What defines a comic book superhero as a unique character? Is it a name, or a costume, or a power set? What about a hero’s “secret identity”? Does it even matter who’s wearing the costume?
For what it’s worth, I suspect that the majority of people reading this post have a general conception of “Superman” as a single, unique character, albeit one with multiple versions — “pre-Crisis”, “New 52”, “Golden Age”, and so on. It’s probably the same with Batman, or Wonder Woman — or with Captain America, Iron Man, or the Mighty Thor, for that matter. Even if these heroes undergo occasional costume modifications or power fluctuations — and even if someone else steps into their heroic role for a time in the service of a storyline — there’s still a sense of a core character underneath it all — an “ur-Superman”, an “ur-Batman”, and so forth. Read More
This issue featured the second appearance of the original Green Lantern, Alan Scott, as a guest star in the comic book headlined by his “successor”, Hal Jordan. Alan’s first guest shot had occurred less than a year previously, in Green Lantern #40’s “The Secret Origin of the Guardians” — a tale that eventually turned out to be one of the most consequential stories DC ever published, at least in terms of fictional universe-building (or, more accurately, multiverse-building). Although this second team-up of the two Lanterns, “Prince Peril’s Power Play”, was produced by the same creative team of writer John Broome, penciller Gil Kane, and inker Sid Greene, it wasn’t destined to achieve the same fame as the first one; still, it had (and has) several special things going for it. One of these was a second, different “guest appearance”, of a wholly different sort from Alan Scott’s, which we’ll get around to discussing a little later. Another was a greatly expanded role for a supporting character who’d only appeared briefly in GL #40 — Alan Scott’s chauffeur and sidekick, Charles “Doiby” Dickles. Read More