reading too much more about “Panther’s Rage” on this blog, regretfully.)  Read More

Marvel Two-in-One #2 (March, 1974)

Posted on by Alan Stewart

As we covered here back in August, the twelfth — and final — issue of Marvel Feature ended with Benjamin J. Grimm (aka the Thing), stranded in a desert in the American Southwest.  But we Marvel Comics readers of 1973 had no need to worry over the fate of our rocky orange hero, since just two months later, the narrative of Ben’s travails picked right up in Marvel Two-in-One #1 — the first issue of a brand-new title devoted to the “Thing Team-Up” series premise that had made its debut in Marvel Feature #11.

With the new title came a (mostly) new creative team; for, while longtime Fantastic Four inker Joe Sinnott soldiered on, making sure that Aunt Petunia’a favorite nephew remained reliably on-model, the series was now being written by Steve Gerber and pencilled by Gil Kane.  Gerber and Kane faithfully picked up the threads left behind by previous storytellers Mike Friedrich and Jim Starlin, having Ben Grimm finally reach civilization and buy a bus ticket home to New York — only to exchange it for one for Florida, after catching sight of a news story regarding a certain muck-encrusted mockery of a man who’d been sighted shambling about the Sunshine State’s swampy Everglades.  “Like it ain’t bad enuff just bein’ the Thing –!” Ben complained aloud to an uncaring universe.  “This bug-eyed mudball’s gotta come along and rip off my name!”  Read More

Fantastic Four #141 (December, 1973)

Posted on by Alan Stewart

Hard times at the Baxter Building.  Bleak House.  Heartbreak Hotel.  Is life not ironic?  If nothing else?  As Annihilus remarked back in issue #140.  Love and work had come between the Fantastic Four, America’s greatest superheroes.  For almost a year — a year in real time, a year in Paul Hood’s whirlpool teens, but a few days, no more, in the motionless, imperceptible time of Marvel comics — Sue Richards, née Storm, the Invisible Girl, had been estranged from her husband, Reed Richards.  With Franklin, their mysteriously equipped son, she was in seclusion in the country.  She would return only when Reed learned to understand the obligations of family, those paramount bonds that lay beneath the surface of his work.  In her stead, the Medusa had joined the Fantastic Four.  Medusa: Tibetan-born Inhuman and cousin of Johnny Storm’s paramour, Crystal, the Elemental…

The mood in the Baxter Building was grim.  Besides the Richards’s marital problems, Crystal had recently chosen to marry Quicksilver instead of Johnny Storm.  Sue was worried about Franklin’s trances; Reed was worried about Sue; Johnny was worried about Crystal; Ben Grimm was worried about himself.

It was a good period for readers of the F.F….

— from Rick Moody’s 1994 novel The Ice Storm.

Read More

Hero for Hire #9 (May, 1973)

Posted on by Alan Stewart

In March, 1972, Marvel Comics published the first issue of Hero for Hire.  The new comic’s titular star, Luke Cage, wasn’t Marvel’s first Black superhero (that distinction belonged to the Black Panther, who debuted in 1966), or even its first Black American superhero (that would be the Falcon, whose first appearance came in 1969).  But he was the first Black superhero to star in his very own comics title — not just from Marvel, but from any major American company — and that made the release of Hero for Hire #1 a milestone.

According to Roy Thomas, the initiative to create Luke Cage came from Stan Lee, who was then on the verge of ascending from his longtime role as Marvel’s editor-in-chief to become its publisher — and who was determined to diversify Marvel’s line on a number of levels, one of which was race.  Taking obvious inspiration from the “blaxpoitation” trend in early 1970s American cinema, Lee and Thomas worked with writer Archie Goodwin and artist John Romita to conceptualize and design the new hero, before bringing two more artists on board — George Tuska and Billy Graham. (the latter being the only Black person among this assortment of talents) — to craft the first issue’s story with Goodwin.  Read More

Fantastic Four #131 (February, 1973)

Posted on by Alan Stewart

Readers of our Avengers #105 post back in July may recall how that issue’s plot — the first from the title’s brand new writer, Steve Englehart — concerned the team’s search for their missing member Quicksilver, who’d disappeared towards the end of the previous issue.  Following the inconclusive resolution to their efforts in that tale, Earth’s Mightiest Heroes would continue their quest for the mutant speedster for months to come.  But, surprisingly — well, it surprised me, back in November, 1972 — when Pietro Maximoff was finally “found”, it didn’t happen in the pages of Avengers; instead, Quicksilver resurfaced in, of all things, an issue of Fantastic Four — which, as it happened, was the new super-team scripting gig of Roy Thomas, the man who’d written Avengers for the last five-plus years prior to Englehart taking over, and thus the guy who’d launched the whole “where is Pietro?” mystery in the first place.  From a creative standpoint, it made a certain kind of sense that Thomas would be the one to ultimately wrap things up; but in terms of the ongoing mega-story of the Marvel Universe, it seemed to come out of nowhere.  How did Quicksilver ever manage to end up in the Himalayan homeland of the Inhumans, the Great Refuge?  And why the heck was he fighting the Fantastic Four’s Human Torch, Johnny Storm? Read More