Flash #203 (February, 1971)

When I originally started buying comic books back in 1965, The Flash was one of the first titles I picked up;  over the next couple of years, it was one of my most regular purchases.  But my interest in the title fell off sharply following the end of Carmine Infantino’s tenure as penciller, and as of December, 1970, I hadn’t bought an issue of the Scarlet Speedster’s own title in over two years.  I still liked the character, and enjoyed reading about him in Justice League of America and elsewhere (I’d especially relished seeing him win his third race with Superman in World’s Finest #199, published just a couple of months previously), but his solo series had lost its appeal for me.

Until Flash #203 hit the spinner rack — and its stunning Neal Adams-Jack Adler cover grabbed me by the eyeballs, not letting me go until after I’d plunked my fifteen cents down on the Tote-Sum counter and taken that bad boy home.  Read More

Flash #165 (November, 1966)

Comic book superheroes don’t get married very often.  The conventional wisdom is that tying the knot not only puts an end to any dramatic tension in a hero’s current romance, but that it also severely limits the storylines that writers and artists can explore with that hero in the future.  The pull of this idea among modern comics creators is so strong that even superheroes who’ve been married for as long as 15 years (Superman), or 20 (Spider-Man), can find themselves suddenly single — not through anything so mundane as legal divorce, of course, but rather by way of such plot machinations as having the Devil alter the characters’ history (Spider-Man), or rebooting a whole universe (Superman).     Read More